Representations of Dictatorship in Contemporary Chilean Children’s Literature

This article addresses the disturbing fact that few contemporary Chilean children’s books deal with Augusto Pinochet’s dictatorship (1973–1990). It explores why dictatorship has such an elusive presence in contemporary Chilean children’s literature, how it has been represented in general, and how children are portrayed in books that do address Pinochet’s oppressive regime. Four Chilean children’s books are examined in detail: two that represent the dictatorship from an outsider perspective, produced by authors in exile, and two written from an insider perspective by authors that grew up under Pinochet’s dictatorship. While the former represent children as superheroes whose actions transcend the dictatorship’s repression, the latter depict children who are politically aware, but do not make the adults’ political fight their own. This key difference is problematized in terms of the implications for narratives of dictatorship produced for a young audience.     

Families’ Selection of Children’s Literature Books

This study examined families’ choices of children’s literature books for joint story reading. Teachers, parents, and their children from five kindergarten classrooms participated in the study. Over a 4 months period, family members joined other parents twice a week to learn and practice story reading techniques. They selected children’s literature books that were of interest to both of them and their children and were developmentally appropriate. Family members were interviewed and responded to a questionnaire before the intervention. The results provided insight in relation to the parents’ perceptions about literacy, reading with families, and story reading. All members of the families read to their children frequently or daily and engaged the children in conversations about the books read. The books chosen to be read to the children were categorized by genre, with modern fiction being the most popular genre.     

Motor Impairment in Children’s Literature: Asking the Children

How do schoolchildren respond when they encounter a wheelchair user in a fictional text? This article describes a doctoral project where groups of children were presented with excerpts from books by Hilary McKay and Jacqueline Wilson in which wheelchair users play a significant role. The pupils were asked to discuss issues arising from these readings. The views pupils expressed were relevant, imaginative and positive. Only on two rare occasions did the pupils respond in ways that could be categorised as prejudicial towards disabled people. The article describes the methodology adopted for the study, directly quotes from and explores the views of the pupils. The teaching of children about disability and disabled people currently in the English curriculum for Personal, Social and Health Education (PSHE) is alleged to be inadequate; a weakness which could be addressed in the manner described, using literature for sensitive educational debate. This study is unusual in that the research subjects include a group of children who are motor impaired. The Doctor of Education who conducted the research for her thesis and authored this article is also herself a fulltime wheelchair user.     

National Identity in a Multicultural Society: Malaysian Children’s Literature in English

This article explores the question of how children’s literature reflects national identity in a diverse society. Drawing parallels with Ellison’s Invisible Man, it speculates on how literary omissions and misrepresentations of diverse groups may influence the minds of young readers in their attitudes toward themselves, their nation, and others. In a sampling of the current children’s picture book literature of Malaysia in English, it relates current thinking in multiculturalist and post-colonial theory to the forms of multiculturalism found in these works. It examines this literature’s representations of history, diversity, class, gender, and values to determine who is represented, how they are portrayed, who is excluded, and what values are promoted, exploring what image of national identity this literature projects.

Authenticity,Past and Present in Ghanaian Children’s Literature

In this paper we explore the portrayal of the “authentic” past in children’s literature in Ghana, as well as the problems it poses for the achievement of the broader goal of moulding children to fit into tomorrow’s society. We look at two main aspects: the social and moral settings portrayed in selected books. The social order refers to the time and place in which the story is set, as well as the nature of social organization pertaining to this setting. The moral order denotes the moral and psychological implications of the physical and social environment. Based on these criteria, we examine some unsuccessful texts and contrast them with successful ones. Our aim is to explore how tradition, more broadly conceived, can be effectively used in children’s books in order to combine the goal of cultural preservation and transmission with other equally lofty ones such as stimulating children’s imagination, arousing and sharpening their perception, developing their sense of observation and critical thinking, and shaping their emotional potential.     

