试论学校美育中的美术教育

学校美育中的美术教育不仅要培养学生健康的审美理想和情趣,同时还要提高其思想品质,增进其身心健康,促进其人格的全面发展。学校美育中的美术教育有循序渐进的学习和人文精神的传播等特点。加强美术史论和作品欣赏教学,可培养和提高学生感受鉴赏美的能力。通过美术实践,可培养创新意识,提高学生表现创造美的能力。学校美育中美术教育可提升学生追求更高的人生境界,引导他们保持平和的幸福心境。     

“I ‘feel’ like I am at university even though I am online.” Exploring how students narrate their engagement with higher education institutions in an online learning environment

This article outlines a collaborative study between higher education institutions in Australia, which qualitatively explored the online learning experience for undergraduate and postgraduate students. The project adopted a narrative inquiry approach and encouraged students to story their experiences of this virtual environment, providing a snapshot of how learning is experienced by those undertaking online studies. The study explores what impacted upon students’ engagement in this environment and how different facets of their learning experience made a qualitative difference to how individuals enacted engagement. Drawing upon Sharon Pittaway’s engagement framework, the article seeks to foreground student voice as the learners define their engagement in learning, the strategies they employed to assist this process and how engagement was enacted at an individual level. The students’ reflections presented in this article can be used to inform teaching and learning strategies designed to improve engagement in the online environment within the higher education sector.     

美术课堂优化与个性化培养方法

当今美术教育提倡学生个性的发展,而个性化发展是在美术教育中的一个突出特点。创设愉悦的教学氛围,优化课堂设计、培养学习兴趣,是在美术教学中促进学生个性化发展的基本路径。巧妙运用评价语言去鼓励学生、根据学生实际情况因材施教、完善教学评价体系,彰显学生个性才能更好地提高美术教学的教学效率和教学质量,使学生的个性得到更好发展。     

以学生为本之艺术设计教学方法探讨

文章通过介绍艺术设计教育在中国的发展,分析了艺术设计专业学生的主观学习动力不足的现状,采用导师制,灵活使用多种教学方法,发挥学生的主观能动性,化被动学习为主动学习,从而得出结论：艺术设计教育当以学生为本。     

透视高校美术史教学中的探究性学习

美术史是高等院校美术专业的一门必修理论课程,其宗旨是指导学生艺术创作实践、提高美术审美、培养创新意识和能力。文章从激发学生的探究兴趣和培养学生问题意识两方面讨论如何在美术史教学过程中,训练学生进行探究性学习。     

Rethinking Education through Contemporary Art

This article is part of a broader investigation exploring how contemporary art allows us to think about the process that underpins our teaching and learning in order to change it. We are tutors in initial teacher education and we teach, learn and communicate through contemporary art for a pedagogical module. In the following article we will show how teaching, learning and communicating through contemporary art helps future teachers to be aware of their educational models. Art encounters generate new learning and teaching experiences by allowing students and teachers to make various rhizomatic wanderings. The rhizomatic wanderings are diverse with the content and the form depending on the personal experience. The article concludes that the more rhizomatic wanderings future teachers make, the more they will be able to rethink the process of teaching and learning in order to attend to the diverse situations of classrooms of the twenty‐first century.     

论美术等级考试背景下的美术教学改革

美术等级考试不仅能增强学生的心理素质,而且能促进学生德智体等方面的全面发展。在美术教学中,教师要积极营造开放的学习氛围,善于激发学生学习的兴趣和欲望,综合运用多种教学方法,增强学生的美术学习能力,进而提高其艺术素养。     

关于高中美术鉴赏课学生自主课堂实施策略的研究简

美术新课程改革给高中美术鉴赏课教学带来了新的思考和尝试.以往传统的教学模式已经不能满足学生学习的需要,学生的积极性和学习兴趣在枯燥乏味的课堂中逐渐消失.美术鉴赏课堂迫切需要寻找新的模式和方法来改变这种格局,以重新焕发美术教育所应有的作用和艺术魅力.因此,高中美术鉴赏课对学生自主课堂的尝试,正是新课改下提高学生学习兴趣、充分发挥学生学习主动性的有效方式.     

