‘A Heaven of Hell, a Hell of Heaven’: His Dark Materials, Inverted Theology, and the End of Philip Pullman’s Authority

This article argues that Philip Pullman’s His Dark Materials may be read as a series which attempts to assault the Christian doctrine of God. We believe that this demonstrably accords with Pullman’s personal views, and that, through his story, he seeks to foster such views in his readership. However, the accuracy of his attack falls short of its intended mark when it is examined alongside classical Christian theology. The Authority which Pullman’s narrative destroys is actually more akin to the Christian view of the devil than he is the divine, and the victories of Will and Lyra—as a new Adam and Eve—have strong resemblances to the victories which Christianity claims for Christ and Mary. Pullman’s narrative, therefore, becomes an inversion of his deicidal intention rather than an inverting and revolutionary destruction of theology.

Missed Opportunities: The Subordination of Children in Philip Pullman’s <Emphasis Type="Italic">His Dark Materials</Emphasis>

In the His Dark Materials trilogy, Pullman reworks the fall of humanity into an ascent and suggests that ascent into adulthood through sexual experience is the desired goal for children. Although this ascent is accompanied by a radical reconceptualization of life and death, Pullman fails to offer any genuinely new ideas of the world with respect to adult–child relationships and the roles that children play in our society. Situated as it is at the crossroads of childrens literature and fantasy, His Dark Materials fails to take advantage of the freedom these two genres provide and reinforces current conceptions of children and their role in society.     

“Nothing Like Pretend”: Difference,Disorder, and Dystopia in The Multiple World Spaces of Philip Pullman’s <Emphasis Type="Italic">His Dark Materials</Emphasis>

This article examines the multiple worlds in Philip Pullman’s His Dark Materials trilogy in light Pierre Bourdieu’s “space of possibles” and the combination of chance and choice that impact Lyra and Will’s decisions. Rather than viewing chance or destiny as disempowering, this article considers how the protagonists’ choices also encourage readers to confront their own notions of space in the world outside the narrative. As Lyra and Will work to escape and restore the dystopic multiverses through which they travel, Pullman’s text challenges readers to recognize and repair the dystopias in their own worlds and to accept the Keatsian “negative capabilities” of ambiguity and mystery in place of facile escape. Given this pedagogical imperative, Pullman’s enclosure of Lyra and Will in their separate worlds lies at the heart of his resistance to escapist tendencies of fairy-tale endings. Fantasy must be grounded in reality because Pullman’s readers must also continue the struggle for wisdom in their own worlds no less than Lyra and Will.     

“Without Contraries is no Progression”: Dust as an All-Inclusive, Multifunctional Metaphor in Philip Pullman's “His Dark Materials”

Drawing on John Milton's Paradise Lost and on motifs found within Gnostic mythology and the poetry of William Blake, this article explores Philip Pullman's reworking of the Judeo-Christian myth of the Fall. At the centre of this investigation is Dust: a conventional metaphor for human physicality inspired by God's judgment on humanity. This article suggests that Dust is re-presented in the trilogy in a more positive manner through the development of Milton's metaphor of the dark materials into a substance in which good and evil, and spirit and matter—conceptual opposites that form the basis of religious dualism—coexist.     

<Emphasis Type="Italic">Clockwork</Emphasis>: Philip Pullman’s Posthuman Fairy Tale

This article examines the connections between posthumanism and narrative form in Philip Pullman’s Clockwork. Beginning with an account of Pullman’s materialism, it argues that the novel represents consciousness and agency as emergent properties of matter, a position that manifests itself first in the tale’s figurative language and later in the cybernetic inventions of Dr. Kalmenius. As Pullman effaces the boundaries between animate and inanimate, human and non-human, he generates uncanny effects that are best understood in terms of the posthuman condition and narrative modes that reject liberal humanist models of subjectivity. Clockwork’s uncanny elements, metafictive qualities, and distribution of narrative voice across multiple perspectives thus represent narrative accommodations demanded by the tale’s rejection of the Cartesian mind/body dualism that grounds the liberal humanist subject. Clockwork’s acceptance of the posthuman condition is, however, incomplete and anxiety-laden, and the fairy-tale transformation of Prince Florian at the end of the novel represents a partial recuperation of liberal humanist morality.     

