山的注视

正阳光下,它很大,它的石壁,它的褶皱,它的沟壑,它的覆盖着易碎的泥土的缓坡,它的雪崩似的滚滚尘埃。它在光的中心,它像盐像玻璃一样闪亮,它岿然不动,独立于高空之中。它身上一切都是那么坚硬,那么真实。人们可以谈论它,讲述它的故事,探索它的起源,说说住在它上面的人。人们可以计算它的体积,研究它的构成,它的演变。然而这一切又能如何呢?它还是它,不动,不听,不应。人们可以在它身上取一小块石头,带往很远的地方,几千公里吧,或者扔进大海。之后,山依然如故。山是持久的,强大的,它的基石扎根在大地深处,随着人的远离,它始终赫然立于地平线上,继而变得越来越     

走过青春的叛逆

邻居家的小亮,初中毕业没多久,就开始了打工生涯.那天,我在一家网吧门口碰到他,原本那样一个清秀的小男孩,如今把头发染成了金黄色,烫了很夸张的发型.围在他身边的几个男孩,也都叼着香烟,戴着耳环,穿磨破了很多洞的牛仔裤,在女生面前极力摆酷. 小亮偶一回头,目光和我相遇,立刻涨红着脸,叫了声“阿姨”.那一刻的他,刹那间还原了纯真的面目.这些大人眼里所谓的“坏孩子”,正处在青春的叛逆期,为了向世界宣告他们的成长,于是夸张,于是另类,我在心里感叹着,也原谅着,因为,谁的青春不曾叛逆呢?     

让水仙在心头绽放——感悟阅读的美好

有一种美,是徜徉山水,沐浴四季风光,感受春日的和风,夏日的凉阴,秋日的落霞,冬日的暖阳;有一种美,是畅游书海,领略异域风情,一览撒哈拉沙漠的浩瀚,黄土高原的空旷,伦敦大都市的繁华,俄罗斯苹果园的宁静。有一种美,是放飞心灵,洗尽世俗铅华,享受诗人的浪漫,文人的豁达,哲人的思辨,智者的从容。在经济飞速发展的今天,高压力、快节奏的生活,使人难得闲     

春天的颜色

正春悄悄地来了,你知道春天的颜色吗?阳台上,红红的郁金香开了,火红火红的,啊,春天是红色的。果园里,梨花开了,雪白雪白的,啊,春天是白色的。田野里,油菜花开了,金黄金黄的,啊,春天是金色的。     

乡村哲学

<正>在偏远的乡下,随便的一块地里,拔起一根葱,或者挖出一棵荠菜,不用洗,简单收拾一下,就可放在嘴里生吃掉。是的,上面什么也没有。除了一些干透的雨渍,一些风的印痕,一些阳光的温度,最多,有一只不合时宜的虫子。但,都是香的。雨渍是香的,风是香的,阳光是香的,虫子的不合时宜也是香的。那是一种干净的香。偏远的乡村,靠天吃饭,坏的东西是进不来的。包括,那些坏掉了的良心。有一个人跋山涉水,在村子里,终于找到了要找的人。他来赎罪。在那个特殊的年代,他说了不该说的     

从公厕的修建到大粪主义

中国古代,对于人的排泄问题,其实很看重,庄稼一枝花,全靠粪当家,农村的人,一粪一溺,都浪费不得,要肥自家的田。因此,无论马桶也罢,厕所也罢,总而言之最后都要沤了肥田,所谓肥水不落外人田,就是这个意思,如果出门来不及回家方便,粪便掉在别人家地里,无论如何都会有点懊悔,特别敬业的,往往会找个家什捧回来。南方大一点的集镇,也有人建公厕,这种公厕,跟公益无关,属于私人的赢利事业,用来专门收集赶集人的粪便,然后卖给农民。当然,对于赶集的农民,一般都指望不上,但是对于那些走街串巷的艺人、手艺人和商人,却也是个便利。一些坐商,在买卖商品之余,卖点白拣的粪便,也是小补。     

一路走去

携一身久坐斗室的疲惫,他,走了出去,从喧嚣的城市,朝着黄昏中的原野走了出去,仿佛一只快乐的小鸟逃出牢笼。空气,空气是那么的清新,就像雨水洗过,洗过的森林。春泥散发出迷人的体味。植物吐纳出可人的馨香。农家屋顶炊烟袅袅,像一个扭着腰肢走秀的模特。田间小路,劳作一天归家的形影匆匆。屋檐下,夜归的燕子展翅,划出丽影。一路走去,风景,越来越美。一幅偌大的画卷,大自然巧夺天工的画卷,徐徐,在他面前,打开,展开,铺开。他,是幸运的,他破卷而入。美丽的风景让他疲惫渐消。脚步轻快,他踏歌而去。     

