‘I guess it scares us’ – Teachers discuss the teaching of poetry in senior secondary English

This article reports on a participant‐centred research project with English teachers in a senior secondary college in Melbourne, Australia. It builds on previous research (Weaven and Clark 2009, 2011), which showed a low take‐up of the opportunities to teach poetry in Victoria's senior secondary English curriculum. This study explores the reasons why teachers of English are unwilling to use poetry texts in their senior classes. The teachers who participated in this study discussed and documented their attitudes towards the teaching of poetry and explored with each other the pedagogical challenges associated with teaching poetry. Their discussions – an analysis of which forms the empirical core of this article – reveal a range of explanations for teachers' reservations about offering poetry to their students. Importantly, these teachers were able to use professional discussion as a means to consider what changes in teaching practice could be successfully developed to facilitate more time spent on the teaching of poetry in senior secondary classes.     

What bilingual poets can do: Re‐visioning English education for biliteracy

This paper describes a bilingual‐bidialectal poetry writing programme set up in a community library in the southeastern United States for multi‐age learners. The authors explore the use of poetry as a vehicle for biliteracy development. The analysis draws on observations of the students’ engagement with poetry both in terms of their writing and the teachers’ responses. The paper discusses how poetry can inform a critical, multicultural approach to developing biliteracy in students of all ages and degrees of competence in written English. The authors theorise the role that poetry can play in creating positive learning environments for such students.     

Becoming Poetry Teachers: Studying Poems Through Choral Reading

Abstract

The poet, Seamus Heaney, argues that transformations for both teachers and students may be engendered through recognising the connections and distinctions between the language of poetry and the language of everyday life. This article explores some of the ways in which choral reading of poetry, using multiple voices like musical instruments, may change student teachers’ perceptions of poetry. Five small groups of Secondary English student teachers on an initial teacher education Postgraduate Certificate of Education (PGCE) course constructed choral readings, each group working with a different poem. During the session, they wrote journal entries about how creating the readings and listening to other people led them to think differently about studying poetry with students in the classroom as future secondary English teachers. Several months later, a small voluntary group met to recollect the session and consider more critically the potential of choral reading as one possible approach to teaching poetry.     

‘Signs of progress’: reconceptualising response to children's poetry writing

Poetry writing is felt by many primary teachers to be an important part of children's early language and literary development. It is also considered by many teachers to be very difficult to assess, due in part to the subjective nature of much poetry. Therefore poetry writing in schools enjoys both high and low status. If practice of teaching this genre is to develop it is necessary for teachers to have a clear view of what children are able to achieve within it. By looking at examples of children's poetry writing, my aim in this paper is to demonstrate how it is possible for primary school teachers to identify features of children's poetry writing which they consider to be of value. I shall argue, from the basis of an empirical research study, that teachers can, therefore, promote and encourage progression in poetry writing by their classes; but that to do so is to challenge views of poetry writing by children promoted in current orders and recommendations.     

The Growth and Nature of Research Interest in Arithmetic and Reading

ABSTRACT

The author examined whether mathematics instruction provided by kindergarten teachers is related to children's mathematics learning during the kindergarten year based on the children's socioeconomic status and race. Hierarchical linear modeling was employed using a large sample of kindergarten students to estimate relationships between the teacher's instructional approach (e.g., concrete-spatial, interpersonal, linguistic) and children's mathematics skills. Results showed that the teacher's instructional approach was selectively related to children's mathematics learning. Students in classrooms where teachers frequently employed a concrete-spatial instructional approach learned more during the kindergarten year. Students from lower socioeconomic backgrounds benefitted more from teachers who often employed an interpersonal approach, and Black/African American students benefitted less from classrooms where teachers relied more on a linguistic approach. The findings suggest that kindergarten teachers’ instruction needs to employ varied methods that take into account students’ mathematics skills and background characteristics.     

