Big Data and structural organisation in major arts bodies: an evolving ethnographic method

ABSTRACT

This article addresses the use and impact of the so-called Big Data on arts organisations. The article argues that arts bodies have been slower than some business sectors to enter the data sphere and to contribute to the key debates even though many arts organisations have been developing data systems as a means of responding to the demands of funding bodies for more concrete measurement of impact. The article tests this hypothesis by examining the outcomes of a major NESTA/ACE/AHRC-funded project which applied ethnographic method to analyse the use of data by three major arts bodies operating in London, a project which built on the arguments forwarded in a previous NESTA document, Counting what counts (NESTA 2013). The project, managed by the Audience Agency, on which the present author was principal researcher, was delivered over 12 months from August 2014 to August 2015. The article outlines the methodology, and highlights the emergence of a new ethnographic form, “thick data” grounded in data theory and practice. This form is then used to illuminate some of the practices used by large arts organisations to handle audience data, and to develop inclusive and comprehensive future programming strategies. A range of embedded practices are discussed and examined illustrating the various strategies used by the partner organisations to address key data issues and problems. From this detailed analysis, the article then outlines a number of models for the organisation of data within arts institutions.     

Movement,Space and Social Mobility in early and mid-Twentieth-Century Britain

ABSTRACT

The enthusiasm for creating new histories of social mobility has grown at a moment when sociologists in Britain have been engaged in a high-profile project to update the models of class they have used for more than 50 years. These endeavours share the same intellectual ambition: to show class and social mobility are multi-dimensional phenomena. However, as this article shows, these developments recall the infancy of British social mobility research, during the first three decades of the twentieth century, when the relationships between disciplines, institutions and ideas had yet to take the shape we now recognise.     

Great Expectations? Childhood,Family, and Middle-Class Social Mobility in Nineteenth-Century England

ABSTRACT

Existing histories of social mobility have focused on adults and on measuring the achievement of individual upward mobility. However, children and families were central to mobility strategies. Using the papers of the Heywoods of Bolton, this article examines how the families of the industrial middle class endowed their offspring with the goods and character needed to secure their social standing, highlighting the emotional intricacy of these processes. It demonstrates that such families conceived of social mobility as a familial project and that rather than pursuing upward mobility, their chief objective was to guard against social decline.     

Olive Schreiner,Epistolary Practices and Microhistories

ABSTRACT

Focusing on the letters of the South African feminist writer and social theorist Olive Schreiner (1855–1920), this article explores Schreiner's strategic uses of letter-writing as a key tool in her work as a cultural entrepreneur in a number of different social and political contexts. In advocating a microhistory approach which recognizes that macro and micro are interconnected and should be seen as lenses of perspective rather than as separate spheres, we examine various strands of Schreiner's ‘cultural project’ and consider how her epistolary activities articulated and furthered this.     

Using mixed-methods,a data model and a computational ontology in film audience research

ABSTRACT

This paper discusses a methodology that seeks to address one of the challenges in working with a range of data in mixed-methods audience research, which is how to sort, order and categorise different data so that they can be systematically combined and interrogated. The methodology was developed as part of the “Beyond the Multiplex: audiences for specialised films in English regions” (BtM) project. This project required a mixed methods approach using surveys, interviews, focus groups and document analysis to explore the richness of audience experiences and trends in the context of regional film policy. This required a mixed methods approach using surveys, interviews, focus groups and document analysis. The project utilised a data model approach that uses the principles of a computational ontology in order to sort, order and categorise data for systematic interrogation. The paper discusses methods, data, coding, and the use of a data model to support data analysis. We argue that this approach enables the cross referencing of data that provides a rich, multi-layered and relational understanding of film audiences but requires time and attention to data management and coding. Although, additionally it also forms the basis of an open access data resource for future research.     

Tales of the Unexpected

ABSTRACT

Microhistorians of all persuasions emphasize the importance of placing small units of research within larger contexts. I have refuted this principle and made an attempt to show its inherent contradictoriness. I encourage historians to cut the umbilical cord that ties them to grand historical narratives through the use of a research model which I call the ‘singularization of history’. In this article I show how the use of the traditional microhistorical methods blinded me in a research project. This blind spot in my research caused a major oversight in my findings – a shocking sequence of events was brought to my attention from an unexpected direction and revealed the weakness in my approach. The article deals with the need to rethink the whole concept of historical research and how the methods of microhistory can play a role there with the aid of what I call the ‘textual environment’.     

