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位于堪培拉的国家恐龙博物馆是一个寓教于乐的互动式博物馆,供成人、儿童和学生游乐。尽管博物馆规模相对较小,但通过提供最大化互动、参与和教育机会,博物馆已能够得到较高的参观人数,并通过使用脸书或微信等社交媒体推广业务,使游览变得愉快而有趣。专注于有效的零售已使国家恐龙博物馆能够产生稳定的盈利,这些盈利继而被用于增加馆藏、展示和储备。  相似文献   

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The paper considers the unique conditions that describe the National Museum of the Saharawi People, its relationship with visitors and its representation of the rights of residents of the refugee camp where it is located. In 1998, a National Museum of the Saharawi People was created in one of the several Saharawi refugee camps established in Eastern Algeria in the mid‐1970s. The museum was designed to provide knowledge about the cultures of the Western Sahara and to disseminate information about the challenges faced in the Saharawi territory. In 2006, a new curatorial investment was made and new exhibits mounted following a devastating flood that destroyed a substantial portion of the museum. In 2013 the Museum was remodelled. This case study undertaken after the 2013 reinstallation explored comments in the visitor books to understand how the museum contributed to cultural heritage, participated in the process of social cohesion, and supported the political struggle of a people demanding their right to self‐determination after decades of exclusion as residents in a refugee camp.  相似文献   

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哈萨克斯坦共和国国家博物馆是中亚地区最年轻、规模最大的博物馆。本文介绍了该馆的基本情况,并详细介绍了该馆的古代与中世纪历史展厅、历史展厅、民族志展厅、黄金大厅等重点展厅展示的历史文化遗产以及创新的展示技术等。  相似文献   

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文字是文明传承的载体和见证。数千年来,源远流长的中国文字作为传承中华文明的载体和精神纽带,以其强烈的凝聚力和绵延不断的历史,见证了中华民族前进的足迹,展现了中华民族的伟大智慧和创造。中国文字博物馆的正式建成开馆,为我国文字文明的传承和发展揭开了新的一页  相似文献   

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2007年10月,由中共中央宣传部(以下简称中宣部)等单位主办、中国国家博物馆(以下简称国博)和中国人民革命军事博物馆(以下简称军博)承办的“复兴之路”大型主题展览在军博开幕。至今,在社会上已引起广泛而强烈的反响。今年,根据中央指示,该展将经过“大改”,作为基本陈列迁入新建成的中国国家博物馆,在建国六十周年之际与国内外观众见面。“复兴之路”从军博到国博,从主题展览到基本陈列,经历了怎样的策划与打造,取得了哪些进展与体认,本文试略作评介,以就教同行。  相似文献   

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古物陈列所是我国的第一座国立博物馆,建成之后在北洋政府统治时间一直发挥着国家博物馆的作用,因而古物陈列所也是我国的第一座国家博物馆。它的建立是中国博物馆事业发展的一座里程碑,是国家博物馆在中国诞生的标志。  相似文献   

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中国电影博物馆是经国务院批准,由国家广播电影电视总局和北京市人民政府共同建设的大型公共文化设施,是纪念中国电影诞生100周年的标志性建筑,是展示中国电影百年发展历程、博览电影科技、传播电影文化和进行学术研究交流的艺术殿堂,是爱国主义教育基地和科普教育基地。  相似文献   

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Abstract The convergence of global issues—ranging from climate change to the erosion of cultural diversity—has created a watershed of opportunity or an unprecedented crisis for museums. The contemporary museum business model based on consumption, entertainment and ancillary education is increasingly unsustainable and irrelevant in this context. This article explores the concept of a more responsible museum and the need for a heightened sense of social, environmental and economic stewardship as the foundation for a sustainable future, in a time of profound social and environmental change for society at large. Obstacles to organizational effectiveness are discussed, as are methods for enhancing greater organizational awareness of societal issues. Examples of progressive museum practice are also presented by way of illustration. The possible consequences of inaction suggest the need for museums to transform their culture‐and‐industry business model into one of a locally‐embedded problem‐solver, in tune with the challenges and aspirations of their communities.  相似文献   

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2007年第5期的《北京档案》刊载了杜裕禄先生的文章《国博随意丢弃档案资料遭到非议》和彭援军先生的文章《国博‘疑似’文献散落民间引起社会关注》。文中提及中国收藏家协会书报刊收藏委员会副主任秦杰在北京潘家园、报国寺旧货市场以及旧书网上购得大批带有国家博物馆特征的  相似文献   

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