‘What rough beast?’ Conceptualising the poetry teacher in Ireland through the eyes of the pupil

Pupils have a significant contribution to make in the construction of knowledge about teaching and learning in schools. Therefore, consultation with pupils should play a significant role in the pursuit of pedagogical advancement. This study explores pupils' conceptions of effective poetry teachers at Leaving Certificate level in Ireland. Taking a phenomenographic approach, this study draws on interviews conducted with 23 senior cycle pupils. Set against a transcontextual backdrop of pupil apathy and disengagement in the poetry classroom, this study identifies five significant categories of learning for pre-service teachers aiming to optimise student engagement within the poetry classroom. The imperative for action, specifically at pre-service level, is outlined and recommendations in the pursuit of pedagogical advancement in the poetry classroom are proposed.     

Poetry immersion: Reading,writing and performing with secondary students

In an attempt to counter the culture of high-stakes testing and the instrumental coverage of poetry, the authors designed and taught a sustained, intensive poetry course to secondary students. In this article they advocate a deep genre study of poetry for students and teachers and highlight important principles from their work that are applicable in a variety of teaching contexts.     

Learning about the world of the student: writing poetry for teacher–student understanding

The authors aim to assist teachers to gain a deeper understanding of the inner lives of students especially those with special educational needs. This aim is pursued in two ways. The first is an exploration of the experience of writing poetry using the students' sentiments, actual words and phrases – a poetic engagement. The second is to argue for the transformative potential of this poetic engagement for the practitioner seeking to ‘get alongside’ the student.     

‘But sir,I lied’ – the value of autobiographical discourse in the classroom

This article aims to examine the benefits of teachers using their own autobiographical writing in the classroom. It explores the blurring of truth and fiction in autobiographical writing and argues that teachers can help students if they provide students with the cloak of fiction when writing about their own lives. Furthermore, it puts forward the case that when teachers share pertinent autobiographical episodes then pupils are more willing to respond in an engaged and passionate fashion. In developing my argument, I suggest that autobiographical writing can be therapeutic in certain classroom contexts. The data sources for this article are the author's own life and two case studies: an 11‐year‐old boy, George, and a 15‐year‐old girl, Eloise, both of whom were pupils of the author and wrote autobiographically for him. The methodological approach is that of bricolage: chiefly, the article combines ethnographical observation with interviews and discourse analysis. I also examine quantitative studies which look at the therapeutic dimensions of autobiographical writing. Theoretically I draw on Friere's concept of ‘conscientization’ (Friere 1985: 49) in order to critique the ‘banking’ concept of education, which would close down opportunities for pupils to write freely about their own lives.     

Taking Poetry off its Pedestal: The Place of Poetry Writing in an Assessment-Driven Curriculum

This paper examines the location and status of poetry writing within an assessment‐driven curriculum. Drawing on the critical perspectives of Carter, Benton, D'Arcy and Driver and the observations of a sample group of secondary English teachers about assessment of their pupils' poetry, it argues for the development of an assessment model that could remove the mystique surrounding poetry and establish it on an equal footing with prose text types in the National Curriculum for English.     

“Poetry? Of course we do it. It's in the National Curriculum.” Primary children's perceptions of poetry

What can listening to children's ideas about poetry teach us? This article considers ways in which exploring primary‐aged students' perceptions of poetry can inform teachers' work with children. Using strategies from earlier studies in secondary schools, a small‐scale project with Year 6 students revealed their complex and sometimes contradictory ideas. These ideas reflect some of the current debates around the nature of poetry and ways of teaching it. The children's ideas are analysed with critical attention paid to the impact of the view of literacy in England's National Literacy Strategy on the teaching and learning of poetry.     

Powerful students,powerful words: writing and learning in a poetry workshop

A poetry workshop can present opportunities to integrate students' knowledge and perspectives in classroom contexts, encouraging the use of language for expression, communication, learning and even empowerment. This paper describes how adolescent students respond to a poetry workshop in an English classroom centred on teaching writing that is based on their knowledge from their various life experiences and understanding of events beyond the classroom. Informed by New Literacy Studies and third space theories, ethnographic methods of participant observation were used to document an eighth‐grade urban public school classroom where a community member implemented a weekly programme using music lyrics and poetry for an entire school year. Findings illustrate how the poetry workshop encouraged students to contribute to the classroom learning context and engage critically with ideas that were relevant to their lives. Collaborating with a community member and tapping in to the powerful ways of using language to communicate led to important learning opportunities for students in this classroom. Poetic devices such as rhyme, rhythm, metaphor and wordplay enhanced and supported students' own language practices; students used these sophisticated writing strategies as they worked to convey their ideas, experiences and opinions.     