Carrying out research across the arts and humanities and social sciences: developing the methodology for Dementia and Imagination

This paper analyses how the methodological approach for a major Arts and Humanities Research Council and Economic and Social Research Council-funded project entitled Dementia and Imagination ¹1. http://dementiaandimagination.org.uk/View all notes was formulated. This multidisciplinary project brings together the arts and humanities with the social sciences with their different epistemological philosophies and subsequent understandings of research methods. The main objective was to determine how visual arts activities may change, sustain and catalyse community cultures, beliefs, attitudes and behaviours to create dementia-friendly communities. This project involves 6 different UK universities, 14 researchers, 10 formal partners, 7 project artists, 3 research artists and a large number of civil society organisations. The analysis presents a series of themes that have been identified as influencing the approach taken to develop methods which aimed to speak to different audiences in the social sciences, arts and humanities, policy/practice and public domains. It is concluded that a research project of this type needs to embrace a wide variety of epistemological positions if it is to successfully achieve its objectives. This paper contributes to knowledge about how the methodology of large-scale multidisciplinary projects may be constructed which will be of value to those building research consortia across different universities and between universities and community partners.     

Culture and Composure: Creating Narratives of the Gendered Self in Oral History Interviews

ABSTRACT

This article tracks the development of French social history from its Labroussian origins through to the uncertainties that beset the subject in the 1970s and 1980s, and the call for a tournant critique (‘critical turning point’) in response to the conceptual challenges to its traditional methodological approaches. It then describes the responses that emerged in the wake of the tournant critique, as social historians attempted to renew their field. Instead of pursuing the debate about whether ‘class' or ‘order’ was a more useful category of analysis for early modern historians, French social historians have attempted, like their colleagues in the social sciences, to make the individual rather than collectivities the central focus of their research. The article outlines three approaches which try to capture the agency of individuals: prosopography, micro-history, and network analysis. Finally, the article makes the case that longitudinal studies can provide a means through which social history's traditional concerns with explaining the ‘social’ can be met whilst not losing sight of the exciting questions posed by cultural history in the last two decades.     

A national culture for Pakistan: the political economy of a debate

Abstract

This paper explores the relationship between (national) culture and state formation, arguing that the former is effectively a field of contestation where struggles over hegemony between various classes and social blocs are played out. Cultural nationalism has been the pre‐eminent form of nationalism in the twentieth century, particularly within the anti‐colonial and postcolonial contexts. Since this form of nationalism lends itself to moral regulation by ruling classes in a way that civic or political nationalisms do not (given its ability to produce and manipulate emotional affect) it becomes imperative to understand its relationship to power and to the project/process of state formation. This paper uses the case of postcolonial Pakistan as a lens through which to explore and analyse the complexities of this relationship during the early years of the Pakistani nation‐state. Using primary material – Constituent Assembly Debates and the texts of important intellectual debates on culture during this period – I show the different ways in which Pakistani culture was defined at this time, the politics and interests behind these various articulations, and their ultimate impact on state formation.     

Nests of Pirates? “Islandness” in the Balearic Islands and La Garde-Freinet

ABSTRACT

The “World of Medieval Islands” project invites the questioning of the category of island from medieval evidence, and coincided with another project of the author’s that was undertaking a similar exercise with medieval frontiers. Combining these two research areas, this article investigates two island, or island-like, zones that were situated at the edges of early medieval polities, primarily (though variably) of Umayyad al-Andalus, and compares their situation so as to elucidate what about their geopolitical situation made them island-like and how steady that likeness was. Working through the historiographies of the Balearic Islands, which shifted from Byzantine to Islamic control through a variably evaluated transition period, and of the Muslim settlement at La Garde-Freinet, Provence, from inception to extermination, the article concludes that what was island-like or indeed frontier-like about both areas was not continuous, and that the category “island” is historically contingent and subjective, despite its apparent geographic concreteness.     

Venice Biennale: The Art of Communicating Resistance,Resistance as Art

ABSTRACT

This essay examines contemporary art as a tool of political resistance against existing and emerging ideologies as well as controversial and discriminatory cultural norms. On the example of the 2017 Venice Biennale, this research project analyses art, and more specifically, selected nation-specific exhibits, as pieces of critical pedagogy, representative of ideological and cultural resistance. Concentrating on the comparative analysis of art exhibits from US-American, Russian, and German national pavilions, this research project explains what their respective art communicates, what the main messages are, and elaborates on the impact, the salience, and the affect the exhibits have on their numerous audiences today, when the sphere of international and intercultural relations is challenged like never before. This essay further demonstrates that the exhibits challenge and critique the past and the present of their respective national cultures and attempt to refocus and humanize the future in the globalized world.     

Sicily: A Frontier in the Centre of the Sea?

ABSTRACT

As part of the Ancient Maritime Dynamics project, this study uses a new interpretive methodology to model the creation and use of maritime places in the western-Mediterranean basin. In turn, the results of this modelling suggest that the waters around the island of Sicily acted as a frontier, distinguishing a distinct zone of activity in the western Mediterranean as well as a western maritime community that segregated itself from other sailors and merchants elsewhere in the sea.     

