艺术设计类教材的编辑思考

随着教育改革的深入,艺术设计类教材在理论与实践的系统性、艺术与技术的完善性等方面都有一定的创新。本文分析了艺术设计类教材的编辑过程,提出教材出版的创新思路。     

博物馆陈列艺术设计社会化的几点思考

随着计划经济向市场经济的转变 ,博物馆的改革已提到议事日程上来。其中谈论最多的是博物馆的社会化问题。什么是博物馆社会化 ,文物、博物馆界正在探索之中。我认为博物馆社会化涵盖的内容较广 ,从国内外尤其是国内一些博物馆关于社会化的理论和实践来看 ,主要的观念是“由单纯的国家办馆转向国家和社会共同办馆”。例如企业与个人向博物馆捐赠 ,组成博物馆事业发展基金董事会或理事会 ,博物馆安全保卫由保安公司负责 ,清洁卫生可选择物业公司进行管理 ,陈列艺术设计 (即陈列形式设计 )、制作由社会上有关的展览公司或文化艺术公司承担等等…     

古建内陈列艺术设计现代化的思考

当今 ,利用古旧建筑改造的博物馆已经很多 ,如法国的卢浮宫 ,俄国的冬宫和我国的故宫……。随着时代的变迁 ,科学技术的发展和人们的科学知识、文化水平以及对艺术的欣赏能力的不断提高 ,许多古建筑博物馆中的陈列形式陈旧、落后 ,已远远不能适应现代人的观赏需求。为了改变这种状态 ,一些古建筑博物馆从多方面进行了大胆的探索与尝试。但是 ,由于有些博物馆不考虑自身的陈列环境 ,盲目地追求所谓“现代化” ,过重强调了装饰材料与科技手段的作用 ,没有充分地考虑到展览的各种条件、展品的特点以及展厅内外的环境等因素 ,造成了陈列与古建环…     

由城市绿色GDP感悟图书馆可持续发展

图书馆的生存和发展是基于社会的需要，社会需求的不断变化，要求图书馆工作必须与时俱进。党中央明确提出了可持续发展的战略决策，其中包含绿色GDP的新理念。图书馆事业的发展，应于城市绿色GDP的增长形成良性互动。本文就图书馆如何发挥在本地区文化产业中的作用，合理配置人、财、物资源，加快人才的职业化进程，最终使图书馆走上可持续发展道路进行了初步探讨。     

关于艺术设计学专业图书数字资源开发的思考

随着科学技术水平的不断提升,我国数字出版产业得以迅猛发展。以艺术设计学专业图书为例,探讨如何在纸质图书基础上,利用课件、图片、音频、视频、资源库等多种形式,为该专业图书寻找多媒体融合背景下优化出版的相关对策,进而寻找出多方位融合发展之路。     

论网站艺术设计

在网络日新月异的今天．上网就像读书、看报、看电视一样,已经成为人们生活中不可缺少的一部分．人们可以通过网络查找各种所需的信息和知识．因此．制作一个可以吸引人们目光的精美网站．就要靠网站的艺术设计来完成。     

我国古代艺术设计基本理念发微

我国的古代艺术设计经历了原始社会、奴隶社会、封建社会三个时期,在几千年的历史中,创造出许多优秀的传统艺术品,它们大多独具特色、美轮美奂,渗透了我国古代传统文化思想的光辉.     

试论我国宋代纸币艺术设计

雕版印刷技术在我国两宋时期达到了鼎盛阶段。宋代纸币的纸张形式、制版、色彩、图案、纹样、防伪等方面均具有独特的艺术风格,代表了当时的最高印刷技术和艺术设计水准。     

论艺术设计专业英语课程教学改革

随着中国经济的发展和国际化的接轨,对于国际通用的语言英语要求越来越高。在目前各所高校中,不仅仅是各个专业都需要接受的《大学英语》,并且针对各个专业不同的属性还开设顺应其专业特点的《专业英语》。该文介绍了笔者在教艺术设计专业学生《专业英语》这门课获得的经历以及依据此制定计划和实施的一系列教学改革实践。     

我国数字图书馆可持续发展中的版权保护

版权保护是我国数字图书馆可持续发展中的一个根本问题。适当的版权保护，也是数字图书馆可持续发展的重要保证。本文分析了版权保护与数字图书馆可持续发展的相互关系以及数字图书馆可持续发展中面临的版权保护问题，并提出了促进数字图书馆可持续发展的版权保护途径。     

试论美术欣赏能力的培养和提高

新课程美术课程标准曾指出：美术等欣赏领域的教学应注重提高学生的欣赏能力。而学生美术欣赏能力的培养和提高,离不开学生好奇心和想象力的激发,离不开学生美术直觉敏感度的培养,这一切都要借助于学生了解相关美术知识、欣赏方法和正确途径这个前提,从而最终使学生获得在自然与生活中寻找美、发现美,欣赏关的能力。     

Side by side: old and new standards in the conservation of modern art. A comparative study on 20 years of modern art conservation practice