‘No offence to God but I don’t believe in Him’: religion,schooling and children’s rights

Since the Children Act 2004 in both England and Wales, schools are expected to give due attention to the issue of children’s rights, particularly respect for the views of pupils in matters that affect them, as outlined in Article 12 of the UNCRC. However, one theme that has been relatively unexplored in the literature on children’s rights and education is religion and the role it plays in everyday school life, an issue that has relevance for Article 12, but also Article 14, which refers to freedom of thought, conscience and religion. This article approaches the topic of religion, schooling and children’s rights empirically, through a focus on rural church schools. It draws on in-depth qualitative research with pupils and other stakeholders from two case study schools in order to explore the significance of ethos values and experiences of religious practices for debates in this area.     

Dutch children and their ‘God’: the development of the ‘God’ concept among indigenous and immigrant children in the Netherlands

In the 1980s and 1990s in the Netherlands, as a reaction to the growing number of non‐Christian pupils at Christian schools, religious education and religious development became issues for debate. At some schools, it was the exclusiveness of the Christian tradition that dominated, and at others it was the inclusiveness. Another group specialised in inter‐religious dialogue. Our research studied the religious development of pupils from two primary schools. One is the first and only inter‐religious primary school in the Netherlands, the Juliana van Stolberg primary school. The other is a Christian school, the Prinses Margriet primary school that educates pupils exclusively in the Christian tradition. The research questions focussed on the development of the ‘God’ concept of children confronted with stories from different religious traditions. The ‘God’ concept is seen in our research as a concept that develops in an inductive way from the data. This way of conceptualising ‘development’ is coined as the prospective perspective on development. The results of this comparative research led to the tentative conclusion that pupils in our research population who were involved in inter‐religious learning, demonstrate explorative behaviour concerning their own religion and that of others. Their ‘God’ concept shows hybrid characteristics. These pupils are rooted in their own tradition, and at the same time they are ‘on the move’. This offers points of departure for the development of citizens articulating their commitments and turning imminent conflicts into inter‐religious encounters.     

Shopping :Men’s and Women’s

“M en say they hate to shop,”says Zhukin,C ity U niversity of N ewY ork Sociology (社会学) professor. “Y et w hen you ask them deeperquestions,it turns out that they like to shop.M en generally like to shopfor books, m usic and hardw are. But ifyou ask them aboutthe shoppingthey do for books or m usic, they ll say, ‘W ell, thats not shopping.Thats research.’”In other words,what m en and w om en call “buying things”and howthey com plete thattask are different.W om en will wander thr…     

Children’s Attitudes Toward Reading and Their Critical Reading Abilities in Four Content-Type Materials

Abstract

The purpose of this study was to determine if school organizations grow in accordance with the square-cube law for growing organisms. Seven districts noted for stable organization and moderate enrollment growth were selected and data on the number of personnel classified according to organizational contacts were collected for the period 1919-1962.

High linear correlation coefficients (.782 ≤ r ≤ .994) were noted between the cube root of the number of personnel with internal contacts and the square root of the number of personnel with external contacts, but almost equivalent coefficients were noted between the two categories of personnel without transforming the data according to the square-cube law (.662 ≤ r ≤ .978). It was concluded that growth patterns for these districts may not conform to the biological model.     

