Language Teachers’ Intercultural Identity in the Critical Context of Cultural Globalization and Its Metaphoric Realization

ABSTRACT

This study used questionnaires and interviews to investigate Iranian English language teachers’ intercultural identity and its metaphoric realization in the context of cultural globalization. While questionnaire findings revealed that the majority held first language cultural identity, factor analysis indicated teachers’ preference for American culture as representative of globalized culture. Interview data indicated teachers’ imagined direct exposure to the global village through the media. Metaphoric analysis revealed the conceptualization of local culture as closed home, which was valued by anti-cultural globalization teachers as protection while devalued by pro-cultural globalization teachers as a limitation. These findings have implications for expanding teachers’ intercultural identity.     

The Salisbury Annual Musical Festival 1770–1800

ABSTRACT

By analysing the factors that precipitated the decline of what had been a flourishing provincial institution, the Salisbury music festival, this article captures late eighteenth-century provincial culture at a stage of transition from a society dominated by aristocratic patronage to an increasingly commercial society. It argues that the displacement of gentlemen amateurs from the heart of Salisbury's musical culture and their replacement by professional musicians and concert managers brought about a change in attitudes to music in the city. Ultimately, these modernizing influences of commercialization and professionalization proved detrimental to the grand occasion of the Salisbury musical festival, prioritizing alternative concert forms and a commercial, rather than civic, attitude to music.     

Reading the mass violence in Indonesia 1965–1966 as a form of primitive accumulation

Abstract

A human rights perspective is compromised in its ability to understand and respond to the mass violence that took place in Indonesia, largely against members and supporters of the Indonesian Communist Party (PKI) from 1965–1966. In “Indonesia's Original Sin: Mass Killings and Capitalist Expansion, 1965–66,” Hilmar Farid makes the point that a human rights standpoint is limited when capital or its various actors, are involved in propagating and/or perpetrating mass violence. In starting to fashion an alternative reading, Farid proposes Marx's notion of primitive accumulation. While Farid's position is suggestive, I contend that his analysis is marred by a number of theoretical weaknesses, which I attempt to sublate in this article. As such, I will offer an alternative reading of primitive accumulation perceived through a multi-dimensional local/global dialectic.     

The Issues of Culture and Politics in Redubbing Anglophone Films in Iran

ABSTRACT

Audiovisual translation is an extremely influential means of intercultural communication among close or distant cultures. Dubbing is historically the main mode of film translation in Iran and has been increasingly investigated. Redubbing, however, as a form of retranslation, is barely researched in Persian. The main focus of this study is to investigate how the cultural and political issues of the time may influence media retranslation. The findings revealed that the dubbed versions before and after the revolution have been influenced by the dominant culture and politics of the time, but the extent and the subjects of interventions differed.     

Acculturating the Traditional Chinese Medicine: A Culture-Centered Study of Chinese International Students’ Idealization of Medical Integration during Sojourns

ABSTRACT

To better understand the Chinese international students’ barrier to the U.S. health and medical system, this study investigates the students’ understandings of Traditional Chinese medicines during their sojourns in the United States. Holding that medicine is cultural/culture, the culture-centered in-depth interviews (n = 23) help understand the Chinese international students’ acculturation of the two medicines after their arrival in the new medical culture. The analyses focus on the rhetorical nature of medical acculturation: even though the students actually assimilate Traditional Chinese medicine, they claim to integrate the two. The results indicate how integration has been idealized and imposed as the only acceptable medical acculturation strategy for international students. The findings also suggest that medical integration has been used as a disguising cloak of medical assimilation and therefore, immigrants’ integration and acculturation should be carefully examined in health contexts.     

Interdisciplinarity and the History of Emotions

ABSTRACT

Historians of the eighteenth century have only partially theorized about the relationship between poverty and crime; in particular, few have attempted to measure its nature and extent in detail. Moreover, such scholarship has investigated the phenomenon in urban environments, rather than rural contexts. This article examines the incidence of theft in the eighteenth century and utilizes Oxfordshire as a prosperous rural area. By seeking to eliminate endemic poverty from such calculations, the article more accurately investigates whether a link between crime and poverty is evident. By blending qualitative and quantitative approaches, the article also provides a suggested methodology for further micro-histories of this kind across a range of socio-economic areas in Britain and beyond during the early industrial period.     

American Commentaries

ABSTRACT

Despite widespread assertions as to the ‘Americanization’ of British culture in the first half of the twentieth century, the true extent of this cultural transfer remains open to question. This article considers what the British people actually knew about ‘America’, its institutions, culture and way of life, in this period through an analysis of coverage of the USA in the British news media (press, newsreels and wireless) in the inter-war years. Specific attention is paid to the attempts of the BBC – in particular through the broadcasting work of Raymond Gram Swing and Alistair Cooke – to provide an understanding of contemporary America beyond the widely cited stereotypes of ‘Chicago gangsters and Hollywood blondes'.     

