Radio,Democracy and Development: Evolving Models of Community Radio

Although community radio has a long history in South and North America, new models are evolving in other parts of the world from South Africa to Central Eurasia. True to its community roots, stations reflect the unique history, culture, and political climate of each country. Radio is the most democratic of media both in providing easy access to citizen participation and in being widely available. In rural areas from subsistence farmers in Mozambique to nomadic herders in Mongolia, radio is the only medium. With limited resources in new democracies, it is the most cost-effective medium. The expressive human voice and natural sound engage the imagination through story telling. Radio stations are not simply passive transmitters of information or hit music; they are a catalyst for building community, for improving health and education, for fostering a civil society. These are no longer theoretical visions; many stations now demonstrate all of these goals.     

Effects of Local-Market Radio Ownership Concentration on Radio Localism,the Public Interest,and Listener Opinions and Use of Local Radio

The Telecommunications Act of 1996 and ensuing radio ownership consolidation are often blamed for harming radio localism and the public interest. The present research sought to determine effects of local-market radio ownership concentration on listener opinions and use of radio—potentially indicative of stations' localism and public service—by surveying listeners in markets categorized by ownership concentration. Findings suggest concentration does not strongly influence perceptions; however, overall results indicate potentially negative consequences from local and national consolidation on amounts of local music, news, and public-service programming; live-local programming; and station responsiveness.     

Radio,TV and literacy in Mexico

When radio and television are touted as the “greatest media for education” or the “promoting of social change” that the world has ever known, the need of the developing countries of the world for these media is often cited. It is probable that most citizens of the United States think of “developing nations” as those newly‐formed countries of Asia and Africa whose political, social and economic problems often are featured in the day's news reports. However, there are more than a score of developing nations in the western hemisphere, and one of these is right at the back door of the U. S. This country, Mexico, has been using radio and television effectively for a major literacy program since 1965, and the following article describes that program. Dennis Lowry is a doctoral candidate in mass communication in the University of Minnesota School of Journalism and Mass Communication. Information for this article was gathered during a six‐week study trip to Mexico in the summer of 1968.     

Stewart,Essential Radio Skills: How to Present a Radio Show

This article reports on ongoing studies of political satire in the seriocomedy genre produced by the Canadian Broadcasting Corporation (CBC) and its French language counterpart, la Société Radio‐Canada (SRC). We compare and contrast examples of each network's way of imagining its respective society as well as each other's society. We situate the definition of seriocomedy in a discussion of the contrasting role of private and public broadcasting in the North American context. Then we present examples from programs produced in two historical periods. The definition of seriocomedy and the analysis of texts follows the dialogical theory of discourse developed by the Russian thinker, Mikhail Bakhtin. In the conclusion, we discuss how these examples of dialogical criticism help demonstrate the complex process in which the seriocomedy genre expands and reinstitutes the normative boundaries of what can be said or represented in public culture.     

The research and publication programs of Radio Free Europe/Radio Liberty, Inc.

In 1973, the Board for International Broadcasting assumed responsibility for the operation of the joint corporate entity, Radio Free Europe/Radio Liberty, Inc. Broadcasting news, entertainment, and public affairs programs to Eastern Europe and the Soviet Union since 1950 and 1953 respectively, RFE/RL, Inc. has also maintained the largest research and analysis activity on these countries in the Free World. This information has been made widely available through serial and monographic publications, notably in the two weeklies Radio Free Europe Research (Eastern Europe) and Radio Liberty Research Bulletin (Soviet Union). Contract and independent researchers make use of rich archival and current affairs library research facilities in New York and Munich. As Federal funding has been maintained and expanded in recent years, facilities and capabilities have been greatly extended.     

The Radio and the Portuguese 1974 Revolution. The Military,the Radio Personnel and a Successful Cooperation

The importance of the media in the Portuguese 1974 Revolution is recognized by the military, politicians, and journalists. In this context, the major role of the radio broadcast in the course of events is undisputable. In the dawn of April 25, a popular Portuguese song was the start signal for the military coup and other counter signals followed, sounds that became symbols of the Revolution. Radio was the medium chosen by the Armed Forces Movement (MFA or Movimento das Forças Armadas in the original) to communicate with the parties involved in the coup and it was also used to inform the population of the goals and progress of the military operations. The following manoeuvres eventually transformed Radio Clube Português, one of the radio stations, in the commanding post of all the operations and the Portuguese people became aware of the MFA goals and victories by the bulletins that were broadcasted by the military on the radio. In a country with high illiteracy, radio played a crucial role in terms of information, which confirms its unquestionable centrality in the course of the April Revolution (also known as the Carnations Revolution). This study aims to explain how this process was achieved and it is based on the recollection of documents, archives, and other information. The recovery of testimonies and reconstruction of events allow us to explore the way military interacted with radio personnel and how radio logics prevailed and helped the military to successfully achieve their goals.     

