Extinguishing Lady Liberty’s Torch? Online Public Responses to the U.S. Executive Order to Ban Immigrants from 7 Countries

ABSTRACT

In January 2017, a seven-country ban blocked immigrants from entering the U.S. When the story broke, many people posted comments on online news sites. Analysis revealed themes of rejection and acceptance. Rejection themes focused on security, demeaning Muslims, and exclusion. Acceptance themes called for inclusivity and providing a safe haven for immigrants. Comments aligned into partisan camps reflecting political branding of the sites. Analyses revealed both pro-ban and anti-ban emotionally charged comments. Hate speech was used to justify support of the ban on ultra-conservative sites. These analyses described the emotional response to admitting Muslim immigrants into the United States.     

Voices of Newly Arrived Refugee Women

ABSTRACT

The numbers of refugees worldwide are at an all-time high. The majority of refugees relocated to the United States are women and children. Much research has concentrated on health care issues and trauma but few studies have expressed women’s viewpoints. This study consists of interviews with eight newly arrived refugee women to determine how they construct and negotiate their identity and the idea of being a refugee, as well as how they cope with the challenges of adjusting to a new cultural environment. Narratives indicate an interwoven pattern of interaction including family, home, and concerns.     

Mediated absent presence in forced displacement

ABSTRACT

For many forcefully displaced people worldwide, notions around one’s sense of “home” and “place” in the world are perpetually unsettled. This article explores how digital technologies interact with embodied, material experiences within the geographical location refugees are residing in. Empirical examples from ethnographic research conducted among Iraqi urban refugees, living in prolonged uncertainty in Jordan, shows how situated experiences of legal, material, and social uncertainty reinforce particular mediated socialities. Pivotal studies have shown how digital connections engender virtual home-making practices and a wide variety of connected presences. This study points to the other side of the same coin: the cultivation of “absent presence.” “Absent presence” refers to feelings—the ambivalence that experiences of prolonged displacement bring about—but also to active disengagement and affective tactics in response. These engender a further separation from the physical world where forced migrants are not deemed welcome.     

The Impact of Narratives on Attitudes toward Muslim Immigrants in the U.S.

ABSTRACT

This study examined the impact of narratives on attitudes toward Muslim immigrants in the U.S. Based on a 2 (content: acceptance vs. rejection) × 2 (narrator: Muslim vs. American) plus control condition design, 479 participants read one of five messages. More contact and positive attribution toward Muslim immigrants was associated less threat and exclusion. The American narrator telling a rejection narrative was the most disliked and received little empathy. Overall, narratives describing Muslim immigrants’ experience of rejection were more impactful on participant intention to engage in pro-social behaviours. This study discussed the implications of narratives in bias reduction efforts.     

Populist cosmopolitanism: the predicament of subjectivity and the Japanese fascination with overseas

Abstract

This article examines the way in which seemingly contradictory positions of populism and cosmopolitanism are articulated in the development of the Japanese post‐Second World War fascination with overseas. Specifically, I analyze the writings of Ohashi Kyosen, a popular television entertainer, and investigate how a particular mode of subjectivity is expressed through his ideas of overseas leisure and retirement in his best‐selling book Kyosen: Choose Your Own Life (Kyosen: Jinsei no Sentaku) and related essays published around 2000. While the issue of subjectivity has been the central concern throughout modern Japanese history, earlier analyses have been focused on the critical writings of intellectuals. I argue that in order to understand the larger social impacts of the translation of subjectivity, we also need to examine how the issue is articulated in popular discourses. Ohashi’s popular writings suggest that the issue of subjectivity still haunts the contemporary everyday lives of many Japanese, and continues to be the key predicament for articulating a culturally meaningful model of ‘citizen’ in Japan. Ohashi’s writings raise questions about what it means to be an active agent of one’s life, and how to situate the self in the larger society. Through an analysis of Ohashi’s narratives, I first illustrate how subjectivity is negotiated through people’s demands for leisure and their concerns about retirement, both of which are entangled with their fascination with overseas. Second, I examine Ohashi’s narratives as an expression of the paradoxical position of the Japanese citizenry conditioned by the US–Japan political, economic, and military coalition. I discuss how the predicament of articulating Japanese subjectivity reflects this paradoxical position under the legacy of Cold War geopolitics in Asia.     

Negotiating the Past

ABSTRACT

In the history of Partition women have been long overlooked, often forced to hide in the shadows of their male counterparts. There are now a number of key works that have focused on the role of women, but these have largely focused on women's experiences in India. Sixty years on and we know little about Muslim women and their experiences of migration and resettlement in West Punjab, Pakistan. In an attempt to trace the experiences of the Muslim women, this article will explore their history by examining official documents, newspaper accounts and women's own testimonies. It attempts to understand how this silent history is documented from these various sources.     