The Necessity of an Anthropomorphic Approach to Children’s Literature

The study focuses on the necessity of an anthropomorphic approach in deconstructing the symbolic understandings of animals in children’s literature, and considers how such an approach can be used to draw ethical attention to the unnatural history of animals in the Anthropocene. The paper analyses three children’s novels that depict animals without representing their subjectivity in characteristically human terms. These novels are Eva Hornung’s ferality tale Dog Boy (2009), Sonya Hartnett’s fable The Midnight Zoo (2011) and Kate Applegate’s animal autobiography The One and Only Ivan (2012). Informed by Jacques Derrida’s anti-anthropocentric views and the ethical discourse of creaturely vulnerability, this essay argues that the world’s present state of cascading environmental impoverishment demands an anthropomorphic approach that is not inherently anthropocentric, along with an emerging kind of creaturely consciousness.

     

Children’s development of a theory of mind

A critical review of the literature on the theory of mind is presented. Consistent with the “early onset” view, it is suggested that important precursors of a theory of mind are found much earlier than the age of 4. Research on emotional development and intentional communication is reviewed to suggest that some rudimentary understanding of other people’s minds occurs before the age of 2. Later, 3-year-olds’ engagement in pretense and deception demonstrates a more sophisticated understanding of other people’s mental states. Limitations of the false belief task for determining the acquisition of a theory of mind will be discussed with reference to findings in the adult literature.     

Connecting Teacher Beliefs to the Use of Children’s Literature in the Teaching of Mathematics

This article presents examples that illustrate how teachers use childrens literature in the teaching of mathematics. The examples are related to four curriculum ideologies that have influenced mathematics education in the USA for the last 75 years. It discusses why it is relevant to help teachers understand the ideological positions that influence their use of childrens literature during mathematics instruction, summarizes the four ideological positions, and presents results of a study of how teachers ideological positions relate to their use of childrens literature in the teaching of mathematics. The study examines two research questionsCan an instructional tool be developed that will highlight for teachers the different ways in which they and others use childrens literature to teach mathematics? and Can that instructional tool stimulate teacher discussion and reflection about their own beliefs and the ideological nature of the instructional environment in which they learned (as students) and teach (as teachers)? Study results indicate that both questions can be answered in the affirmative.     

Introduction to the Issue: Exploring Affect in Children’s Literature

Children's Literature in Education -     

Goodbye Yellow Brick Road: Challenging the Mythology of Home in Children’s Literature

The myth of home is what distinguishes children??s literature from adult novels (Wolf 1990). Nodelman and Reimer (The Pleasures of Children??s Literature, 2003) write that while ??the home/away/home pattern is the most common story line in children??s literature, adult fiction that deals with young people who leave home usually ends with the child choosing to stay away?? (pp. 197?C198). In a critical content analysis of recent award-winning middle reader novels from the United States, the United Kingdom, and Australia, a new pattern was observed. This pattern, called a postmodern metaplot, begins with the child being abandoned, rather than the child leaving the home. The child??s journey is to construct a home within a postmodern milieu complete with competing truths and failed adults. Ultimately, the child??s postmodern journey ends with very modern ideal of the child leading the adults to a hopeful ending, a home. The article explores the changing roles of childhood and adulthood in children??s literature and questions if the mythology of home can be undone.     

Cooperation Through Movement Education and Children’s Literature

This article demonstrates evidence-based practice that integrates movement education with children’s literature, in order to promote cooperation among Bengali kindergarteners, from an urban public school in Midwestern USA. First, the authors argue the need for this integration based on limitations of previous scholarship. Second, authors present their developmentally and culturally appropriate conceptual framework based on Bhavnagri and Samuel’s research, along with the theory of cooperation and schema development. Third, children’s understanding of cooperation concepts (helping, turn taking, sharing, dividing labor, negotiating, coordinating, exchanging information, and perspective taking) embedded in literature are analyzed. Concomitantly, children demonstrated same cooperation sub-skills during four movement activities related to the stories. Fourth, authors reflect that cooperation was successful because activities met Johnson and Johnson’s guidelines of high social interactions, high emotional involvement, and effective communication. Finally, the authors recommend that integration of cooperation and movement education is beneficial for educational programs in diverse settings.     

