Exploring processes of collaborative creativity—The role of emotions in children''s joint creative writing

This paper reports a study on children's classroom-based collaborative creative writing. Based on socio-cultural theory, the central aim of the research was to contribute to current understanding of young children's creativity, and describe ways in which peer collaboration can resource, stimulate and enhance classroom-based creative writing. The study drew on longitudinal observations of ongoing classroom activities in year 3 and year 4 classrooms, working with 24 children (12 pairs) aged 7–9 in England. The pairs’ collaborative creative writing sessions were observed and recorded using video and audio equipment in the literacy classroom and in the ICT suite with 2–4 recordings per pair. A functional model was developed to analyse cognitive processes associated with creative text composition (engagement and reflection) via the in-depth study of collaborative discourse. Based on the analysis of paired talk, the study has identified discourse patterns and collaborative strategies which facilitate sharedness and thus support joint creative writing activities. A key finding was the centrality of emotions in the observed creative writing sessions. This paper discusses the role of emotion-driven thinking in phases of shared engagement. The study has implications for creativity research and pedagogy, revealing the special features of shared creative thinking. It also contributes to the current methodological debate about how best to analyse collaborative discourse, highlighting the need to explore the generalisability and domain specificity of existing characterisations of productive groupwork.     

The resources and obstacles of creative collaboration in a long-term learning community

In the framework of a subject-centred socio-cultural approach, this study investigates creative collaboration and the resources for and obstacles to it in a long-term learning community of ten teacher students. The study focuses on five different learning situations over a 2-year period. The data were taken from teacher students’ evaluations and accounts (on given criteria) of their videotaped group-learning sessions, and their reports of the obstacles to creative collaboration. Using the students’ evaluations of the five videotaped group learning situations, the sessions they assessed as the least and most creative were compared, the aim being to discover the most important situation-specific contextual resources for collaborative creativity in the learning settings addressed. The findings showed that creative collaboration was manifested by the presentation of alternative views, and in most situations also by the production of new ideas. However, it was less evident that group discussion would in every session reveal contradictions or lead to the disclosure of opposing views concerning different meanings; nor would it necessarily create an elaborated understanding of the learning topic. The main obstacles to creative collaboration were related to the emotional atmosphere and power relations of the group. A comparison of the contextual conditions of the least and most creative evaluated situation illustrates that the least creative situation was characterised by participants’ disputational talk, aimed at invalidating opposing opinions. Here, the group atmosphere was emotionally charged in a negative sense, and mutual care taking was lacking. The unsafe atmosphere made group members afraid of being emotionally bruised by other members. The most creative situation was characterised by complementarity in participants’ talk and by inclusive utilisation of each other's views. The shared history of the group was an extremely important resource for group dialogue, allowing alternative future scenarios to be constructed reflectively. The emotional scaffolding between students was rich, and the tutor's resources were utilised. Results are discussed in terms of complementarity, emotions and power relations.     

Teaching poetry: writing poetry — teaching as a writer

This paper considers the ways in which the authentic strategies and struggles of the creative writer in formulating a text, can be translated into classroom activity. It explores four activities which derived from my own practice as a writer, and demonstrates the process of adapting, trialling and evaluating them in a range of different classroom settings. The paper attempts to answer the questions: w ere these ‘real‐life’ processes successful as a basis for learning activities? How did the learners respond and what can we learn from heir responses? The paper concludes with the premise that being congruent with one's own ‘real‐life’ strategies can indeed lead to valid learning activities, and that these activities help us to deconstruct many of the myths about what it means to be creative.     

A synthesis of research concerning creative teachers in a Canadian context

Effective teachers are often creative ones, yet an examination of creative teaching is largely invisible in the North American creativity literature. Even within education there is little about teachers’ own creative practice. Nonetheless, there are benefits to studying creative teachers: in education it can explicate ways of enhancing teachers’ creativity and enriching praxis; and in psychology it can extend our understanding of social and interpersonal creativity, as well as everyday creativity. This paper reviews 12 Canadian case studies of creative teaching conducted by a creative teaching research group. An in-depth elaboration of two themes, creative person and community, is presented.     

Towards an eclectic framework for teaching EFL writing in a Chinese context

The challenges of writing itself and lack of appropriate teaching methodology demotivate EFL （English as a Foreign Language） learners in some Chinese universities to write more, especially as the only incentive for students to write is the compulsory tests. The main objectives of this article are： （1） to discuss the background of the EFL learners in Chinese tertiary education and then to elaborate on their needs and problems for EFL writing; （2） to review the existing approaches to teaching writing; and （3） to propose and justify an integrated model on the basis of these approaches for teaching EFL writing in the Chinese context.     