Refugee,returnee, borderland: the accidental activists and Krys Lee’s How I Became a North Korean

ABSTRACT

Working through the entanglements of diaspora, national identification, and minority formation in the protracted aftermath of the Korean War, this article intends to take the dyadic subject of North Korean defector/refugee as an entry point for unpacking the rhetoric of freedom and salvation. Taking a cultural studies approach that regards literature as a terrain of political engagement for reconsidering the narratives of freedom in relation to the hierarchy of nationhood embedded in the protracted Cold War in Asia, I examine Krys Lee’s novel How I Became a North Korean (2016), an Asian American text that weaves together the story of an Asian American returnee with those of North Korean refugees in the North Korean-China borderland. Conflating refugee and returnee, Lee’s novel occasions an exploration of the ethics of co-presence that undergirded Asian American studies, to consider both the predicaments of North Korean refugees and the linkage between Asian America and Asia. Taking literature as a form of activism, this article furthermore seeks to reflect on the promise of activism by asking how the demands for the right for return may complicate the orthodox of humanitarian imagination, and render a moment for relational thinking beyond representation.     

Mediating a compromised solidarity

ABSTRACT

This article explores popular media as resources for judgment in how settled migrants in Europe imagine solidarities toward newer arrivals seeking entry into the region. It discusses the news and entertainment consumption of Filipino nurses in London and how this figures in their imaginary of social and political bonds with refugees. Drawing on ethnographic interviews, I argue that these Filipino migrants can only articulate a compromised solidarity: one fractured between empathy with refugees and concern about what these newer arrivals might mean for settled migrants in the city. I then explain how the media contribute to this fracturing. One way is that the xenophobia in popular media content on social media leads the Filipinos to assert their difference with other migrants, including refugees. A second is that the Filipinos deploy popular media content, especially on British television, to assert that they belong to UK society more than other migrants, again including refugees.     

The Construction of Insiders as Outsiders

ABSTRACT

Using a memoir written decades later, I examine key features of the religious scene in Knock, County Mayo, in the 1830s and 1840s. I address the nature of the writer's memory, embodied as it was in orally transmitted stories, and show how these narratives provide maps of the cultural terrain. Then, after briefly considering the class dimension of poor Catholic resentment of powerful Protestants, I focus on the sectarian feeling by and towards other poor people. I analyse the complex ideological work through which local Catholics who converted to Protestantism were socially constructed as ‘not-Knock’ people.     

Gesturing beyond the frames: post-apocalyptic sentiments in Viet Thanh Nguyen’s The Sympathizer

ABSTRACT

The Sympathizer is a theoretically sophisticated response to the narratives concerning the Vietnam War in the context of U.S. imperialism through the wars in Iraqi, Afghanistan, and the context of more currently terrorist attacks. What Viet Thanh Nguyen has undertaken in this fierce and bold debut is not an attempt at an authentic delineation of the war in Viet Nam, but a critical reflection on the knowledge production regarding the Vietnam War in particular, and all the other wars in general. With an ambitious and disturbing gesture, The Sympathizer confronts the “frames of war” and endeavors to circulate beyond the limits of the “frames” in order to shed light on an unresolved entanglement encoded in the war narratives. By stitching together conflicting voices and standpoints, The Sympathizer makes visible a complex web of war narratives and the ill-conceived logic that previously undiagnosed. This essay eventually discusses the way in which Nguyen’s post-Apocalyptic sentiments give The Sympathizer an intricate touch and a narrative reenactment that echoes the practice of pacificism.     

Heroes of Their Own Life Stories: Narrating the Female Self in the Feminist Age

ABSTRACT

This article proposes a triple legacy of the expressive culture of the 1960s and 70s. Late twentieth century feminism, discourses of gender equality and the advent of modern confessional culture liberated women’s women’s voices, producing self-realising narratives and a shift in women’s facility to produce authentic ‘reflexive projects of the self’. Drawing on oral history interviews with women born in the 1940s in the United Kingdom, Australia and North America, a new concept for a distinct genre of women’s oral history narrative is advanced– the feminography – in which we hear women owning their voices and the stories those voices tell.     

Does the subaltern speak? Migrant voices in digital Europe

ABSTRACT

This article examines a number of digital initiatives where refugees and migrants speak with/to Europe in the context of the “migration crisis.” The analysis of four institutional and grassroots initiatives illustrates digital Europe’s symbolic articulations of borders that divide people and territories. As argued, the mediated visibility and voice of refugees and migrants matter precisely as the order of appearance (in Arendt’s terms) in digital Europe represents a fundamental dimension of the continent’s communicative order: revealing who speaks and who is silenced, which actors are heard and which are sidelined in the context of Europe’s “migration crisis.” The incorporation of refugee and migrant voices in digital Europe shows that voice does not guarantee recognition; rather, its incorporation reveals the complex politics of digital representation: on occasions challenging hegemonic power structures but most often digitally reaffirming bordering power and its symbolical articulations.     