Conservation of modern art has in the last 20 years developed from a singular case-by-case approach into a full and independent specialization in conservation with its own strategy, theory, and ethics. The methods applied today are both newly developed and partly a continuation of traditional conservation standards. New is the special focus on the artist and his intent, and on the defining of the various artistic concepts, as these elements and the artist as a stakeholder, play decisive roles in decision-making on optional treatment interventions. Challenging new materials (plastics, light, food, kinetic art, or re-used objects) require ongoing research to formulate specific instructions, and special designed guidelines for conservation, putting a new perspective on collections care. As contemporary art may be produced by the artist, by assistants or industry, and can be made of artists' materials, anything from the hardware store, re-used or reworked objects or intangible elements, the reassessing of definitions on authenticity and originality eventually lead to the reformulation of standard rules on retouching, reversibility and in particular reconstruction. Thus new conservation strategies have been designed for various types of contemporary art, where applicable built from old standards.     

浅析动画艺术教育的市场化趋势

动画艺术教育的改进发展途径设想要体现教学多学科的交融,使学生了解动画艺术的实质性意义,学会思考,建立创造性的符合人性化的创作思路,增强创作的社会责任感,动画艺术教育市场化发展是客观要求。     

For the record: document and record sensibilities of art conservators in the Philippines

In this article the authors present a study of the use of documents by a small group of art conservators in the Philippines. Documents are important for these conservators, but not just, or even primarily, for their role as memory devices. Also important are the functions they play in creating a sense of professional identity, for mediating the tensions created by a bureaucratically structured workplace and an occupation traditionally organised around notions of craftsmanship, and as creators of persuasive evidence for clients.     

关于发展知识消费的思考

文章从知识消费的内涵、个体角度的知识消费、社会角度的知识消费、知识消费的收益和知识消费选择的决定因素等五个方面对知识消费进行了探讨,强调知识消费的目标是达到知识在消费中创新、知识在消费中发展、人类在知识消费中进步。     

Reading between the lines: Source code documentation as a conservation strategy for software-based art

Conservation expertise required for software-based art varies depending on the nature and function of its components. Our focus in this study is technology, specifically related to the impact of changes and upgrades to the operating environment that can adversely impact future exhibition of software-based art. In our research to date, we found that each specific work requires individual analysis and conservation strategies due to unique technical risks. We also concluded that artist-generated source code is a primary risk for software-based works. We then devoted the next phase of our research to a closer examination of risks associated with source code. The purpose of the research reported in this article is to investigate whether examining and documenting the source code can inform conservation practice. A corollary second goal is to define relevant best practices for documenting source code for software-based art. In order to address these questions, we selected two artworks at the Museum of Modern Art for a collaborative study using students and faculty from both the Museum Studies and Computer Science departments at New York University. This collaboration helped ensure that technology skills complemented a deep understanding of art history in the museum context. We based the methodology for our study on current software engineering practices and composed diagrams and narrative documents to reflect what we found in the source code. We also relied on artist interviews to explore the requirements and goals of the system, and user manuals to assist in understanding the implementation and physical installation of the works. It was our hypothesis that once the behavior of software-based art is understood by combining a standard software engineering approach with considerations specific to artist and museum needs, conservators and programmers will be better prepared to address changes in the operating environment. Based on our experience, we found this to be true. We conclude this paper with plans for our next phase of research.     

Walking the walk and the impact of space and place on new media art

This paper looks at the implications of the loss of site illustrated by three diverse, site-specific new media art case studies: Taking Pictures by Janet Cardiff, Rio Videowall by Dara Birnbaum, and net.flag by Mark Napier. Focus will be placed on the challenges to permanence of new media art by exploring the impact of the expansion of the Saint Louis Art Museum and changes to geography of the surrounding park on Taking Pictures. The preservation of Taking Pictures is considered in the context of the other two case studies in terms of physical site-specificity vs. mediated site-specificity. The impact of new media technology, artist intent, and participant's interactions are considered in terms of the functionality, viability, and preservation of site-specific new media art.     

Altered surfaces,taking the long view: Applications of ethnographic conservation practices to the conservation of contemporary art

While working together on tradition-based and contemporary works at the Smithsonian's National Museum of African Art (NMAfA) and in private practice, the authors found that their expertise in ethnographic conservation can be applied to the conservation of contemporary works. The treatment approach to ethnographic works has evolved over decades, shifting from alteration of original surfaces and heavy restoration to an emphasis on preserving the original integrity of the artwork through minimal intervention. This paper describes the evolution of ethnographic object conservation regarding surface alteration, while specifically focusing on African objects, and discusses applications of this approach to the conservation of contemporary art. The historical change in treatment attitudes is presented using examples from NMAfA's collections to underscore why the profession developed a minimal intervention approach and to argue for the relevance of this approach to related contemporary media.     

城市书房可持续发展策略研究

介绍了"城市书房"的建设特征和现状,认真思考了"城市书房"建设发展中的不足,提出精准服务、多元共建、加强宣传、强化考评等策略,优化城市书房建设,保证城市书房长效发展。