Towards a framework for creative online collaboration: A research on challenges and context

The OnCreate project was initiated by ten universities with expertise in collaborative work in online-based learning environments and explores the specific challenges of implementing university courses in creative disciplines in such an environment. The first research phase comprises a literature search on creativity and its contextual factors in online collaboration in an educational setting. From this research a first set of possible key challenges and contextual key factors has been selected and applied to categorize the results of interviews and surveys on current good practice in creative online collaboration among experienced online teachers from the partner universities. From the key findings we formulate hypotheses to guide future research towards a framework for creative online collaboration. At the same time, the results can serve as inspiration for the educational practice. Notable observations of the good practice research among the partner universities are that they realise innovative collaboration concepts usually on mashed-up environments of state-of-the-art web services rather than on the omnipresent learning management systems (such as Moodle or Blackboard). Also, they show a paradigm shift from teaching to coaching and promotion of an open peer-review culture among the students.     

Peer collaboration in solving qualitative physics problems: The role of collaborative talk

This study investigated whether and how peer collaboration facilitated students' problem solving in physics. A qualitative physics test was administered to two Secondary 6 (Year 12) classes, with half of the students in each class randomly assigned to take the test individually and the other half to work in dyads. The abilities of the individuals and dyads were matched such that there was no significant difference between their physics examination grades. The test results show that the dyads performed better than the individuals on each problem and the test as a whole. The rich collaborative talk of the dyads shows that peer collaboration provided students with experiences of co-construction and conflict that were conducive to successful problem solving. However, it was found that co-construction could lead to correct as well as wrong solutions and that conflict and co-construction could occur in the same instance rather than as separate activities. The study also found that students' success in problem solving depended not so much on their ability but on how they interacted and whether and how they invoked the relevant physics principles and strategies.     

Musical collaboration outside school: Processes of negotiation in band rehearsals

This paper presents a study of a series of band rehearsals run by five young people as they practised for a gig together: preparing new songs as well as developing their existing sets. The analysis specifically explores the ways in which the band members collectively develop and evaluate their musical ‘works in progress’. Their interactions were distinctive: with evidence of emotive, highly critical and sometimes conflictual dynamics in places. Within and through such processes the band members constructed a musical ‘shared knowledge’ which resourced the negotiation of their emergent band identity.     

Negotiating epistemological challenges in thinking and practice: A case study of a literacy and inquiry tool as a mediator of professional conversation

This study examines how a Humanities team engaged in professional conversation to refine and implement a literacy and inquiry tool in an Asian Studies curriculum. Drawing on socio-cultural perspectives of teacher learning and theories of tools as mediators of action, this case study investigates the ways this community of practice discussed their understandings of contexts, curriculum, and classroom practice to implement the literacy and inquiry tool. Such practices hold promise for the design of professional learning experiences where teachers engage in conversations about key tools they can use in their practice and assume more control of their own professional learning.     

Enhancing successful outcomes of wiki-based collaborative writing: a state-of-the-art review of facilitation frameworks

This state-of-the-art review research undertook a survey of a variety of studies regarding wiki-based collaborative writing projects and from this body of work extracted the best practices tenets of facilitation. Wiki-based collaborative writing projects are becoming more common in second language (L2) pedagogy. Such projects have multiple aims. These include, among other benefits, L2 acquisition, P2P learning, collaboration and immersion in new technologies that will inform the social and professional lives of the students. By mining a variety of wiki-based collaborative writing projects for the specific meta and secondary facilitation practices, the researchers were able to develop a general framework that will assist instructors of university or advanced high school students who wish to engage their students in such projects. The attributes of good facilitation that the researchers have isolated are by no means exhaustive, nor are they a guarantee of successful outcomes. These attributes do, however, provide a good starting point for any teacher or instructional designer who wants to provide an environment that fosters student satisfaction, motivation and learning.     

