Recording ‘a very particular Custom’: tattoos and the archive

This paper investigates the describing, dissemination and archiving of records, which have previously not been well described by archives. It asks if new methods of accessing the archive may be used to improve understandings of such records. Specifically, this paper will investigate the records created about tattoos in the nineteenth century following the European exploration of Polynesia, and the transmission of tattoos to the West. The ways in which this indigenous cultural practice was interpreted and recorded are discussed with reference to the records created. Tattoos are inherently physical records, which do not survive beyond the lifespan of their owner. The archiving process for tattoos has thus relied on preserving representations of the tattoo. This paper will ask what these representations of tattoos actually provide evidence of and will use two case studies to examine how records about tattoos have been archived. Finally, it is suggested that a more holistic understanding of tattooing records may be achieved through new ways of describing and classifying records, such as folksonomy.     

‘Othering’ the archive—from exile to inclusion and heritage dignity: the case of Palestinian archival memory

This paper seeks to address, from the critical perspectives of cultural heritage discourse, the issues at stake in critically apprehending the archive as both a technology of disinheritance and one of potential inclusion and re-inheritance. The first section draws on the work of Jacques Derrida, Edward Said and other critics whose work has sought to address the marginalizing capacity of dominant European/North American archival and cultural–museological institutions. The remainder of the paper grounds these conceptual–ethical issues in the context of Palestinian cultural politics and memory-work. This critical framework is used not only to draw out the absences and silences in archives and cultural institutions, and the epistemological and ‘real’ violences at play in what Derrida characterises as ‘archive trauma’, but responds to Said’s call to ‘re-read’ the colonial archive ‘contrapuntally’ in order to create an ‘othering’ of dominant archival discourse. What is needed to provoke such an ‘othering’ is a commitment to rethink the archive in terms of alternative understandings of ‘hospitality’, ‘memory-work’ and what Derrida has referred to as ‘heritage dignity’. This strategy is capable of apprehending in greater depth the moral-ethical ‘debts’ and ‘duties’ and the operational ‘responses’ and ‘responsibilities’ towards ‘inclusion’ and towards full recognition of those constituencies which have been disenfranchised or exiled outside the realms of dominant cultural–institutional discourse.     

Writing from the archive: Henry Garnet’s powder-plot letters and archival communication

Through a reading of the archived letters of Henry Garnet (1555–1606), Superior of the Jesuit order in England and suspected Gunpowder plotter, this article investigates the nature of the archive in relation to narrative theory. Figuring the archive as one of the number of narrating voices accrued by the individual record, I argue that models of communication such as those put forward by Roman Jakobson, Wayne C. Booth and Seymour Chatman afford useful insights into the ways in which power is inscribed and reinscribed in the record through successive acts of reading and rewriting.

What’s next?: the LGBTQ video game archive

This essay describes the author’s new project: a digital archive documenting the history of lesbian, gay, bisexual, transgender, and queer (LGBTQ) content in video games. The LGBTQ game archive covers approximately 30 decades of game content at present, and nearly 500 games. This essay describes the project’s origins, the methods used to research the game content, and some initial findings. Finally, some particular surprises from the project are discussed, which point to areas for future LGBTQ games research.     

‘Terrible Panizzi’: Patriotism and Realism of the ‘Prince of Librarians’

Abstract

This article deals with the figure of Antonio Panizzi, considered as an Italian patriot and English librarian. It highlights the constant attention he devoted to the Italian political events throughout his life: from his arrival in London (1823) as a political exile, to his informal ambassador in United Kingdom, a role that allowed him to lobby the political class and the press on behalf of the cause of Italian patriots forced in the prisons of Kingdom of the Two Sicilies. The article describes the multifaceted library activity carried out by Panizzi at the British Library, of which he became Principal Librarian in 1856. Panizzi is considered to be the first Promethean Librarian of the 19th century, a great reformer with new ideas on library services, innovative methodologies, and working practices in librarianship. Panizzi rigorously carried out the activity of librarian at the British Library without ever forgetting the need for a free, unified, and democratic Italian state.     

Artists and the film archive: re-creation—or archival replay

Artistic engagement with the archive is on the increase and takes many forms. Archive-based artwork does not always contain or display its archival source. However, in some cases the archives themselves—rather than the information or evidence they hold—are utilised to form part or all of the work. This is particularly true where visual and audiovisual records are used creatively. The archival record is thus interpreted and re-created, giving rise to potential tensions and discord. Focusing on the film archive—and in particular on documentary film originally created and collected for the purpose of recording and accountability—the paper addresses this act of creative interpretation and re-creation. Firstly, it considers the use of archives in the creation and/or destabilisation of national identity and collective memory. Specifically, it examines the re-use of visual evidence of the Holocaust and its aftermath. Among others, it discusses the work of artist Eyal Sivan, whose use of archival material from the trial of Nazi war criminal Adolf Eichmann has caused great controversy. Secondly, Walter Benjamin’s concept of aura and its application to archives is used to highlight the conflict that such forms of creative engagement may bring to the archival arena and to questions concerning the role and responsibility of the archivist as access provider or gate keeper.     