The Picture of Madness–Visual Narratives of Female Mental Illness in Contemporary Children’s Literature

This article analyses a selection of contemporary children’s visual texts (for economy and specificity ‘contemporary’ is taken to mean the current century), covering a cross-section of age demographics to better understand how the texts depict female characters suffering with mental illness. It examines these primary texts not only to see how such characters are represented but also to see whether they either bolster or challenge the idea of the female being viewed as the male's ‘Other’. A brief historical and cultural contextualisation of the relationship between mentally ill females and the male-centric profession of modern psychiatry is followed by a close analysis of four primary texts, analysing visual narratives of mentally ill female characters in two picture books, an illustrated book and a graphic novel, noting how contemporary visual depictions contrast with early ideas and images supporting the nineteenth-century feminisation of madness. The conclusion is that, from the limited selection of texts analysed, contemporary children’s visual texts represent a clear contrast to the historical image of the frail and winsome madwoman. The findings are that they do not uphold the image of the female madwoman as Other.     

Empire and Children’s Literature: Changing Patterns of Cross-Cultural Perspective

Robert Louis Stevenson’s poem “Foreign Children,” Rudyard Kipling’s poem “We and They,” and Frances Temple’s youth novel The Beduins’ Gazelle are the texts submitted to detailed analysis in this article, which examines cross-cultural perspectives in relation to imperial and post-imperial social contexts. Stevenson is shown to portray the basic structure of an imperial cross-cultural perspective, which Kipling problematizes and calls into question. Analysis of Temple reveals her awareness of the problems and limitations that inhere in an imperial perspective and shows that her work presents innovative, contemporary approaches to the representation of cross-cultural perspectives.     

Nature of Interactions Among Young Children and Adult Caregivers in a Children’s Museum

This naturalistic, qualitative study examines the nature of child- and adult-led interactions in a children’s museum. Using dialogic learning as a theoretical framework, the study examines how children and adults engage in interactions while learning at a museum. Findings suggest that children and adults are almost equally likely to lead interactions; however, most child-led interactions are qualitatively different from adult-led interactions. Children are more likely to show-and-tell about their experiences and learn by asking questions and commenting about their play. Adults are more likely to teach by telling, prompting, and reporting a child’s activities. Children and adults also are equally engage in pretend play during their interactions. Leveraging these findings, recommendations are made for museum exhibit space design.     

Children’s sense of agency in preschool: a sociocultural investigation

This socioculturally informed study investigated children’s sense of agency in relation to their everyday life in preschool. The empirical data comprised focus groups reflection situations wherein Finnish preschool children (n. 19, aged 6–7) reflected on their everyday life with the help of photographs and drawings they made. Building on a situative and discursive take on the sense of agency, the results of this study highlight the different forms of the sense of agency talked into being in the focus groups. The results also provide evidence of the different activities within which children’s sense of agency was embedded. In addition, the study also engages with the notion of radical passivity to theoretically explore the borders of the concept of the sense of agency. In all, the study demonstrates the mundane side of children’s sense of agency and its subtle dynamics in day-to-day life in preschool.     

Using Children’s Literature in the Middle School Science Class to Teach Nature of Science

Science & Education - In this study, we report the results of the content analysis of preservice middle school science teachers’ own written science storybooks and middle school female...     

Transcending the Nationalist Conception of Modernity: Poetic Children’s Literature in Early Twentieth-Century China

Modern children’s literature in China has largely been dominated by narratives of the nation and nationalism. The present article sets out to question the dominance of that nationalist stance as the country transitioned into the modern era in the late nineteenth and early twentieth centuries. By examining poetic children’s literature, the author unravels distinct non-nationalist intellectual sentiments in competition with the mainstream nationalist discourse that point to an imaginative envisioning of modernity. The article starts with a discussion of children’s poems and school songs imbued with a strong patriotic zeal in the late Qing and early Republican periods, and then moves on to the May Fourth period when lyricism and romanticism drew the attention of children’s literature advocates. Romantic-minded translators and writers, such as Bing Xin, embraced love as a humanist cosmopolitan vision while others, such as Zhou Zuoren and Liu Bannong, turned to local literary heritage, giving rise to a form of children’s songs with strong local consciousness. The article concludes by addressing the relevance of the insights derived from the historical case studies for contemporary children’s literature in China and beyond. It highlights the possibilities of envisaging modernity in non-nationalist terms and stresses the importance of cultivating in children alternative sentiments in the age of rising nationalism, both past and present.