广播与网络

《类型化电台的子群体》一文,是云南人民广播电台台长、总编辑覃信刚撰写的关于类型化电台系列讲座文章的第3篇。作者以大量资料和自己收听记录的材料,对当前国外、境外类型化电台的种类进行了梳理,有助于广播界同仁开阔眼界。在传媒业激烈的竞争中,资源整合成为一个重要话题。尤其是广播电视媒体通过整合,优化配置内部资源,能减少内耗、形成合力,从而有效地促进广播电视业的创新与发展。浙江广电集团祁汉忠的文章《广电节目联动与资源整合策略》一文,对此进行了论述。电视栏目剧作为一种新的节目形态,近年来出现在各地荧屏,取得了好的收视效果,但也存在一些不容忽视的问题。杭州电视台影视频道唐红的文章《电视栏目剧热俏荧屏反思》一文,提出面对热俏荧屏现象,从业人员应该对当前栏目剧制作中存在的某些问题进行理性思考。     

Radio and Television

Ralph M. Jennings and Pamela Richard's How to Protect Your Rights in Television and Radio (Office of Communication, United Church of Christ, 289 Park Ave. South, New York 10010—price not given, paper)

Ted C. Smythe and George A. Mastroianni's Issues in Broadcasting: Radio, Television, and Cable (Palo Alto, Calif.: Mayfield Publishing Co., 1975—price not given but around $7.00 we learned from editors, paper)

James D. Secrest's Electronic Industries Association: The First 50 Years (Washington: EIA, 1974—price not given)

Ann M. Velia's KOB: Goddard's Magic Mast, Fifty Years of Pioneer Broadcasting (Las Cruces, N.M.: New Mexico State University Press, 1972—$6.95)

Harold Niven's Broadcast Education 1975: 14th Report (Washington: National Association of Broadcasters, 1975—$5.00, paper)

Broadcast Programming and Production (bimonthly/$7.00 per year, with first three issues free on request)

Joel L. Efrein, Cablecasting Production Handbook (Blue Ridge Summit, Pa.: TAB Books, 1975—$12.95)

NCTA is Over the Cable (Washington: National Cable Television Association, 1975—free on request, paper)

Community Antenna Television Journal (4209 N.W. 23rd St., Suite 106, Oklahoma City 73107)     

Radio and Television

Television and Children: Priorities for Research (New York: Ford Foundation, 1976—free on request, paper),

Bob Shanks' The Cool Fire: Flow to Make it in Television (New York: Norton, 1976—$9.95).

Clas Zilliacus' Beckett and Broadcasting: A Study of the Works of Samuel Beckett for and in Radio and Television(Acta Academiae Aboensis, Library, 20500 Abo 50, Finland—priced at 40 FmK, paper),

Edward N. McNulty's Television: A Guide for Christians (Nashville, Tenn.: Abingdon, 1976—$3.50, paper).     

Television and Radio

TVPE (1826 Spaight St., Madison, Wisconsin 53704; to begin publication on a monthly basis in February 1973 at $6.00 per year)

Television Quarterly

Terry Galanoy's Tonight! (New York: Doubleday, 1972 -- $7.95)

Gene Kievan, Turn That Damned Thing Off: An Irreverent look at TV's Impact on the American Scene (Indianapolis: Bobbs- Merrill, 1972 -- $6.95)

John Gambling's Rambling with Gambling (Englewood Cliffs, N.J.: Prentice-Hall, 1972 -- $6.95)

Mary Francis Rhymer (ed.) The Small House Halfway Up in the Next Block: Paul Rhymer's Vic and Sade (New York: McGraw-Hill, 1972 -- 9.50)

Charles E. Lowman's Magnetic Recording (New York: McGraw-Hill, 1972 -- $14.50)     

Queer Radio History: Pacifica Radio

Pacifica Radio was the first listener-sponsored non-commercial radio network in the United States to air queer voices beginning with Allen Ginsberg reading his iconic poem, Howl on KPFA-FM in Berkeley, California in 1956. From that broadcast, Pacifica stations KPFK-FM (LA), WBAI-FM (NYC), KPFT-FM (Houston), and WPFW-FM (Washington, D.C.) have consistently given space to the LGBTQI community and perspective over 60 years, creating a vibrant recorded history relatively unknown and vastly under-researched.