A national culture for Pakistan: the political economy of a debate

Abstract

This paper explores the relationship between (national) culture and state formation, arguing that the former is effectively a field of contestation where struggles over hegemony between various classes and social blocs are played out. Cultural nationalism has been the pre‐eminent form of nationalism in the twentieth century, particularly within the anti‐colonial and postcolonial contexts. Since this form of nationalism lends itself to moral regulation by ruling classes in a way that civic or political nationalisms do not (given its ability to produce and manipulate emotional affect) it becomes imperative to understand its relationship to power and to the project/process of state formation. This paper uses the case of postcolonial Pakistan as a lens through which to explore and analyse the complexities of this relationship during the early years of the Pakistani nation‐state. Using primary material – Constituent Assembly Debates and the texts of important intellectual debates on culture during this period – I show the different ways in which Pakistani culture was defined at this time, the politics and interests behind these various articulations, and their ultimate impact on state formation.     

The work of the audience: visual matrix methodology in museums

ABSTRACT

Visual matrix methodology has been designed for researching cultural imaginaries. It is an image-led, group-based method that creates a “third space” research setting to observe audience groups re-enacting lived experience of an event or process that takes place in the third space of a cultural setting. In this article, the method is described through its use in relation to an art-science exhibition, Human+ Future of the species, where three audience groups with investments in technology worked with exhibition material to achieve a complex ambivalent state of mind regarding technological futures. The visual matrix has been designed to capture the affective and aesthetic quality of audience engagement in third space by showing what audiences do with what is presented to them. We argue that such methodologies are useful for museums as they grapple with their role as sites where citizens not only engage in dialogue with one another but actively re-work their imaginaries of the future.     

Diaspora as method: Inter-Asia Cultural Studies and the Asian Australian Studies Research Network

ABSTRACT

What is the place of the diasporas within the Inter-Asia Cultural Studies movement, and how can Asian diasporas in the West contribute to Inter-Asia's intellectual project of “problematising Asia”? Developing a notion of diaspora as method, this essay highlights the complementary relationship between the Asian Australian Studies Research Network and the Inter-Asia Cultural Studies network. It argues that the Inter-Asia network has much to gain from embracing the Asian Australian diaspora as an interlocutor with shared priorities and concerns, and that Asian Australian studies can also productively learn from Inter-Asia's alternative model of institutionalisation, thereby expanding its theoretical and methodological frames of reference.     

Tianxia system on a snail's horns

Abstract

This article aims to report the findings from some recent researches on the historical formation of the concept of tianxia and its original meanings. In the light of these findings, I would like to make some comments on the Chinese philosopher Zhao Tingyang's works on the tianxia system. I demonstrate that the concept of tianxia portrayed by Zhao is at odds with the historical concepts of tianxia in many ways, and that the challenge raised by the latter for Chinese nationalism today is unanswered. I also examine Zhao's proposal of the tianxia system and point out that this proposal as a universalist commitment to a philosophy of the world seems to have failed on both the motivational and theoretical levels. In conclusion, I make an observation about a problem which might have a profound but inimical effect on the creativity of Chinese intellectual minds, namely, the urge to make chinoiserie theories at the expense of theoretical coherence and logical consistency.     

Queer cultural movements and local counterpublics of sexuality: a case of Seoul Queer Films and Videos Festival 1

Abstract

This study is an attempt to examine the ways in which popular culture can restructure the relationship between sexuality and power, through the case of Seoul Queer Films and Videos Festival, a cultural arena of newly emerged queer discourses in Korean society. In the past 10 years, queer discourses in Korea have undergone a rapid change. With heterosexual normativity being challenged and ‘queer’ being consumed as a cultural code, Korean spectators come to engage with a queer film festival in multilateral and sometimes contradictory contexts. This study will try to pose a controversial question to the heterosexual society by reading the complex interactions between film festivals, films and spectators while paying attention to the experiences of the participants in the Seoul Queer Films and Videos Festival and pointing at the political implications of queer films now in 2006. Through this, I try to look for possibilities of a queer cultural movement which rejects being co‐opted by the heterosexual society, constructs new ideas of social powers in relation with sexuality, and seeks alternative visions for such change in relations.     

Geolocating popular memory: Recorded images of Hashima Island after Skyfall

ABSTRACT

This article examines efforts to document Japan’s Hashima Island following its appearance in the popular film Skyfall. It describes how the film’s commercial success led to an effort by Google to produce images of the island’s built environment using digital navigation technologies. It further describes how this effort led the Japanese government to include Hashima Island in a bid to gain Unesco heritage status for Meiji-era sites of industrialization. Drawing from visual studies, critical media studies, and from interdisciplinary approaches to collective memory, this article analyzes how the circulation of images depicting Hashima Island in popular culture affects continuing efforts to hold Japan accountable for injustices committed there in the past. By narrowing on the moment “after” Skyfall, the article concludes with an assessment of the island’s Google Street View archive in terms of its broader impact on the uses of navigation, spatial presence, and digital heritage.     

