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当我们翻开这一期《文化交流》杂志的时候,2015年已翩然而至。在此,我谨向关心支持《文化交流》杂志的各级领导、各界人士和广大读者表示衷心的感谢,并祝大家新年快乐！ 相似文献
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Legislation creating or reinforcing resale royalties for visual artists retains substantial political popularity – particularly in the European Union – despite the often skeptical attitude toward those rights in the economics literature. In this essay, we probe more deeply the affirmative arguments that can be made for a resale royalty right, in either a mandatory or a discretionary form. We also compare the rationale for visual artists' resale royalties with the potential rationales for the now-well-established systems of royalty rights for authors and composers. This comparison has particular interest both because some of the principal arguments made against visual artists' resale royalties also apply to authors' royalties, and because the economic rationale for compensating authors with royalties has itself not been well explored. We also discuss briefly the related subject of display rights for visual artists. We conclude with some general implications for policy. 相似文献
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Summary Our recommendation is that Europe and the EC should proceed with caution before implementing extensive mandatory television content policies. In the foregoing, we have attempted to outline the reasons why we feel content policies have not worked in the past in Canada, and why they will face increasing difficulties wherever implemented. The reasons are administrative, technological and financial. In addition we are not convinced by the economic rationales for content policy. However we do recognize the right of governments to pursue cultural policies similar to those represented by content policies, and elsewhere we have proposed alternative courses of action for governments to consider.Aside from tracing the evolution of Canadian content policies, our research has examined government funding of films and programs, the use of coproduction treaties and coventures and evolving technological considerations.(22) At present we are examining managerial aspects of film making and television production and distribution in the current international environment.Carleton University 相似文献
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