故都的秋

秋天,无论在什么地方的秋天,总是好的,可是啊,北国的秋,却来得清,来得静,来得悲凉。江南,秋当然也是有的,但草木凋得慢,空气来得润,天的颜色显得淡,并且又时常多雨而少风。一个人夹在苏州、上海、杭州,或厦门、香港、广州的市民中间,混混沌沌地过去,只能感到一点点清凉,秋的味、秋的色、秋的意境与姿态,总看不饱,尝不透,赏玩不到十足。秋并不是名花,也并不是美酒,那一种半开、半醉的状态,在领略秋的过程上,是不合适的。不逢北国之秋,已将近十余年了。在南方,每年到     

走出课堂,让语言奔跑

正我们知道,我们的孩子,不喜欢读书,不喜欢教室,不喜欢学校的不少。学生的作文干巴巴的,没有生气,没有灵气,没有趣味,像枯萎的花朵,像生锈的铁钉。可怜的母语,可怜的语文,可怜的阅读,可怜的作文,可怜的孩子们。我们知道,孩子们没有学习语文的热情。在孩子们看来,在教室里读书,老师的语言也是干巴巴的,老师不是缺乏热情,老师不是缺乏多媒体的技术,老师缺乏的是自由的心灵,准确地说,老     

我心美丽

秋日的午后,邀上好友,咖啡馆小憩,惬意,悠闲。喜欢这里的感觉。一幢欧式小洋楼,掩映在绿树之间,远远望去,古朴,幽雅。咖啡宣传牌,是用粉笔写的,有种怀旧的老上海的味道。几株绿萝顺着洁白的墙壁悠然垂下,静静地,好像在诉说着它永远也说不完的故事。窗外不远处,是一棵高大的古     

漂泊的身世与超越的情怀--柳永其人其词

柳永是宋代全力作词并取得多方面开创性成就的第一位词人，对当时和以后的词学发展产生了广泛而久远的影响。赢得“凡有井水饮处，即能歌柳词”的社会声誉。他的词作既是他所经历所理解的社会生活的反映，同时也是他不假掩饰的真实情感的流露。这些词无论是思想内容，还是艺术表现手法，都展现出令人耳目一新的美学风貌，蕴含着长久不衰的艺术魅力。     

论刘基以诗议政的创作倾向

刘基以诗议政,体现了作者强烈的参政意识和批判精神,其所议论的范围囊括元季至正年间吏治、军政等种种社会弊端,而这一切又都是围绕着当时群起为"盗"、天下大乱的艰危局势逐一加以揭示.元季时局艰危的根本原因在于执政者不行"以德养民"的为政之道,在于元廷政治的全面腐败.从诗歌的渊源角度考察,以诗议政古已有之,宋人苏轼、陆游等皆有以诗议政之作.刘基的议政诗,客观上是承绪宋人"以议论为诗"之传统,主观上则因其固有的经世致用的文学观念所使然.此类诗作情、理兼具,既有社会认识价值,又有艺术审美价值,未可过于贬抑.     

诗关乎“才”更关乎“学”

诗歌创作决定的因素是“才”还是“学” ,古往今来有许多不同的争论。其实“学”与“才”是不同侧面互为作用的一个合体。首先是“才”的“大小”“奇”“犭益”离不开学。人在学与力索的过程中劳逸深浅不同 ,体现心智的灵明程度也不同。人在与外物沟通时有“耳听”、“心听”、“神听”的不同层次。所以体现在诗的境界上也有或“执情强物” ,或“超越其形” ,或“神凝形废”的不同境界。另者 ,“才”对艺术成败又起决定作用。诗人只有在怦然所动 ,灵性将至的情况下 ,才可生情 ,情可生文。总之 ,诗产生于性灵 ,博学又要以培养触激性灵。更重要的是诗以识为主 ,“非识则才学俱误”。     

Wang Lihong Asks his Father to Compose Words for his Songs

Born in the State of New York,Wang Lihong(王力宏)showed great talents in music in his childhood and has developed such gifts in a free and happy environment.With hard work,he has succeeded in becoming an extremely popular singer. Last year,on Christmas day,Wang attended the press conferences for the release of his new music album(新专辑发布会)in Taipei, Shanghai and Hong Kong one after another,becoming the first Chinese     

从陀氏小说动物描写谈其生态智慧

陀思妥耶夫斯基在其小说中用动情的、极富人性化的笔触描绘了一幅幅人与动物惺惺相惜、真情相处的动人画面：同时，也毫不掩饰地暴露了人极其凶残地虐杀、残害动物的暴行，并对此进行了深入的文化反思。在其作品中，孕育着当代生态伦理所极力倡导的生态整体主义、生态责任等思想雏形。     