Popular Politicians: The Interaction Between Politics and Popular Culture in the Netherlands, 1950s–1980s

ABSTRACT

From the late 1950s onwards, the Netherlands witnessed a transformation of the emotional codes of politics. A culture of political leadership marked by notions of duty and restraint, made way for self-expression and authenticity. This article argues that the interaction between the spheres of politics and popular culture played a vital role in this transformation. The practices and discourses of popular culture became a significant part of the repertoire through which politicians articulated representative claims. The article traces how politicians negotiated their interaction with popular culture, started to cultivate a private persona and eventually turned into political celebrities.     

Sicily: A Frontier in the Centre of the Sea?

ABSTRACT

As part of the Ancient Maritime Dynamics project, this study uses a new interpretive methodology to model the creation and use of maritime places in the western-Mediterranean basin. In turn, the results of this modelling suggest that the waters around the island of Sicily acted as a frontier, distinguishing a distinct zone of activity in the western Mediterranean as well as a western maritime community that segregated itself from other sailors and merchants elsewhere in the sea.     

Radical Conservatism and International Nationalism: The Peasant Arts Movement and Its Search for the Country Heart of England

ABSTRACT

The Peasant Arts Movement (fl. 1890s–1930s) was dedicated to reviving traditional country life in England. This article analyses its key educational tools, its magazine and museum, to explore its underlying ideologies. Sometimes seen as eccentric, it was nonetheless connected, practically and intellectually, with the broader Arts and Crafts and folk revival movements in England and Europe. It shared with these a largely radical spirit but was nonetheless essentially conservative in its views on class and gender. However, it demonstrated an internationalist spirit in its concern for peasantry worldwide and in its use of European models to re-invigorate English culture.     

A regional gateway: Japanese popular culture in Hong Kong, 1990–2005

Abstract

In popular culture, Hong Kong is probably the most “Japanese city” outside Japan. It is home to a wide variety of Japanese popular cultural products and a regional base to many of the Japanese music and television companies who expanded their operations in the city in the early 1990s. Hong Kong's emerging middle class, especially the younger generation, has enthusiastically accepted Japanese contemporary culture and lifestyle, making the city one of the biggest destinations for Japan's cultural exports. Based on fieldwork surveys and interviews, this paper looks at the organizational aspect of popular culture during the heydays of Japanese popular culture in Hong Kong in the 1990s and early 2000s. The investigation focuses on the marketing strategies and promotional efforts used by agents of Japanese popular culture in Hong Kong and the role of popular culture piracy in this process. Beyond analyzing the Japanese case, the paper introduces a new framework to examine the transnational expansion of popular cultures across markets in East and Southeast Asia, highlighting the role of companies and promoters in this process.     

Designing policy: collaborative policy development within the context of the European capital of culture bid process

ABSTRACT

How do ideas become policies? What route do they take from inception to implementation and what criteria are used to evaluate one set of proposals against another? This paper examines the development of the Creative Work Fellowship policy proposal in Limerick, tracing the origins of the idea, itself a contended and negotiated object, from discussions between academics and policy-makers through to scoping, pitching and scaling the policy to its eventual users. This policy idea was designed during the Intelligence Unit (IU) commissioned by Limerick2020 as part of the city’s bid to become European Capital of Culture in 2020. The IU took the form of a policy think-tank, tasked with generating insights, ideas and policy proposals into the place of culture within Limerick city and region. The IU structure created a set of actors and an epistemic community capable of both generating and using ideas effectively, chiefly through two mechanisms. The first involved a robust critique and rebuilding process that every element of the policy was exposed to; the second involved feedback from interested parties at specific stages in the process. This created a series of “policy entrepreneurs” capable of taking a fully costed and modelled policy suggestion to government. The findings presented in the paper include an analysis of the collaborative nature of this policy development process, Based on this framework, we also consider the role of the European City of Culture bid process as catalyst for policy development in a regional context, and present findings on this subject.     

SROI in the art gallery; valuing social impact

ABSTRACT

This article considers a project that used the Social Return on Investment (SROI) methodology to describe and measure the social impact of Turner Contemporary art gallery in Margate, a coastal town in the South East of England. The article details the reasons why the methodology was chosen by the gallery, setting this in the context of the wider debate around evaluation and social impact reporting. A section of the research and analysis, which was carried out by COaST, a consultancy and research centre based within Canterbury Christ Church University, is described in detail, allowing the reader to understand the processes involved in this type of project and the kinds of outcomes that can be delivered using this method. Finally, an account is given of the impact the work had on the management of the gallery, and the ways in which the final report was used.