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中国艺术作为世界上一种独立的美学体系和表现体系,具备数千年的优秀传统。从商周青铜到秦俑汉石,从南北朝石窟的佛教艺术到唐宋五代的山水绘画,特别是宋元以来文人画的兴起,到明清之际登峰造极……都使这一中国传统在历史演变中, 相似文献
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《中外文化交流(英文版)》2010,(11)
<正>Longquan celadon is widely recognized as the most sophisticated genre of ceramics and witnessed a glorious era in the history of Chinese celadon. Celadon began to be produced in Longquan during the Northern Song Dynasty (960-1127) and reached its zenith during the Yuan Dynasty 相似文献
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《Cultural and Social History》2013,10(4):467-483
ABSTRACTIn the history of Partition women have been long overlooked, often forced to hide in the shadows of their male counterparts. There are now a number of key works that have focused on the role of women, but these have largely focused on women's experiences in India. Sixty years on and we know little about Muslim women and their experiences of migration and resettlement in West Punjab, Pakistan. In an attempt to trace the experiences of the Muslim women, this article will explore their history by examining official documents, newspaper accounts and women's own testimonies. It attempts to understand how this silent history is documented from these various sources. 相似文献
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Tian Tian Fu Zhongqing 《中外文化交流(英文版)》2008,(8):12-15
Qianmen Street is the most historical street in the ancient capital of Beijing, surviving the Yuan, Ming and Qing dynasties all the way to the contemporary area. Located in the city's axis line, it is know as the "Heavenly Street" or "Golden Street" in history, 相似文献
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山西大学借百年校庆的机会,邀请海峡两岸的学者,以“全球化与黄土文明”为主题举行学术论坛,是很有意义的。我想围绕这个主题,谈一点自己的想法,向大家请教。一、黄土文明是中华文明的摇篮,在历史上有过自己的辉煌所谓黄土文明,应该是指孕育、诞生和生长于我国黄土高原这一特定自然环境与社会环境的文化形态。中国的黄土高原,是世界上最大的黄土沉积区,位于我国中部偏北,包括太行山以西、青海省以东、秦岭以北、长城以南的广大地区,跨山西、陕西、甘肃、青海、宁夏、河南等省区,东西千余千米,南北约700千米,全部面积约40万平… 相似文献
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Wang Wei 《中外文化交流(英文版)》2009,(4):15-18
Over fine past 30 years since the reform and opening up palicy was launched in China, rapid progress and remarkable achievements have been made in the field of archeology. A variety of foreign theories and schools of thought have been introduced to China, which have significantly facilitated the development of China's own theories about archeology. 相似文献
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柳亚子先生有作图寄意的喜好,他常常把自己的回忆、思虑、憧憬等种种情思,化作形象的构思,请人绘成图画,然后征集题咏,汇集成册。他的一生此类作图有13件,最早的是《梦隐第二图》,作于1912年;最晚的是《东都谒庙图》,1944年开始酝酿,完成于1945年。 相似文献
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《Cultural and Social History》2013,10(3):305-322
ABSTRACTThis article aims to show how folk legends can serve as useful source materials for social historians interested in understanding the world-view of individuals in earlier centuries. It underlines how such legends provide access to the minds of storytellers, human geography, and local belief systems, offering, in a sense, maps of the local geographical, mental, social and spiritual surroundings inhabited by the storytellers. In addition to providing information about the actual surroundings (meant to be recognized and understood by their audiences), folk legends also give an insight into local hierarchies, concepts of illness, attitudes to outsiders and the authorities, and models of behaviour. 相似文献
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整整二十年前,我以此書通過博士論文答辯.我至今記得由唐弢先生、楊占升先生、嚴家炎先生、樊駿先生、劉再復先生、何西來先生等組成的答辯委員會向我提問時的情形. 相似文献