Ramachandran and his Map

Conclusion  Ramachandran’s work bears testimony to his untiring dedicated effort towards advancement of science. His entire work was carried out in India, both at the University of Madras and at the Indian Institute of Science, Bangalore during a period when the facilities available were meagre compared to those available elsewhere in the world. Ramachandran angles, Ramachandran plot and Ramachandran map, which has successfully withstood the test of time will, no doubt, continue to be useful tools for those involved in any kind of studies on proteins and peptides. Being trained as a physicist, his work has the stamp of physics in every aspect, such as mathematical formulation, removal of ambiguity through rigid definition and exposition, which are the hallmark of a good scientist.     

Wilson and his sources

EXPERIMENTS ON MASS COMMUNICATION. By Carl I. Hovland, Arthur A. Lumsdaine, and Fred D. Sheffield. (Volume III of Studies in Social Psychology in World War II) Princeton: Princeton University Press, 1949; pp. x+345. $5.00.

SPEECH OF OUR TIME. Edited by Clive Sansom. London: Hinrichsen, 1948; pp. 228. $4.50.

AN INDEX TO ARISTOTLE. By Troy Wilson Organ. Princeton: Princeton University Press, 19.48; pp. vi+181. $5.00.

THE PREPARATION OF SERMONS. By A. W. Blackwood. New York and Nashville: Abingdon‐Cokesbury Press, 1948; pp. 272. $3.00.

PREACHING AND THE DRAMATIC ARTS. By E. Winston Jones. New York: The Macmillan Company, 1948; pp. ix +123. $2.00.

FEMALE PERSUASION. By Margaret Farrand Thorp. New Haven: Yale University Press, 1919; PP. 254. $3.75.

PLAIN WORDS. A Guide to the Use of English. By Sir Ernest Gowers. London: His Majesty's Stationery Office, 1948. Distributed by the British Information Service, New York; pp. 94. $1.15.

THE ART OF ACTING. By John Dolman. New York: Harper and Brothers, 1919; pp. xx+313. $3.50.

BUILDING A CHARACTER. By Constantin Stanislavski. New York: Theatre Arts Books, 1049; pp. xx+292. $3.50.

FROM NATIVE ROOTS. By Felix Sper. Caldwell, Idaho: The Caxton Printers, 1948; pp. 341. $4.00.

TWENTY‐FIVE BEST PLAYS OF THE MODERN AMERICAN THEATRE. Edited with an Introduction by John Gassner. New York: Crown Publishers, 1949; pp. xxvii+756. $5.00.

A MANUAL OF PRONUNCIATION. By Morriss H. Needleman. New York: Barnes and Noble, 1949; pp. cxxiii+323. $4.00.

PORTUGUESE‐AMERICAN SPEECH. An outline of Speech Conditions Among Portuguese Immigrants in New England and Elsewhere in the United States. By Leo Pap. New York: King's Crown Press, 1949; pp. xi+223. $3.00.

A MINIATURE TEXTBOOK OF FEEBLEMINDEDNESS. By Leo Kanner, M.D. Child Care Monographs, No. 1. New York: Child Care Publications, 1949; pp. 33. $1.25.

FUNDAMENTALS OF WRITING FOR RADIO. Drama, Talks, Continuities, and Non‐dramatic Features with Guidance in Program Planning, Production, and Marketing. By Rome Cowgill. New York: Rinehart and Company, 1949; pp. vi + 295. $3.50.

SPEECH METHODS IN THE ELEMENTARY SCHOOL. By Carrie Rasmussen. New York: The Ronald Press Company, 1919; pp. ix + 340. $3.50.

HOW TO SPEAK THE WRITTEN WORD. A Guide to Effective Public Reading. By Nedra Newkirk Lamar. New York: Fleming H. Revell Company, 1949; pp. 175. $2.50.

VOICE AND DICTION. By Victor A. Fields and James F. Bender. New York: The Macmillan Company, 1949; pp. viii+368. $4.00.

PRACTICAL DEBATING. By Luther W. Courtney and Glenn R. Capp. New York: J. B. Lippincott Company, 1949; pp. viii+308. $3.25.

YOU AND YOUR SPEECHES. By E. C. Buehler. Lawrence, Kansas: The Allen Press, 1949; pp. 226. $3.00.

38 BASIC SPEECH EXPERIENCES. A Guide for Student and Teacher. By Clark S. Carlile. St. Louis: John S. Swift Company, 1949; pp. xvi+153.