The digital cage: Administrative exclusion through information architecture – The case of the Dutch civil registry's master data management system

This article analyses the unintended consequences of master data management systems in the administrative state for the access of citizens to public services and benefits. We analyse the case of the Dutch civil registry, in which hundreds of (semi-)public organisations use the information from the civil registry to determine whether people are eligible for their services. We use the framework of administrative burdens and administrative exclusion to show that this system turns the consequences of mutations in registration into a black box, produces legal contamination by forcing its own address definition upon user organisations, reduces the discretionary space of street-level bureaucrats to handle social complexity and unintended consequences of the system, and creates a behavioural incentive in which municipalities are pushed into the role of enforcers rather than registers. The result is a ‘digital cage’: an exclusionary infrastructure that hinges on information architecture instead of Weberian rules and procedures. These findings increase our understanding of master data management systems, emphasise the importance of understanding information architecture as an ethical issue, and help us develop a new vocabulary for understanding and studying administrative burdens as part of a bureaucratic infrastructure.     

Televised violence and viewers’ perceptions of social reality: The Korean case

This study attempts to describe some possible elaborations of the cultivation hypothesis and present relevant evidence from a Korean student sample. Using the postulates and methodology of the cultivation analysis approach to mass communication, this investigation employs a two‐pronged research strategy: message system analysis and cultivation analysis. Message system analysis consisted of one‐week sample of Korean television programs from the three television networks in June 1991. For cultivation analysis, a questionnaire was administered to 1,200 Korean students attending eight junior and senior high schools from five different states in July, 1991. Within the clear limitations of measures, the results suggested that viewers differentially perceive the social reality of different content types. The findings seem to indicate that the degree of cultivation effects is not uniform across different kinds of television programming.     

The media–terrorism symbiosis: a case study of Mumbai attacks, 2008

There has been a long-standing debate among scholars, policy-makers, politicians and journalists about the relationship between terrorism and the news media for whom terrorism is usually a newsworthy story. A primary focus of the debate is to investigate the media–terrorism symbiotic relationship. This paper explores this relationship through a qualitative, thematic analysis of how British TV news channels covered a major terrorist incident after the 9/11 – Mumbai attacks 2008. It examines the interpretive theme of ‘awe, terror and chaos’, and how it is selected, prioritized and developed in the presentation of the events which spread over a period of more than 72 hours. Additionally, it considers the kind of political and organizational factors that might shape or modify the editorial decision-making processes and ideological assumptions that may lie behind such coverage. Ultimately, the study maintains that British TV news outlets play an important role in mediating terrorist messages and focus primarily on images of terror and violence during the coverage of Mumbai attacks. While there are key differences between public and commercial TV news in the style and presentation of coverage, with the former being more careful in approach, the news channels concentrate on televising death and injury and the propagation of chaos and confusion in the affected city.     

Characterization,weathering, and protection of sandstones: The case of ‘Agro d'Ardesia’

Abstract

The conservation of roofing and cladding materials has both environmental and cultural heritage bearing. Our research aimed at comparing the performances of some polymeric products used for the protection of a typical Italian sandstone, the ‘Agro d'Ardesia’, used mostly as cladding, paving, roofing, and building material. These products belong to three different classes: polysiloxanes, acrylics, and fluoropolymers. In addition, an acrylic–silicone mixture was chosen for testing. After the application onto the Agro sandstone by capillary absorption, both efficacy and durability were assessed. Particularly, two types of weathering tests were performed to check the stability over time of the protective products: the exposure to ultraviolet radiation in a climatic chamber and the ageing by exposure to acid rain, expressly designed to represent realistically natural and anthropogenic changes. Detailed information on treatment performances was obtained. The polysiloxane was shown to be the most effective protective material for the Agro sandstone.     

The role of conservation in new contemporary art installations in new contexts: The case of Richard Serra's East–West/West–East in Qatar

In recent years Qatar has invested a significant sum of money on exhibitions of contemporary artists and public art. This paper discusses decision-making processes in the conservation of contemporary artworks installed in newly emerging art markets such as Qatar, where there are no established practices. In 2014, Richard Serra's East–West/West–East, an installation of four vertical plates made of weathering (Corten?) steel, which span one kilometre at heights so as to reach the level of the surrounding gypsum plateaus, was installed in the Brouq Nature Reserve near Zekreet desert, two kilometres from the sea in the western part of Qatar. The artwork is already considered by some a landmark for the isolated area. The plates have started to develop protective corrosion layers, although Corten? is not completely corrosion resistant when located near coastal sites. They have also started to bend and are heavily inscribed by visitors. Conservation of public art is complex, as site-specific artworks are linked with the landscape and defined by the relationships they develop with the public. Art installations of this magnitude demand not only conservation measures but also a management plan. The isolated location, the scale of the artwork, the aggressive environment, and the lack of supervision and monitoring of the area challenge current practices but offer an opportunity to develop methods to preserve art of site-specific art in new environments and diverse audiences. Monitoring will allow a better understanding of the interactions of visitors with the artwork and will shed light on the material's behaviour in this specific environment.     

The occurrence of brochantite on archaeological bronzes: a case study from Lofkënd,Albania

A technical study was conducted on a group of copper alloy artifacts excavated from the burial tumulus of Lofkënd (fourteenth–ninth century BCE) to identify the alloy compositions and methods of manufacture. The surface corrosion was also examined in order to understand the diagenetic processes affecting the preservation of the finds and their condition. Portable X-ray fluorescence spectroscopy, metallographic examination, and X-ray powder diffraction (XRD) analysis were used to characterize the alloy composition and identify the corrosion products present. XRD analysis showed the presence of brochantite (Cu₄SO₄(OH)₆) on five of the metallic artifacts. Brochantite is not commonly reported on archaeological bronzes from terrestrial sites, but is more readily found on copper alloy objects exposed to sulfur pollutants in the air or soil. The possible conditions that could have led to the formation of this corrosion on the bronzes from Lofkënd are discussed in the context of the particular burial environment found at the tumulus.