Improving the Design of Children's Books Art and Design Applied to Books——Research in the UK

This article is mainly on the research of how to improve the design of children’s books.     

Bridge or Barrier? Writing in Secondary Art & Design Education in the UK

What role does writing play in secondary art & design education? In the context of current debates on access and participation in the visual arts, the nature of art discourse and the value of creative subjects within the curriculum, what impact do the existing requirements have on students, teachers and the broader arena of the visual arts? This article presents the findings‐to‐date of an ongoing pilot study which set out to explore these questions. Drawing on interviews with teachers and exam board representatives, and a review of student texts and exam board documents and resources, the study found that even though writing is only a minor part of what is an essentially practice‐based subject, it was a source of significant concern and confusion. A marked disconnect was revealed between intent and practice, which in turn highlighted a series of underlying values and beliefs that seemed to further drive this disconnect. The study calls for a wider discussion of the way writing is framed, used, supported and assessed in the art & design classroom, and the need to ensure that any pedagogy and resources developed align with the values as well as curriculum of art & design. It also previews how strategies created in the context of developing more inclusive and flexible writing skills among curators and other art museum professionals may offer a useful model. The study is part of a larger investigation into the discourse/s of the visual arts, with a focus on issues of access and participation.     

Engaging MSW Students in Faculty Research: Students’ Perspectives of Involvement in a Program Evaluation

Engaging social work students in research is challenging, in part, because of the way research is taught in the classroom and the need for learners to effectively develop connections between the “abstract world” of research concepts with the “real world” of professional experiences. This article describes the experiences of graduate social work students involved in a process and outcome evaluation of a community-based program. Analysis of student learning outcomes and the team-based model used to engage students in the evaluation are provided to put forth a paradigm of teaching social work research through direct, supervised, and collaborative engagement.     

Māori in the Kingdom of the Gaze: Subjects or critics?

For Māori, a real opportunity exists to flesh out some terms and concepts that Western thinkers have adopted and that precede disciplines but necessarily inform them. In this article, we are intent on describing one of these precursory phenomena—Foucault’s Gaze—within a framework that accords with a Māori philosophical framework. Our discussion is focused on the potential and limits of colonised thinking, which has huge implications for such disciplines as education, among others. We have placed Foucault’s Gaze alongside a Māori metaphysics and have speculated on the Gaze’s surveillant/expectant strategies with some key Māori primordial phenomena in mind, such as ‘te kore’ (nothingness) and ‘āhua’ (form). We posit the Gaze as an entity and thus aim to render it more relevant to Māori, so that it can be addressed appropriately. We also (but relatedly) preface that discussion by theorising on some of the challenges that confront us as Māori authors in even referring counter-colonially to the Gaze. Whilst we do not seek to destabilise the Gaze by positing it as a metaphysically based entity, we do hint at the possibility that critical indigenous philosophy may even for a short time bring the Gaze into focus for Māori. By introducing an awareness of an alternative (Māori) metaphysics, we may have unsettled the self-certainty of the Gaze.     

A Research in the Practice of Autonomous and Cooperative Virtual Learning of University Students

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Assessment Focus in Studio: What is Most Prominent in Architecture,Art and Design?

What can be learned about assessment from what educators in the creative practices focus their studio publications on? What should form the focus of assessment in architecture, art and design studios? In this article we draw on 118 journal articles on studio published over the last decade in three disciplines; architecture, art and design to inform the focus of studio assessment. We believe that what is published by educators themselves in these disciplines reveals what matters most to them. In addition, we argue that regardless of the primary emphasis placed in each discipline, assessment in studio should encompass a broad set of indicators. Within the wider literature including in architecture, art and design, a view of assessment is emerging that recognises the process and the person, beyond a view that positions the product or art/design arte‐fact above all else. Therefore, drawing on what educators in architecture, art and design mentioned most in the journal publications analysed, as well as the literature on good assessment, we offer a holistic model to guide and take studio assessment in the creative disciplines further.     

White Heat or Blue Screen? Digital Technology in Art & Design Education

The recent explosion in ICT means computers are marketed as an essential element of modern education. Governments have spent heavily on ICT but evidence of the effectiveness of this investment is contradictory; teacher attitude is cited as both a barrier to and a facilitator of its implementation. Initially used to simplify course administration, ICT now has the potential to fundamentally change practices; recognising the opportunities ICT offers as a bridge between classrooms and the relevant world beyond, teachers access online resources such as museum collections and practitioners. No consensus exists within art and design education as to the role of ICT or even its validity in the arts; using the computer as a tool for fine art may mean different teaching skills are required and different learning approaches are enabled. This article reviews international research on the adoption of ICT in schools and colleges, specifically looks at examples of good practice in art and design education and reviews trends in technology to determine the benefits and limitations for future practice.     

About the Investigation of Art Students’English Study

English study is becoming more and more important.However,art students have weak English level on average.Thus,it’ s a problem for students and teachers to improve the quality of English study.In this article,it analyses the reason for the weak English level and the responding strategy.What’ s more,it encourages students to study actively and advocates teach ing based on art knowledge.     