The Thinking Frames Approach: a case study of inclusion using student‐generated multiple‐representations

Many teachers struggle to provide equitable opportunities for students with special educational needs (SEN) to learn science concepts in the inclusive classroom. This study examines the experience of teaching in an inclusive classroom using a conceptual change approach, the Thinking Frames Approach (TFA), incorporating the use of discrepant events, social construction of scientific conceptions followed by the production of multiple student‐generated representations of their understanding. An in‐depth case study is presented of the experience of Wayne, a student with complex SEN and the effect on his behaviour and science learning based on video/audio recordings of lessons, teacher journal entries, student artefacts, questionnaire results and interviews. It was found that there were positive effects for Wayne's learning using this approach including improved behaviour, greater feelings of self‐efficacy, increased participation in small group and class discussions and improved outcomes on the same assessment tasks as peers. It is suggested that the structured approach of the TFA, the communication of understanding in different modalities, particularly drawing, and the support of peers enabled Wayne to more deeply engage in construction of understanding and may provide teachers with an easy and effective approach to authentic inclusion where real conceptual gains are made by all students.     

The ‘no problem’ Discourse model: Exploring an alternative way of researching student learning

In this paper we explore an alternative way of characterising the student learning experience, drawing on sociocultural perspectives on learning. Here, learning is not merely the application of an approach to a cognitive task, but a social process of identity formation. In particular, we draw on Gee's concept of Discourse models to identify the implicit theories students use to make sense of their learning and assessment experiences. From interviews with third year engineering students, we identified what we termed the ‘no problem Discourse model’, in which students construct an upbeat portrayal of their experience of a course, despite experiencing crises induced by assessment events. Through a process of justification the seriousness of the crisis is denied. This Discourse model appears to have its roots in a popular Discourse of self-actualization. There was evidence of co-construction of this model during the student learning interviews. This suggests implications for the roles that teachers can play in either maintaining or challenging the Discourse models that are adopted by students.     

“Not Pure Harmony,but Less of a Power Struggle”: What Do Teachers and Pedagogues Think About Using Existential Pedagogy?

Existential Pedagogy (EP) derives from existential analysis and logotherapy developed by Viktor Frankl and Alfried Längle in the tradition of existential philosophy and phenomenology. This study investigated how EP influences pedagogues' and teachers' attitudes and teaching. Four focus groups with a total of 12 persons each were conducted in an elementary school that is tailored for students with emotional and behavioral problems. Data were analyzed with the qualitative content analysis. EP helped teachers come into relationship with students, strengthen students' self-esteem, and find meaningful approaches to the learning content. It also facilitated coming into touch with one's emotions and with the children's emotions. The individualized approach does not solely focus on children but highly impacts teachers and pedagogues. Similarities to other pedagogies can be found, but it appears to be specific for EP to have an impact on teachers and pedagogues. Additionally EP encourages an individual and flexible handling of EP.     

Developing an audiovisual notebook as a self‐learning tool in histology: Perceptions of teachers and students

Videos can be used as didactic tools for self‐learning under several circumstances, including those cases in which students are responsible for the development of this resource as an audiovisual notebook. We compared students' and teachers' perceptions regarding the main features that an audiovisual notebook should include. Four questionnaires with items about information, images, text and music, and filmmaking were used to investigate students' (n = 115) and teachers' perceptions (n = 28) regarding the development of a video focused on a histological technique. The results show that both students and teachers significantly prioritize informative components, images and filmmaking more than text and music. The scores were significantly higher for teachers than for students for all four components analyzed. The highest scores were given to items related to practical and medically oriented elements, and the lowest values were given to theoretical and complementary elements. For most items, there were no differences between genders. A strong positive correlation was found between the scores given to each item by teachers and students. These results show that both students' and teachers' perceptions tend to coincide for most items, and suggest that audiovisual notebooks developed by students would emphasize the same items as those perceived by teachers to be the most relevant. Further, these findings suggest that the use of video as an audiovisual learning notebook would not only preserve the curricular objectives but would also offer the advantages of self‐learning processes. Anat Sci Educ 7: 209–218. © 2013 American Association of Anatomists.     