首饰设计专业学科优势与创新

中国地质大学(北京)珠宝学院艺术设计专业(首饰设计方向)设立已十多年,在专业学科建设上取得了诸多成果.目前我国高等教育已迈进由精英教育向大众化教育的转型期,如何保证我校艺术设计专业(首饰设计方向)的教学质量并完善其学科优势,已成为本专业办学过程中不能回避的重要课题.我校艺术设计专业不同于其他院校的艺术设计专业,要融合并依托珠宝学院的学科定位,提高首饰设计艺术、制作工艺等相关人才的培养质量.     

论艺术设计专业创业教育与专业教学的融合

艺术设计专业与社会接轨密切,非常适合学生创业。艺术设计专业的学生迫切需要提高创业素质,将创业教育与专业教学融合起来,开设艺术设计岗位应用课程,积极寻找创业教育与专业课程的结合点,将艺术设计项目流程引入创业教育中,搭建以培养创新精神为核心的创业教学与实践平台,为自主创业打下坚实的基础。     

Learning to Be: The Modelling of Art and Design Practice in University Art and Design Teaching

Learning to be an artist or designer is a complex process of becoming. Much of the early phase of ‘learning to be’ occurs during the time emerging artists and designers are students in university art/design programmes, both undergraduate and postgraduate. Recent research reveals that a critical role in assisting students in their maturing identities as artists and designers is played by artist/designer‐academics teaching in university art and design programmes. By maintaining active art/design practices and drawing from these in their teaching, artist/designer‐academics model professional practice to students. Witnessing and interacting with such modelling is part of the process of students learning the shared discourses, views and practices of the art or design worlds to which they aspire to belong. The modelling of professional practice is critical to an artist or designer's ‘learning to be’ experience because it enables students to access the tacit and nuanced behaviours, languages and cultures that constitute contemporary art or design practice. This article outlines findings from a recent Australian study revealing the role of professional practice modelling in university art/design teaching. It highlights the centrality of professional practice modelling to artist/designer‐academics in their beliefs and approaches to teaching their academic disciplines. In critically exploring the research data and findings this article describes the role that modelling of practice plays and how it comprises a core part of the value that artist/designer‐academic participants contribute to the teaching of art/design education.     

高职院校大规模在线教学成效、问题及提升策略研究

高职院校史无前例地实践了整个学期的师生居家式大规模在线教学,不仅挑战了课堂教学实践能力的极限,也是对我国40年来高职教育信息化建设成效的最强考验。作为“疫情”特殊时期课堂教学的应急替代方案,高职院校大规模在线教学化解了时空分离状态下的教学供需矛盾,交出了有效度又有温度的可喜答卷,用实践证明了在线教学有能力完成课堂教学任务,保障了“停课不停教”政策底线,树立了在线教育发展史上的里程碑。社会多主体协同为高职院校开展在线教学提供了所需的海量网络学习资源、多样化学习工具、虚拟化教学环境,教师转变角色当网红,学生相聚线上渐入佳境,以灵活的自组织教学方式实现在线教学质量超预期。变革教育领域深层“教学惯性”和师生“默契”教学心理场域并非朝夕之功,当前要以“身份”合法化赋予高职院校在线教学的社会基础,协同共建适切的优质在线教学资源,赋予教师在线教学人机结合、虚实叠加的协同组织者角色,以教学活动为中介统合在线教与学,培养学生自主在线学习能力,以情感为纽带协同家校、师生共同体、社区维系在线教学,为高职院校全面返校复课后线上线下协同的“混合教学”做好充足准备。     

数字时代中的数学教材研究与开发及使用——第三届国际数学教材研究和发展会议综述

数学教材往往是数学课程发展、研究过程及整个数学教育史中最为可靠和重要的历史见证,对于"定义"作为学校科目的数学、为学生创设学习机会、为教师提供工作及专业发展上的支持,数学教材都发挥着举足轻重的作用。数学教材中的内容、开发及其使用已然成为数学教育研究的重要主题之一。通过对第三届国际数学教材研究和发展会议(ICMT3)的大会报告及主题研讨的介绍,对数字时代下的数学教材在设计、内容、使用及评价等提出新的思考,也进一步揭示出对理解教材在数学的教与学的作用存在更大更高的需求。     

《中国美术史》实践教学探讨

《中国美术史》是高等院校美术学、艺术设计等相关专业开设的一门专业理论必修课程,也是在校大学生的通识教育课程之一。如何在这一传统的理论课程教学中植入实践教学环节,使得教学内容更加形象化、具体化,提高学生学习的积极性和主动性,同时促进师生之间的交流,加强“教”与“学”的互动,是本文探讨的主要目的。     