Research on the Measures of Training Students＇ Scientific Research Ability in Experimental Teaching of Cell Biology

培养学生的科研能力是当今高等院校实验教学的主要目标,科研文献的检索和阅读能力、实验设计能力、科学记录实验、发现问题和解决问题的能力、掌握最基本实验的技能、科研论文的撰写等是独立从事科研工作所必备的几项基本能力。在细胞生物学实验教学改革中,我们通过开设创新设计实验,规范细胞生物学的基本操作,开展文献的讨论等教学措施将上述基本科研工作能力的培养贯穿到整个教学环节中。为学生今后独立从事科研工作奠定基础。     

On the Cultivation of Vocational College Students＇ Research and Innovation Ability

依据桂林师专生化制药专业学生进行科研过程中出现的一系列问题,探讨大学生在进行科研创新中的管理办法,并提出具体的培养方案,为今后大学生进行科研实训及提高科研能力提供参考。     

Student Motivation in Science Subjects in Tanzania,Including Students’ Voices

Research in Science Education - Fostering and maintaining students’ interest in science is an important aspect of improving science learning. The focus of this paper is to listen to and...     

Comrades or—? Women Graduate Students Look at the Presence of Men Graduate Students in Feminist Academe

Interviews with some women graduate students at the Ontario Institute for Studies in Education reveal that the presence of men students in feminist academe is a complex and conflicted issue. Women respondents were concerned about men's personal, political and epistemological appropriation of feminist space in academe. The women's concerns arise out of men's actual behaviour and/or perceived motivation inside and outside the classroom. Such concerns are possibly linked to the women students’ sense of proprietorship over the women's studies enterprise.

     

Compensating or reproducing? Students from different educational tracks and the role of school in experiencing democratic citizenship

Studies show that adolescents who follow a higher educational track have more positive experiences than those of lower levels with aspects of democracy, such as decision-making or discussions. This study focuses on how adolescents from different educational tracks evaluate the various possibilities to experience democracy in daily life, and whether school is compensating for any difference therein. Data were gathered by interviewing 40 adolescents at two points in time (eighth and tenth grade). The results suggest that, especially in the later phase of secondary education, according to the experiences of adolescents it is apparent that school exacerbates instead of decreases social differences in society. Those in the higher educational track more often than those in the lower track experience having discussions and being encouraged to be socially and politically engaged. Opportunities for teachers and for citizenship education to strengthen democratic socialisation on both educational tracks are discussed.     

Comparing the Utility of the 2000 and 2005 Carnegie Classification Systems in Research on Students’ College Experiences and Outcomes

This study compares the explanatory power of the 2000 edition of Carnegie Classification, the 2005 revision of the classification, and selected variables underlying Carnegie’s expanded 2005 classification system using data from the National Survey of Student Engagement’s spring 2004 administration. Results indicate that the 2000 and 2005 classifications generally offer comparable explanatory power for measures of self-reported gains and student engagement, but the new variables from the 2005 system are more strongly related to cognitive outcomes and engagement than were the two categorical groupings. The variables most consistently related to outcomes and engagement are graduate-undergraduate coexistence, residential character of the campus, and arts and sciences share of undergraduate majors. Implications of the findings for research and assessment are discussed.

Can the LCFF Improve Teaching and Learning for EL Students? A Review of the Emerging Research in California and Directions for Future Implementation

Unlike previous school finance policies, California’s new Local Control Funding Formula (LCFF) has the potential to more equitably distribute funding to public schools. Having only recently been implemented, the impact of this policy is still under examination. However, emerging research points to the shortcomings of the policy, including the lack of explicit focus on English learners (EL). Many of the limitations of the LCFF can be attributed to the lack of spending accountability and specific measurable outcomes in the Local Control Accountability Plan (LCAP). This article discusses remedies and recommendations for increased attention and accountability for EL students in future implementations of the LCFF and LCAP.     

Can Inquiry and Reflection be Contagious? Science Teachers, Students, and Action Research

This study reports the transformations of 3 science teachers who conducted action research projects following a model, unique to our graduate program, which follows the theoretical tenets of adult and transformative learning theory. Teachers video their teaching, engage in weekly peer group collaborative reflection sessions, collaborate with students, and consult with other sources to identify goals for improving their teaching practices, develop action plans, and analyze the results of their actions. As a result of this process, all 3 teachers changed their pedagogical approach from a teacher centered textbook driven approach to a student centered inquiry based approach. Implications of using this model as a powerful means of professional development for science teachers are explored.     

Why Self-Study? An Exploration of Personal,Professional, and Programmatic Influences in the Use of Self-Study Research

ABSTRACT

How does a teacher educator come to engage in self-study research? In this article, the authors seek to answer this question by investigating the personal, professional, and programmatic influences that drew one teacher educator to self-study. The authors used critical friendship to investigate the first author’s introduction to self-study, with data collected through collaborative journaling and regular meetings. Influences for the authors included struggles with outsidership and expectations, teaching from an others perspective, and weathering programmatic shifts. Experiences presenting this study at the 2018 Castle Conference are shared, along with lessons learned from the presentation. Generally speaking, some who attended the presentation saw their initial use of self-study as part of a healing process; others were unsure of their impetus but plan to reconsider their introductions to self-study. Further study of scholars’ introductions to and motivations for engaging in self-study research may improve our understandings of this aspect of self-study scholarship.     

The Neuroscience of Art: A Research Program for the Next Decade?

Works of art can be viewed as elements of a human‐specific nonverbal communication system, distinct from language. First, the cognitive abilities and skills required for art creation and perception are built from a cascade of events driven by a “genetic envelope”. Essential for the understanding of artistic creation is its epigenetic variability. Second, artistic contemplation and creation may be tentatively viewed as a discrete and singular conscious synthesis taking place within the personal global neuronal workspace of external perceptions, internal memories and stored emotions. Third, there is a need for rules that constrain and restrict in a top‐down manner the selection of representations generated by the artist's brain. Finally, artistic creation is a part of the personal history of the artist and stems from an anterior historical evolution.