Progressivism and the History of the Public House, 1850–1950

ABSTRACT

In a recent article, Alistair Mutch suggests that twin concepts – ‘control’ and ‘interpretation’ – explain the evolution of the public house over a century of dramatic changes between 1850 and 1950. This article argues that these concepts are confusing, ambiguous and misleading. It was not regulatory pressures, the temperance movement, local politicians, pressure groups or magistrates that most shaped the history of drinking premises, but developments outside the brewing industry, most notably Progressivism. Emerging in the late nineteenth century, Progressives set out to reform drinkers and drink premises, first in the trust house movement, and then in the Liquor Traffic Central Control Board during the First World War. Appropriating their ideas and philosophy immediately following the war, England's foremost brewers launched the public house improvement movement, the most far-reaching attempt to transform the nature of public drinking in the twentieth century.     

‘Envisioning the Past: Art,Historiography and Public History’*

Abstract

This essay considers the role that art and history might play together in public history projects. It discusses public history not in terms of ‘learning lessons’, ‘public debate’ and ‘transferable skills’ but instead in terms of creative thinking in the public sphere. The essay draws upon the author’s experiences of working with artists on a series of exhibitions themed around the history of an arts centre’s late Georgian and Victorian buildings and their inhabitants in Sheffield. It explores the synergies between artistic and historical ways of knowing and argues that collaborations with artists provide an opportunity for academic historians to reengage the imaginative aspects of professional academic history. It also explores the value of art’s expressive power and its potential to pose new questions and suggest new answers for both public and historians’ understanding of the past.     

Darts in England, 1900–39: A Social History. By Patrick Chaplin

ABSTRACT

This article examines the status and meanings of heterosexual love in post-war Britain. It is situated within the burgeoning field of the history of emotion and draws upon recent work on interiority and modern selfhood. It argues that love became a central plank in the quest for self-actualization in this period. It explains why love triumphed over pragmatism in the remaking of British matrimony and how this impacted upon the institution of marriage itself. The article posits the immediate post-war years as a time of significant discursive change and emotional instability: expectations rose and critical introspection deepened. The ways in which love was fashioned in the 1940s and 1950s were central to the dramatic social and cultural changes that occurred in the decades that followed.     

The Globalization of Multicultural Education in Social Science Textbooks: Cross-national Analyses, 1950–2010

In this study the authors analyze 548 secondary social science textbooks to examine the extent to which multiculturalism-related content appears over time and around the world. Findings suggest significant global increases in textbook depictions of minority rights and groups experiencing discrimination over time and in many regions.     

Poverty,Philanthropy and the State: Charities and the Working Classes in London 1918–79. By Katharine Bradley

Abstract

Nineteenth-century perceptions of alcoholism were shaped implicitly by notions of gender, class and morality. From 1879, legislation advocated the institutional management of inebriates as a response to the growing problem of habitual drunkenness. Examining the methods of treating varied classes of female alcoholics in three inebriate institutions between 1876 and 1898, this article highlights how reformatory and punitive treatment models were shaped by class and gender perceptions of the alcoholic. The article questions why the application of reformatory treatment models proved problematic and analyzes the points of tension encountered in the attempts to reform a mixed class of female patients.     

‘Bloomers’ and the British World: Dress Reform in Transatlantic and Antipodean Print Culture, 1851–1950

The ‘bloomers’ are rarely considered beyond their 1851 origins in the United States and subsequent appearance in Britain. This article expands dress reform scholarship by analysing print culture elsewhere in the British world, specifically Australia and New Zealand. The colonial press manufactured controversy over this fashion – a perceived transgression of gender norms – even though antipodean women rarely sported the outfit. This article focuses on the dress reform lectures and writings of Amelia Bloomer, Caroline Dexter and Dr Mary Walker. While certain continuities resurfaced alongside the bloomer-like rational dress popularised in the bicycling culture of the 1890s, dress reform was largely deemed far less controversial by the turn of the twentieth century.     

A Question of Trousers: Seafarers,Masculinity and Empire in the Shaping of British Male Dress,c. 1600–1800

Trousers have a history. The British-imperial biography of this garment reveals the significance of ready-made clothing production for naval and merchant administrations with global reach. This history demonstrates the significance of male sartorial experiments in colonial settings. And it also confirms the rising importance of imperial and maritime cultures in shaping masculine ideals and habits of dress. Ultimately, middle ranked and elite male Britons came to rethink their allegiance to breeches and hose, a mnemonic of the ancien régime. Social cross-dressing ensued, with men of higher status adopting the garb of nautical working men, at a time when mariners were increasingly esteemed. The study of trousers opens new vantage points from which to assess the forces altering British masculinity, forces that also reshaped material norms.