西部高职院校艺术设计专业实践教学的思考与探索

高职艺术设计专业应凸显高等职业教育的特点,以强化学生的专业技能为主。目前,西部地区高职院校的实践教学环节薄弱,严重影响了专业的可持续发展。通过分析高职一线教学现存问题,从西部高职艺术设计专业实践教学入手,探索出一条"具体项目进课堂"、"设计公司进校园"、"拓展创业实践教学"等适合西部高职艺术设计专业实践教学的新路子。     

论视觉传达专业教育中基础理论课程的地位

随着高等艺术教育突飞猛进的发展,视觉传达这一学科迅速升温。而在我们的艺术教育中却面临很多问题,很大一部分学生认识不到设计类基础理论课程在本专业中的重要性。教师应结合教学和实践,针对设计类基础理论教学问题,在学生中树立健康的学习风气和指导方向,使学生在学习过程中能深刻认识到基础理论课程的重要性和指导性,从而在专业技术和实践当中更好的发挥自身优势。     

Teachers Curating Virtual Exhibitions for Learning Visual Arts: A Study of Impact and Effectiveness

Although visual arts teachers have free access to high quality online artwork images offering them immense teaching resources, making meaningful use of them remains a pedagogical challenge. During the COVID-19 pandemic, the transition from face-to-face to online teaching caused an immediate need for teachers to enhance their digital competencies and technological capability for planning and delivering a blended art curriculum. Herein, I propose a ‘teacher-curator pedagogy’ via a study in six primary and secondary schools in Hong Kong to assess its effectiveness. The study took place in the academic year of 2021-22 with 331 student participants. The proposed pedagogy puts visual arts teachers in the role of ‘digital curators’ who create virtual exhibitions for teaching art appreciation and artmaking. This paper addresses the theoretical framework, implementation strategies, and the results of the study highlighting its effectiveness, impact and limitations on teaching when using teacher-curated virtual exhibitions in both physical and virtual learning contexts. It was found that the technological capacity and confidence of the teacher participants was enhanced through the use of online resources and virtual exhibition tools. Making use of the 3D presentation of exhibits in themes and context through digital content curation, the teachers engaged students with deep interaction through the blending of online and face-to-face teaching. However, the proposed pedagogy was limited by the high demand of training and preparation work, hardware and software support, and difficulties in assessing and monitoring learning beyond class.     

Introducing the R2D2 Model: Online learning for the diverse learners of this world

The R2D2 method—read, reflect, display, and do—is a new model for designing and delivering distance education, and in particular, online learning. Such a model is especially important to address the diverse preferences of online learners of varied generations and varied Internet familiarity. Four quadrants can be utilized separately or as part of a problem‐solving process: the first component primarily relates to methods to help learners acquire knowledge through online readings, virtual explorations, and listening to online lectures and podcasts. As such, it addresses verbal and auditory learners. The second component of the model focuses on reflective activities such as online blogs, reflective writing tasks, self‐check examinations, and electronic portfolios. In the third quadrant, visual representations of the content are highlighted with techniques such as virtual tours, timelines, animations, and concept maps. Fourth, the model emphasizes what learners can do with the content in hands‐on activities including simulations, scenarios, and real‐time cases. In effect, the R2D2 model is one means to organize and make sense of the diverse array of instructional possibilities currently available in distance education. It provides new ways of learning for diverse online students, and demonstrates easy‐to‐apply learning activities for instructors to integrate various technologies in online learning. When thoughtfully designed, content delivered from this perspective should be more enriching for learners. The R2D2 model provides a framework for more engaging, dynamic, and responsive teaching and learning in online environments.     

加强新时期大学生的艺术教育

艺术教育在大学人才培养中具有重要作用。提高艺术鉴赏能力是培养新时期大学生创新才能和培养民族建设接班人的重要途径之一。在实施艺术教育过程中,要以我国先进的主导文化引导艺术教育的方向;在教学方式方法上,要以认知的态度而非仅是学习的态度对待人类文化遗产,教师应努力变传统的结论式的教学为探索式教学,应站在当代的文化艺术环境中,培养学生的艺术鉴赏能力。