Once a refugee: selfie activism,visualized citizenship and the space of appearance

ABSTRACT

This article examines the social media campaign “Once I was a refugee” by former refugees as a response to the increasingly hostile political climate in Finland against refugees. With selfie activism, the campaign expanded the “space of appearance” and introduced new voice and visuality to the public debate. The case depicts politics of claiming citizenship and social value through self-presentation to counter views of refugees as economic burden, noncitizens, and surplus humanity. The empirical material is based on analysis of the Facebook and Twitter campaign and interviews with the participants. It is argued that selfie activism may occasionally, through new voice and visibility, expand the space of appearance and contribute to the rise of affective or counter-publics that can come together and make use of digital media for political action. However, the case also reveals how difficult it is to speak from a refugee position without being drawn into the discourse of deservingness.     

Life Narratives and Personal Identity: The End of Linear Social Mobility?

ABSTRACT

This paper uses visualisations of life trajectories drawn from the 1958 National Child Development Survey to show how this generation refused linear narratives of mobility in favour of jags and turning points. We argue that these visualisations demonstrate the limitations of conventional class-based interpretations of social mobility. . We show how these jags represent moments of switching between public and private lives, demonstrating the interruptions which this generation display. We argue that these visualisations are consistent with the distinctive historical conditions ofthis generation, especially its female members, We conclude that more studiesof popular identities of social mobility are needed.     

European Modernism and the Information Society: Informing the Present,Understanding the Past. Edited by W. Boyd Rayward.

ABSTRACT

Scholarship on the relationship between China and Russia has largely focused on the political and ideological realms, neglecting cultural and social factors. Beginning with some general points about the role of ‘the cultural’ in interstate politics, this article assesses the cultural dynamics of Chinese–Russian relations during the first half of the twentieth century, primarily during the republican period and the first decade of the PRC. The final section of the article then reconsiders the legacy of emigration movements, which brought Chinese workers to the Russian Far East and Siberia, and Russian settlers and refugees to Manchuria and Shanghai.     

Bollywood in Manila: the spectre of moral comparisons

ABSTRACT

This article explores inter-Asian media reception using the example of Bollywood films and the setting of Metro Manila in the Philippines. Drawing upon a series of interviews and focus groups with both the existing audience and “unexposed” viewers from the “mainstream,” this study takes an interest in how audiences establish the “common ground” that allows them to decode Bollywood narratives. By rescaling the dynamics of inter-cultural media exchange from geopolitical competition down to the grassroots experience of ordinary people, this article demonstrates how Bollywood films provide the basis for imaginative comparisons that open up everyday affinities based on shared economic situations and moral dilemmas. Developing the further intuition that the comparative aspects of global imagination are felt as much as considered, this article seeks to demonstrate how the melodramatic form of Bollywood generates emotional responses that inculcate empathy and an ethic of care. Our larger purpose is twofold: firstly, to explore the potentials of inter-cultural exchange between two societies on opposite sides of “Asia” and, secondly, to encourage reflection upon the ways that mediation facilitates the comparative functions of the global imagination in everyday experience.     

Secondary Cultures and Their Impact as Intermediaries on Refugee Adaptation to Host Cultures: Connections of Community*

This is a qualitative study examining aspects of refugee adaptation. As refugees negotiate an adaptation process into their host cultures, secondary communities, those who possess certain commonalities and similarities with the newcomers, often act as intermediaries between the refugee groups and host cultures. This article aims to answer the question: how does a refugee group’s extended community of an intermediary group influence the group’s adaptation to their new environment and social context? The study is an examination of narratives of a particular refugee group in the United States, called Meskhetian Turks, ethnically Turkish refugees from Russia.     

‘On British Felony the Sun Never Sets’

ABSTRACT

This article examines the narratives of three political prisoners transported to New South Wales and Van Diemen's Land: the French-Canadian François-Xavier Prieur, the American Linus Miller, and the Irishman John Mitchel. It shows that the three ‘politicals’ sought to portray the suffering of political convicts as greater than that of the convict majority, from which they distanced themselves in terms of class, piety and honour. It also demonstrates how the three men critiqued the British Empire and the convict system in Australia, how they wrote (in some instances, re-wrote) their lives for their audience, and how they defined themselves in the convict colonies.     

Refugee testimonies enacted: voice and solidarity in media art installations

ABSTRACT

This article examines how two media art installations in which celebrity actors enact refugee storytelling create awareness of the complexities of representation and solidarity with refugees. The celebrity actor produces familiarity, or “audibility,” for contents of the stories. Yet at the same time, the familiarity of the actor alerts the visitor to the politics of listening. The artworks therefore produce the potential for ethical listening, which requires interrogation into the privileges of the listener. The artworks produce a kind of sociality different from that of typical celebrity advocacy. Instead of being at the center of attention, the actors’ presence draws critical attention to the politics of listening.