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This paper introduces the double public good model as a representation of the simultaneous externalities that complicate decision making in the cultural heritage sphere. Social welfare is modeled as depending on both public and private benefits of households' production of individual heritage experience, which in turn depends on the stock of historic assets (a public good) and access effort (a private good). The public benefit of private experience arises from ``shared experience' that fosters cultural identity and social understandings. The model generates marginal efficiency conditions for the amount of physical preservation, amount of access, and intensity of access. The model highlights the need for dual-level policy making in order to avoid unbalanced heritage preservation efforts that have been of some concern in the literature. 相似文献
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Contingent Valuation of a Cultural Public Good and Policy Design: The Case of ``Napoli Musei Aperti' 总被引:4,自引:4,他引:0
The aim of the paper is twofold: to report on theapplication of a contingent valuation survey todetermine the value to the Naples population ofmaintaining ``Napoli Musei Aperti', a cultural publicgood provided by the city of Naples, and to exploresome alternative schemes of cultural policy. The paperis divided in two parts. The first presents someresults of the contingent valuation study. The seconddiscusses the use of the contingent valuation as apolicy instrument in the public cultural sector. 相似文献
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目前学界尚缺乏关于旅游活动对世界文化遗产地社区可持续发展影响的研究。在对我国9处世界遗产地社区调查的基础上,利用模糊综合评价法对旅游活动对我国世界文化遗产地社区可持续发展影响进行了评价。研究结果表明:旅游活动不仅没有给我国世界文化遗产地社区可持续发展带来显著的促进作用,反而产生了不利影响。亟需解决的问题有:(1)旅游活动给工艺品地域特色、本地文化认同感等带来的不利社会文化影响。(2)旅游活动给自然植被、空气质量、水体质量等造成的不利生态环境影响。(3)旅游活动未给五台山、平遥古城、武当山社区居民就业带来预期的有利经济影响。(4)旅游活动对我国世界文化遗产地社区经济、社会文化和生态环境的影响失衡。 相似文献
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This article analyses the social consumption of cultural products by Spaniards from the standpoint of microeconomics and sociology. By comparing Lancaster's ``new consumer theory' to Bourdieu's theory, we show the usefulness of simultaneous analysis of consumption from both perspectives. The results provide evidence supporting the hypothesis of expressive functions, distinction and symbolic properties of cultural products. In addition, the ``new consumer theory' has various implications for both cultural policymaking and marketing of cultural products. 相似文献
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Françoise Benhamou 《Journal of Cultural Economics》2000,24(4):301-319
The growth of employment in audiovisual andperforming arts activities during a ten year period(1981–1992) in France and in Great Britain was theresult of a double tendency: An increasing number ofindividuals with cultural occupations working incultural industries and structural changes in thelabour market (more flexible workforce, increasingfragmentation of work opportunities). Qualitativedifferences emerged between both countries, leading totwo different forms of flexibility. Full timeemployment decreased in France, while it increased inGreat Britain with, during the same period, aconsiderable growth of self-employment.This paper explores different hypotheses forexplaining such a divergence. It concedes that thestrategies of organisations, and especially the risingnumber of adhocracies (according to Mintzberg'stypology) rather the choices of workers trying tooptimise their earnings were responsible. Publicpolicies played also a central role. In Great Britainthe Enterprise Allowance Scheme, and in France, thespecific Social Security benefit for artistscontributed to the increase in self employment in thefirst case, and in temporary employment in the othercase. 相似文献