得其趣而领其味:古诗词教学新探

古诗词是语文教学的重要内容,其短小精悍,韵律优美,意境深远,对提升学生语文素养、人文素质具有重要作用。在语文古诗词教学中,教师要以诗演绎,以画配诗,以诗解诗,以声配诗,尝试作诗,让学生得其趣而领其味,科学记诵古诗词,深入理解古诗词,提高古诗词教学质量。     

Censoring Freedom: Community-Based Professional Development and the Politics of Profanity

The lack of strong literacy skills and practices among students is perhaps the clearest indicator that the education system continues to leave millions of children behind. To advance the reading, writing, and speaking skills of middle and high school students, this study examines a professional development model that brought trained community-based poets into the classroom to conduct weekly writing workshops. Over the course of two years, poet-mentor educators worked alongside 30 English Language Arts and Special Education teachers, reaching over 800 students. When the literacy program entered its second year, issues of propriety and language usages unveiled deep rifts between who students were as individuals and who educators wanted them to be as learners. The literature on multiple literacies and cultural relevancy helped frame the professional development within a larger movement to bring student voices and experiences into the curriculum (e.g., Gay, 2000; Ladson-Billings, 1994, 1995; Mahiri, 1998a, 1998b), but even this scholarship does not address the contentious interplay between student self-expression, conformity, and academic achievement. So what happens when students' poetry embodies inner-city street vernacular and volatile subject matter that offends teachers? To address this concern, my research analyzes how to use spoken word poetry as a form of critical literacy development and empowerment within the confines of school.     

Poetry is an Unfamiliar Text: Locating Poetry in Secondary English Classrooms in New Zealand and England during a Period of Curriculum Change

Undertaken during a period when changes in the assessment of English in public examinations at 16+ were becoming embedded in classroom practice, this comparative research explores where poetry is located within the newly aligned examination assessment frameworks of New Zealand and England. It comments on how these frameworks are locally interpreted by a sample group of English teachers in two culturally diverse cities. It identifies the challenges for assessment of poetry writing and retention of poetry study at examination level that are instantiated within these contexts. In investigating poetry’s location, key issues are highlighted about teachers’ perceptions of poetry, confidence and the support needed for examination level teaching of a genre that is in danger of becoming increasingly unfamiliar to many students.     

Incorporating Ethnographic-Based Techniques to Enhance Assessments of Culturally Diverse Students' Written Exposition

This article focuses on the need to include ethnographic-based approaches in the writing assessments of culturally and linguistically diverse populations. The inclusion of such approaches can help teachers gain a deeper understanding of the complexities of learning for all students and realize how students' social and cultural lives mingle with the assessment process and with their academic learning. In Part 1 of the article, I describe an investigation of the assessment of students' informative essays using a single-method, holistic approach. English teachers rated essays written by eight ethnically diverse fifth- and sixth-grade students using an array of rhetorical and linguistic measures - including overall quality, coherence, sentence-level mechanics, and use of an organizational structure. Findings indicate that, within this paradigm of assessment, culturally and linguistically diverse students may be penalized for preferring rhetorical patterns that differ from the mainstream academic patterns rewarded in schools. In Part 2, I describe an investigation of the assessment of the same eight students' informal informative essays using a multifaceted approach, including ethnographic techniques and micro- and macrolevel text analyses. Findings suggest that the multifaceted approach provided a more accurate picture of the students' expository language resources. In the final section, I demonstrate how the ethnographic-based techniques provide illustrative evaluation data useful for forging a fit among the language resources and functions of writing for culturally and linguistically diverse students and their assessment and instructional needs.