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1.
Yuan Peide 《中外文化交流(英文版)》2006,(2):38-41
Travelers may often see pyramid-like mounds of stones,carved with six-word mantra or Buddhist sutras, In Tibet These stone piles, usually located at holy mountains, lakes, monasteries or road Intersections, are venerated as pilgrimage sites where Tibetans show their piety to deities and Buddha's teachings, They are called "mani" stones. 相似文献
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Gao Zhanxiang 《中外文化交流(英文版)》2006,(4):32-34
Shang Hai, born in Liaoning in 1959, is of Manchu ethnic group. He used to be member of the eighth and ninth central committees of All-China Federation for Youth and currently is state-level artist, fellow researcher in the Manchu study and senior journalist. As a renowned artist and scholar, Shang is specialized in the studies of fine arts, ethnic culture and journalism. 相似文献
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LiangFeng 《中外文化交流(英文版)》2004,(3):28-30
The Tang Dynasty(618-907 AD)was one of the most powerful dynasties in Chinese history.Its flouishing economy and brlliant civilization attractde merchants and scholars from Asia,Europe and even Africa to come to China via the Silk Road for trade and cultural exchange,thus making it a world economic and cultural center of the time.Today,we can still 相似文献
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Zi Yue 'er 《中外文化交流(英文版)》2014,(9):16-19
"Bosom Friends Yan Zheng Exhibition on 50 Years of Collections from Artists"hosted by China Arts Foundation and Center of International Cultural Exchange of Ministry of Culture and organized jointly by Poly Art Museum and Shenzhen Wangye Museum was opened in Poly Art Museum days ago. This exhibition was a continuation of the "Yan Zheng Exhibition of Painting Collections" in 1980 in Beijing. 相似文献
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Fan Di'an 《中外文化交流(英文版)》2010,(4):24-27
The exhibition on Lu Junjie's purple sand pottery art, held in the National Art Museum of China, offers viewers a rare opportunity to learn about explorations and innovations that the artist has made in this traditional form of art. His masterpieces present us a miraculous picture on the art of purple sand pottery and help us better understand his efforts in creating Innovative artworks by integrating traditions with modern concepts and techniques, 相似文献
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《中外文化交流(英文版)》2009,(6):12-15
A Leading Artist in the Art Market Wu Guanzhong is a big name in the history of Chinese contemporary art.In 1978, he held his first solo exhibition in the then Central Institute of Art and Design at age 59. Since then, he has amazed the art market with one miracle after another. 相似文献
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Sun Bin 《中外文化交流(英文版)》2005,(11):32-35
Labrang Monastery has the strongest religious atmosphere among all the Tibetan Buddhist temples that I have visited. In Labrang Monastery, commercial influence is rarely seen here and there are not many tourists. Perhaps due to its solemn religious atmosphere, visitors are not noisy as they are in other sightseeing places. They usually peacefully observe the sacred halls, solemn religious rites and faithful monks with their eyes and camera lens. All these should be attributed to its monks w… 相似文献
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Chen Weiguo Yang Ying 《中外文化交流(英文版)》2009,(9):30-33
Dege Sutra-printing Institute is one of the three major institutes in Tibetan Buddhist sutra printing, together with those in the Potala Palace in Lhasa and Labrang Monastery. It has a vast collection of ancient treasures of Tibetan Lamaism, including Tangka paintings, Buddhist statues and religious objects, which are important references for the study of the art of Tibetan Lamaism. 相似文献
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Huan ming 《中外文化交流(英文版)》2006,(2):24-25
The past decade has seen Quanzhou Marionette Troupe's most frequent exchanges with the outsideworld. The troupe has toured more than 30 countries and regions around the world, staging some 80 performances to show the marvelous art of Chinese marionettes which enjoy a history of 2000 years or so. In 2005, the troupe was invited to show at the UN headquarter in New York, gaining worldwide acclaims with its outstanding skills and performance. 相似文献
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Li Yanzu 《中外文化交流(英文版)》2009,(5):18-23
Traditional handicraft art is part of the traditional culture of China and known as living fossils to record lives of ancient Chinese. There are various forms of traditional handicraft art in China, including ceramics, jade carving, ivory carving, cloisonne, lacquer carving, wood carving, gold and silver wares, shadow play, kites, lanterns, 相似文献
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Shan Shan 《中外文化交流(英文版)》2006,(5):44-45
As a musician,dedication to Chinese lute has rewarded her a top prize at the national competition.
As a teacher,deep love for teaching has won her two awards of education. 相似文献
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Wang Chen 《中外文化交流(英文版)》2006,(12):41-42
"He who patronizes art patronizes progress of history and evolution of civilization." 1 cannot remember who said this, but it has reminded me of 54,000 silver dollars patronized to Suzhou Art Museum by Wu Zishen in 1931. 相似文献
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PiDaojian 《中外文化交流(英文版)》2003,(4):15-17
Chinese ink painting is an age-old art tradition that embodies distinctive characteristics of Chinese culture. In these exquisite paintings, artists integrate nature and everyday life to show how the two exist in harmonyalso a frequent theme in Chinese philosophy. 相似文献
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Riri Jieyuan 《中外文化交流(英文版)》2010,(7):32-34
<正>Chinese culture is known for its obscurity,profundity and allusiveness.As the word "gourd"is homophonic with"fortune"and 相似文献
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Zhao Chengshuai 《中外文化交流(英文版)》2014,(10):27-28
A well-operated art museum should have diverse funding sources; its opera- tion capital should come both from do- nors and sponsors and from market op- eration. For private art museums in China today, the biggest challenge may be fund raising. 相似文献
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Li Fengming 《中外文化交流(英文版)》2009,(4):19-22
Sthis event has attracted wide attention from home and labroad, for it was the first time that China hosted such a large scale festival for e-art where new creations by both foreign artists and Chinese artists were on display. 相似文献
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Wang Yu 《中外文化交流(英文版)》2006,(10):12-15
Print is a unique painting art with diverse characteristics. And silk screen print, closely related to modern technologies and materials, is a new but most e cient variety among many types of print art. “Series of Faint Dreams” is my early attempt to demonstrate human relationship by juxtaposing depicted gures. A crowd of people appear in the beginning. They then change into three gures who gradually appear similar and in the end the sophisticate background and props recede. Those gures, w… 相似文献
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Li Yannian 《中外文化交流(英文版)》2010,(7):35-37
<正>Over more than 2000 years of evolution,Chinese shadow play,or shadow puppetry,has developed distinctive characteristics of 相似文献