Archiving the wild,the wild archivist: Bukit Brown Cemetery and Singapore’s emerging ‘docu-tivists’

In recent years there has been growing interest in the discipline of computing in relation to cultural heritage, parallel with developments in greater user participation in archives and advances in documentation work. These trends are reflected in the case of a documentation project of an old Chinese cemetery in Singapore, Bukit Brown Cemetery. This case was characterised by tensions among the ‘wild’ array of emerging individual participants and archivists that took the momentum away from both more formal NGOs and government institutions in documenting, archiving and raising awareness of the heritage of the site when part of it was announced to be set aside for a new highway. The case presents a compelling need for participatory archives, facilitated by computing interventions encouraging public engagement and visits to the site. Being actively involved in the documentation process, the authors reflect on how conceptual frameworks of records may assist in designing new media innovations and informing the ways by which a cemetery may be documented. Through these reflections, the authors argue for the active participation of archivists and records professionals in documentation work, and demonstrate how, in the creation and keeping of records, they shape the collective imagination of the public and other stakeholders in heritage sites.     

The ‘Industrialists of Philosophy': Karl Marx,Friedrich Engels,and the ‘Discourse Network of 1840’

This paper is the first to examine Karl Marx's and Friedrich Engels's early materialism in light of the industrialization of European and German print. This examination suggests that, whereas the Hegelian system was a relic of a pre-industrialized print culture, in which written language was held up as a portal to metaphysical abstractions, the industrialization of print opened the way for Marx and Engels to consider the prevailing socio-economic realities as manifestations of the capitalist system. In broader terms, the paper calls for a widening of conventional analysis of political ideas by considering them in light of the media setting in which they were originally cast.     

Diversity’s discontents: in search of an archive of the oppressed

ABSTRACT

Australian and US-based archivists have recently begun to confront their complicity in a documentary landscape that excludes and erases the voices and views of minority, oppressed and poor communities. Archival professional organisations in both countries attempt to confront this issue by focusing on the homogeneity of the profession, specifically through using the discourse of diversity. Thus, this keynote address, delivered at the 2017 conference of the Australian Society of Archivists in Melbourne, explores the following question: how, if at all, does diversity form part of the solution for dismantling the white supremacy of archives? It begins this inquiry by recounting the author’s participation and experience with diversity projects of the Society of American Archivists, before speculating how archivists might transition away from the language of diversity and towards the language of liberation through the concept of an archive of the oppressed. The central argument of the address is that dismantling white supremacy in archives requires archivists abandon the neoliberal discourse of diversity and adopt an archive of the oppressed, or a cooperative approach in which oppressed peoples are positioned as subjects in our own liberation.     

‘What a setting for a mystery’: Yaddo, the Yaddo records, and the memory of place

‘Yaddo’, recalled composer Aaron Copland, ‘became so much a part of my life that I tend to forget how strange the name sounds to those not familiar with it.’ By its very delineation, vagary of purpose, and posture of cloistered withdrawal, Yaddo is defined by a meticulously cultivated and carefully guarded tradition of community and cultural identity; one that was carefully preserved (and, in turn was informed by) the formation of an archive. My point of query centers on the particular consequences of the bond between historical trace and physical place being severed (as perhaps it always must be) when the very materiality that informs an institution’s ‘memory’ is irrevocably distanced.     

The Constables and the ‘Garage Girl’

In the summer of 1928, the arrest on a disorder charge of a young woman in north London who gave her name as Helene Adele led to a press sensation after she claimed that the officers had falsely accused her in order to discredit her claim that one of them had sexually assaulted her. The constables were ultimately prosecuted, convicted and discharged from the Metropolitan Police. This article considers the Adele case in the context of intense concerns about the possible abuse of police powers—particularly in cases involving women—in the late 1920s. Adele was catapulted onto the front pages of Britain's sensationalist press: her serialised memoir appeared in a newspaper and was reprinted in a women's magazine. However, her case was more than just a tabloid spectacle. Contributing to historians' reconsideration of the sensationalist inter-war press, this article shows how the coverage of the case fit into the press's interest in young working-class women's lifestyles and sexuality, highlighting how ‘human interest’ journalism could be intermixed with social critique.     