衔接理论在英语写作教学中的应用与思考

在英语教学中,英文写作在其结构和篇章连贯上存在了很大的问题,本文旨在找出问题所在,并提倡把衔接理论应用到英语写作教学中,从而达到提高学生写作水平的目的。     

A 21st century collaborative policy development and implementation approach: a discourse analysis

Abstract

The article used Unisa Framework for the implementation of a team approach to curriculum and learning development to explore and analyse the views and experiences of academic lecturers and curriculum and learning development experts on the conceptualisation and development of the said framework and its subsequent implementation thereof. I used a qualitative poststructuralist paradigm underpinned by the case study research design to critically analyse the processes that were followed to craft the policy. I posit that a policy that is conceptualised by an inflexible classical hierarchical organisational structure without the full collaborative participation of all the stakeholders is bound to fail in its crucial implementation processes. I used online blogging, facebook, documents and face-to-face tape-recorded interviews to collect the data. Results indicated that the elite mass (traditional) policy-making model was used to craft the policy and as a result its operationalisation process received indifferent attention and responses by Colleges.     

站在写作学发展史的交汇点上思索——古代写作理论文化遗产探析

中国写作学理论研究已有四千多年的历史,写作文化是中国文化的重要组成部分,研究中国文化,不能不研究中国写作文化理论的发展。本文站在写作学发展史演进的时代交汇点上思索,以史为鉴,通过对古代写作理论文化遗产积淀与理论范畴体系形成的探析,总结其发展和演进的动因、特征、经验与规律,分理其精华与糟粕,以便在建设社会主义先进文化的今天,对这份丰厚的文化遗产更好地继承、发展和创新。     

Introducing a collaborative technology strategy for higher education students: Recommendations and the way forward

The area of group work and group based technology research is of value in that group and team work skills are seen as important to both industry and education. However, research also shows that there are major issues that have to be considered when introducing group work to organisations. These issues which include cultural, social, technological and educational are considered within this research. The purpose of this research was to gain a deeper understanding of the attitudes of university students to group work and group based technology. Group work and group based technologies were also considered in an industry setting as this was seen as an important pre-requisite to the study of student group work. The outcome of this paper is, based on the findings of the author’s research, and proposes a set of conclusions and recommendations for the introduction of group work and group based technology into the Higher Education environment. To this end it is important to recount the research process that led to the production of these recommendations. In order to further this research a substantial literature review was undertaken as was an industry survey and a student based case study.     

The building blocks of writing: Learning to write letters and spell words

This study examined the development of beginning writing skills in kindergarten and the relationship between early writing skills and early reading skills. Sixty children were assessed on beginning writing skills (including letter writing, individual sound spelling, and real and nonsense word spelling) and beginning reading skills (including letter name and letter sound knowledge, global early reading ability, phonological awareness, and word reading). Children’s beginning writing abilities are described, and they exhibited a range of proficiency in their ability to write letters, spell sounds, and spell real and nonsense words. Global early reading proficiency, phonological awareness, and/or letter sound fluency predicted letter writing, sound spelling, and spelling of real and nonsense words. Appreciation is expressed to the participating students and teachers at Dwight D. Eisenhower School and to Margaret Boudreau and Joan Foley for assistance in scoring students’ responses.     

朋辈教育作为异质教育理论的中国化

朋辈教育近年来在我国高校以朋辈心理辅导咨询活动方式得到迅猛发展。在朋辈教育中国化中必须处理好朋辈教育的现实性、独立性和普遍性的辩证关系。陶行知先生把美国杜威教育理论进行创新性改造和转化,使之形成适合中国本土教育状况的生活教育理论实践,为朋辈教育中国化提供了有益启示。     

教师反馈及同侪反馈应用于公共英语写作教学之行动研究

网络的发展,给高校政治理论课的教学带来很大影响,如何适应日新月异的网络环境,已经成为高校政治理论课教学着重研究的重要课题。本文主要探讨了网络环境给大学生的思想状况、学习方式、政治理论课教师的角色定位、政治理论课教改的途径选择带来的影响。     

The Use of Activity Theory as a Methodology for Developing Creativity within the Art and Design Classroom

This article discusses the use of an activity theory system as an analytical tool within the school art and design classroom. It highlights reasons for its use and makes explicit its importance for investigations into teaching and learning. It proposes that through an activity theory system, teachers and researchers are enabled to reflect on the formation of thought and develop an understanding of pedagogy, where classroom roles, rules and participation are made visible. The article draws on primary research which explores the development of creativity within the English Key Stage 3 (age 11–14) art and design classroom. Illustrations are provided to show how through the use of an activity theory system a multi‐layered analysis took place. This generated reflection on relationships and structures within and surrounding the classroom, impinging creative activity. Through using the activity theory system teachers and researchers were enabled to observe the complexity of the classroom and question socio‐cultural‐political structures which empowered change.