Deconstructing Delphinium: Violence and Flowers in Rousseau’s émile and Henke’s Chrysanthemum

This article is an attempt to contribute to the conversation about “go[ing] beyond all kinds of binary thinking” (Lenz Taguchi, Going beyond the theory/practice divide in early childhood education: introducing an intra-active pedagogy, 2010, p. 50), especially the binary which positions “adults” and “children” as being powerful and powerless, respectively, in educational settings. It is also a personal reflection on “naming.” At the center of the reflection are two literary works, the picture book by Henkes, Chrysanthemum (1991), and the novel by Rousseau, émile, ou l’education (1762a). The central metaphor of émile—that of the developing child as organically unfolding, like a flower—is deconstructed by the plot involving two flower-named characters in Chrysanthemum. These characters are the protagonist, Chrysanthemum, and her music teacher, Delphinium Twinkle. Two acts of “naming” are considered: the literal act of naming a newborn baby and the abstract concept of “naming” [or labeling] a particular time in the life of a human being: “Childhood” (Cannella, Deconstructing early childhood education: social justice and revolution, 1997).     

A Latent Complaint in Milton’s "On His Blindness"

John Milton’s "On His Blindness" is one of his renowned sonnets,which takes on the unique characteristics in terms of style and theme."On His Blindness" was always regarded as the one that reflected Milton’s life and illustrated the heavy influence of Puritanism,in which Milton presented his calm attitude toward the blindness and deep reverence for God.However,if it is read between lines,more ideas about Milton’s confusion and latent complaint will be felt.This paper will adopt the idea of close reading of New Criticism to analyze what has been missed and misread through years in John Milton’s "On His Blindness".     

My Understanding of Wordsworth’s‘Immortality’in His“Ode:Intimation of Immortality”

William Wordsworth was the representative of the British "Lake poets" In his poems he aimed at simplicity and purity of the language,fighting against the conventional forms of the 18th century poetry.He transformed his observation of the landscape into the revelation of the beauty of nature in poetry,and thus expressed his nature philosophy.In this article the author briefly analyses the organization of his poem: "Ode: Intimation of Immortality" and mainly elaborates her understanding of the poet’s na-ture-philosophy in four points:(a) Man is sensitive to all natural influences in childhood.(b) Nature has a moral and spiritual sig-nificance and helps the poet understand the mystery of human life.(c) Life is but a stage.(d) All good poetry is the spontaneous overflow of powerful feelings;it takes its origin from emotion recollected in tranquility.     

Teaching: in light of Noel Gough’s and Ajay Sharma’s articles

In their articles, Ajay Sharma (Cult Stud Sci Educ, doi: 10.1007/s11422-017-9835-z, 2017) and Noel Gough (Cult Stud Sci Educ, doi: 10.1007/s11422-017-9834-0, 2017) shed light on the impact neoliberalism has on the teaching of science and suggest ways to ensure that science education remains critical and socially equitable. In this paper, I illustrate how their proposals influenced my instructional choices during the fall of 2016 in a course entitled Epistemology and Education.     

Sneaking Out After Dark: Resistance, Agency, and the Postmodern Child in JK Rowling’s Harry Potter Series

JK Rowling’s Harry Potter novels situate their child protagonists in a fantastical world side by side with present day British society. Through the characters’ choices and realizations, young readers are introduced to the complexities and ambiguities of the contemporary world. Harry and his friends embrace these qualities of postmodern childhood and question injustices established by and through the adult wizarding world. The characters’ resistance occurs in relation to control of their minds and bodies, the hegemony of wizarding bloodlines, and efforts to frame children as in need of protection. Rowling’s novels imagine a culture in which such child agency is possible, where young people become builders of context, awakening to the network of relationships and institutions that frame their lives.     

The Erasure of Signifiers and Refusal of Signification in Philip Larkin’s Poem“High Window”

This paper tries to analyze Philip Larkin’s poem"High Window"from a deconstructive perspective. It is to show that in the poem the key words/signifiers are always under erasure, and thus the chain of signification is endless since the poem is self-deconstructing. Then, the paper argues that the linguistic features of the poem paradoxically meaningful in the sense that it reflects the poet’s skepticism and anxiety.