Negotiating class,ethnicity and modernity: the ‘Malaynisation’ of P. Ramlee and his films

Early Malaysian national cinema disseminates a social reconstruction process aimed at reconstructing Malay supremacy at the centre of a specific geographical, political, economic and cultural space. Aptly termed as ‘Malaynisation’, this process occurred during the Golden Age of Malaysian cinema through the films of P. Ramlee. While existing as a capitalist film culture located within an ethnically diverse society, early Malaysian cinema through Ramlee have produced a significant number of mono-ethnic representations solely focused on the culture, language and lifestyles of the Malays. As such, the articulation of the politics of inclusion and exclusion in Ramlee’s films articulates a right-wing nationalist sentiment that upholds the sovereignty of the dominant Malays while undermining other ethnic communities. The nature of these representations enunciates the context of an ‘imagined community’ which locates the formation of a particular type of nationalism within a social, political and cultural communicative space. This paper examines the construction of the ‘modern Malay’ identity in Ramlee’s films and the nationalist discourse in Ramlee’s films as an attempt at producing the idea of a nation as a continuous narrative of national progression by presenting the postcolonial Malays as a modern, successful and dominant force.     

From ‘poison’ to ‘seeder’: the gap between propaganda and xuanchuan is cultural*

Propaganda has been perceived as ‘poison’ in the field of communication study. Xuanchuan, propaganda’s counterpart in China with a master metaphor of ‘seeder,’ however, has different histories and traditions that do not fit into the ideology-charged theoretical framework. Drawing upon Chinese thought and scholarship on xuanchuan/propaganda, the author demonstrates a deep conceptual and perceptual gap, rooted in culture, between propaganda and xuanchuan. Revelation of the gap is of paramount importance for studying China’s propaganda, both theoretically and empirically.     

‘Library as Laboratory’: Online Pathfinders and the Humanities Graduate Student

SUMMARY

This article explores how online pathfinders can best meet the information needs of graduate students and foster advanced research. The article reviews the literature on pathfinders, including the historic characteristics of print pathfinders, and the recommendations that have emerged for online pathfinder content. The article explores the information needs of humanities graduate students in general terms, and specifically examines extant online pathfinders in the field of art history. The article concludes with recommendations for the content of online pathfinders aimed at the humanities graduate student audience.     

Understanding the context of records creation and use: ‘Hard’ versus ‘soft’ approaches to records management

Current records management methodologies and practices suffer from an inadequate understanding of the ‘human activity systems’ where records managers operate as ‘mediators’ between a number of complex and interacting factors. Although the records management and archival literature recognizes that managing the active life of the records is fundamental to their survival as meaningful evidence of activities, the context where the records are made, captured, used, and selectively retained is not explored in depth. In particular, the various standards, models, and functional requirement lists, which occupy a vast portion of that literature, especially in relation to electronic records, do not seem to be capable of framing records-related ‘problems’ in ways that account for their dynamic and multiform nature. This paper introduces the idea that alternative, ‘softer’ approaches to the analysis of organizational functions, structures, agents, and artifacts may usefully complement the ‘hard’, engineering-like approaches typically drawn on by information and records specialists. Three interrelated theoretical and methodological frameworks—namely, Soft Systems Methodology, Adaptive Structuration Theory, and Genre Theory—are discussed, with the purpose of highlighting their contributions to our understanding of the records context.     

‘Play mas’: carnival in the archives and the archives in carnival: records and community identity in the US Virgin Islands

Over the past several decades, scholars concerned with post-colonial and indigenous populations have focused on archives as one method of excavating the cultures and lives of marginalized peoples. The limitations of textual and bureaucratic records, combined with the recognition that an archive can consist of interrelated knowledge constructs composed of many different kinds of documentation, have led these scholars to seek ‘archives’ beyond the walls of official buildings. For archivists likewise engaged in documenting post-colonial and other communities, expanding the definitions of what an archive could be, and suggesting new ways of seeing ‘records’, offers the potential of creatively representing and preserving the cultural expressions of these communities. This paper examines carnival as a cultural archive. Carnival, an annual tradition in many Caribbean islands was initially created by both enslaved and freed Africans as a counter-narrative to the festivals of the colonizers. In the US Virgin Islands, carnival began in the eighteenth century when the islands were Danish colonies. It was briefly revived at the beginning of the twentieth century and again in 1952 as an annual public celebration, which it remains today. While carnival produces traditional records, the week-long event also embodies the continuum of a local culture through a variety of non-traditional records that transmit genealogies, folkways, food customs, and history.