What survives of the broadcasts are largely found in the Pacifica Radio Archives (and other repositories) and documented in the printed station program folio guides (1949–2005) and consumer catalogues.

This article explores the importance of Pacifica’s queer sound and print archive and looks to identify what survives and what has been lost. It also highlights the many ways the queer story was expressed; bearing witness to the Gay Liberation movement through reportage, literature, poetry, radio drama, music, interviews, live event coverage, documentaries, docudramas, listener call-ins, and group discussions. The author presents this article to bring awareness to these rare instances and help motivate their preservation and access for extended scholarly use.     

O'Neill,Digital Radio in Europe: Technologies,Industries, and Cultures

The U.S. Government's role as overseer of the World War II airwaves was significant, given the government's task of establishing a supervisory mechanism for the radio industry that would serve the need of national security and, at the same time, minimize the need for bureaucratic intrusion into program decision making. A mechanism also was needed to police the domestic airwaves for unlicensed intruders and to monitor the international airwaves for enemy propaganda. To accomplish these tasks, the government enlisted the services of three agencies: the Federal Communications Commission, the Defense Communications Board, and the Office of Censorship. This paper examines the structure, operation, and contribution of each.     

中国广播电视学会更名为中国广播电视协会

经国家广播电影电视总局和民政部批准．中国广播电视学会更名为中国广播电视协会。更名会议暨中国广播电视协会第四届理事会第二次全体会议，于2004年12月21至22日在海南省博鳌召开。     

Radio

RADIO: A REFERENCE GUIDE by Thomas Allen Greenfield (Westport, CT: Greenwood Press, 1989—$39.95, ISBN 0-313-22276-2)

THE RADIO STATION by Michael Keith and Joseph Krause (Stoneham, MA: Focal Press, 1989—$24.95, paper, ISBN 0-240-80028-1)

PROGRAMMING RADIO TO WTN IN THE NEW AMERICA by John Parikhal and David Oakes (1989—$40.00 but $20 to NAB/BEA members, paper, ISBN 0-89324-062-1)

PROFITING FROM RADIO RATINGS: A MANUAL FOR RADIO MANAGERS, SALES MANAGERS AND PROGRAMMERS by James E. Fletcher (1989—$40.00 but $20 to NAB/BEA members, paper, ISBN 0-89324-065-6)

DEVELOPING AN EFFECTIVE MARKETING PLAN: A WORKING GUIDE FOR RADIO BROADCASTERS by John Geason and John Sutherland (1989—$20.00, paper, ISBN 0-89324-066-4)

AMERICAN RADIO SPRING 1989 by James H. Duncan, Jr. (Duncan's American Radio, Box 90284, Indianapolis, IN 46290—$79.00, paper)     

Educational Radio,Listening Instruction,and the NBC Music Appreciation Hour

This article examines the educational and social impact of an instructional radio program, called the Music Appreciation Hour (MAH), broadcast on the NBC network from the 1920s to the 1940s. Walter Damrosch, who came from a musical family and had previously conducted the New York Symphony, envisioned the possibility to use radio to teach music to American schoolchildren by tapping into its aural and emotional qualities. Through archival materials, including correspondence, teachers’ manuals, student notebooks, and program evaluations, it is argued that while Damrosch positioned himself with a new progressive movement that espoused student-centered education, he instead became an appealing on-air “personality” to student listeners and the network. This research serves as an important example of some of the ongoing tensions between education, entertainment, and the mass media.     

中国广播影视业发展态势--2004年北京国际广播电视周综述

由国家广播电影电视总局，北京市人民政府主办．北京广播电视局．北京广播影视集团承办的2004年北京国际广播电视周于2004年5月14日至17日举行。这也是北京举办的第十次国际广播电视周。