David Underdown’s Revel,Riot and Rebellion: Popular Politics and Culture in England, 1603–1660

Abstract

This article examines the strategies and tactics of surveillance that were used by Manchester City Police in relation to anxieties about gender, sexuality, juvenile delinquency and drugs misuse in post-war England. In the early 1960s the members-only ‘coffee beat club’ became a target of police activity, resulting in a series of raids, minor prosecutions and the intensification of the licensing laws. Commenting on the relationship between police culture and youth culture, including the leisure practices of adolescent girls, this article argues that the targeting of the ‘coffee beat club’ became a motif for the defence of an older imagined social order.     

‘Are You Really Living?’ If Not, ‘Get With It!’

ABSTRACT

Young women were harbingers of social change in postwar Britain; this article addresses discourses that informed their sense of self and expectations. It focuses on magazines produced for, and read by, young women in their mid-to-late teens and early twenties as a prism through which to explore ideas about the teenage self and lifestyle between 1957 and 1970. It argues that a distinctive feature of these magazines was a new ideal of young womanhood that resonated with late-modern discourses of self-discovery and self-fulfilment and which necessitated a lifestyle characterized by independence, experience and opportunity. Though an attractive ideal, it was also problematic for young women and potentially frustrating.     

‘Now You See a Great Many Men Pushing their Pram Proudly’

ABSTRACT

The image of a man pushing a pram could provoke much controversy in mid-twentieth-century Britain. Many contemporary commentators argued men should be and were pushing their child in a pram with pride, yet others felt this compromised manliness. The article explores this image to analyse the relationship between fatherhood and masculinity, and between cultural norms and social practice in this period. It argues that this image was used to symbolize a new emotionally close relationship between father and child and suggests that a ‘family-orientated’ masculinity came to prominence in this period, partly instigated by certain popular cultural norms.     

The Omnibus and the Shaping of the Urban Quotidian

ABSTRACT

This article explores the cultural and social impact of the world's first mass public transit system by highlighting its impact on time instead of space. Time allows us to see how public transit imbricated small-scale and large-scale practices, channelling vast numbers of private goals and generating new kinds of collective and subjective experience. The reliability and ubiquity of the system transformed movement into a calculation between time, energy and money. This redefined the organization, perception and rhythms of activity within the daily cycle and transformed the geographical distribution of services. It thus created new forms of discrimination related to access.     

Contesting Popular Dancing and Dance Music in Britain During the 1920s

ABSTRACT

This article examines various reactions to new forms of dance music and dance in Britain during the 1920s. It shows how these new cultural forms were part of broader social and economic changes, and notes how they are seen to represent a considerable break with previous cultural forms. In particular, such changes have been seen as symbolic of the widespread ‘Americanization’ of British culture. This article questions the degree to which this was true. It thus examines attempts by ‘professionals' to fashion ‘British’ versions of both dance music and social dances. In addition, it examines how audiences resisted and exacerbated these developments.     

Facilitating or Impeding Acculturation: A Qualitative Study on Mobile Social Messaging in First-Generation Chinese Immigrants’ Everyday Lives

ABSTRACT

Previous research indicated that communication through media has been intertwined into immigrants’ everyday lives and become an essential part of their acculturating practices. However, no research has been conducted to examine how innovative, ethnic social media play a role in Chinese immigrants’ acculturation process in terms of social capital. In order to fill the research gap, a qualitative study was conducted to explore how Chinese immigrants use social messaging to accumulate social capitals to facilitate their acculturation process. Thirty face-to-face in-depth interviews were conducted among Chinese immigrants to collect data. Findings revealed that Chinese immigrants tend to consider acculturation as a complex and long process in which they navigate through and position themselves in the unfamiliar cultural system. The ethnic social medium – WeChat, and in particular, its social messaging plays an essential role in shaping Chinese immigrants’ acculturation experiences by assisting them in garnering both bonding and bridging social capitals.     

Darts in England, 1900–39: A Social History. By Patrick Chaplin

ABSTRACT

This article examines the status and meanings of heterosexual love in post-war Britain. It is situated within the burgeoning field of the history of emotion and draws upon recent work on interiority and modern selfhood. It argues that love became a central plank in the quest for self-actualization in this period. It explains why love triumphed over pragmatism in the remaking of British matrimony and how this impacted upon the institution of marriage itself. The article posits the immediate post-war years as a time of significant discursive change and emotional instability: expectations rose and critical introspection deepened. The ways in which love was fashioned in the 1940s and 1950s were central to the dramatic social and cultural changes that occurred in the decades that followed.