Legitimation,performativity and the tyranny of a ‘hijacked’ word

Accreditation is fast becoming the dominant method of evaluation used in the European Higher Education Area. This paper traces the political process supporting the introduction of this method in Europe and identifies different theoretical understandings and practices which shed light on how we can interpret the spread and role of accreditation in Europe, before discussing current trends in European and US accreditation, which could pave the way for a joint research agenda. In the conclusion, some possible implications of current developments are briefly presented.     

Eye-movement parameters and reading speed

This study addressed the relationship between four eyemovement parameters and reading speed of 20twelve-year-old children during silent and oralreading. The results indicated that each of theparameters correlated significantly with speed ofsilent reading. In fact, reading speed could bepredicted by the following variables: recognitionspan, average fixation duration, and number ofregressive saccades. Moreover, the relationshipbetween silent and oral reading speed, on one hand,and between reading fluency and reading errors in oralreading speed, on the other, was examined. The resultsindicated that in terms of reading speed, significantinterrelationships existed between silent and oralreading. Furthermore, fluency and errors wereintercorrelated phenomena, but only fluency wassubstantially related to oral reading speed.     

Creativity as a developmental resource in sport training activities

The multidimensional concept of creativity has a much wider scope of application than disclosed by prevailing research on sporting creativity. In this area, creativity is mostly perceived, praised, and approached for its performative, in-game benefits. Pointing to the belief that creativity requires well-developed technical skills, this phenomenon is often treated as a performative end. When targeting creative match performances, the developmental and experiential benefits of creative activities may be neglected, and creativity may be reserved for the best offensive players. To nourish and nuance practical and scholastic dialogues, the purpose of this paper is to conceptualize creativity as a developmental resource in sport training activities. This is accomplished by building on and articulating [Shilling, C. (2005). Body in culture, technology and society. London: SAGE] body-sociology, [Gl?veanu, V. P. (2012). What can be done with an egg? Creativity, material objects, and the theory of affordances. The Journal of Creative BehaviorJournal of Creative Behavior, 46(3), 192–208. doi:10.1002/jocb.13, Gl?veanu, V. P. (2016b). The psychology of creating: A cultural-developmental approach to key dichotomies within creativity studies. In The Palgrave handbook of creativity and culture research (pp. 205–223). London: Palgrave Macmillan UK. doi:10.1057/978-1-137-46344-9_10] socio-cultural notions about creativity, and [Dewey, J. (1916). Democracy and education– an introduction to the philosophy of education. New York, NY: The Free Press.] educational philosophy. Based on these positions, creativity is treated as a dynamic quality of action that is located in the transaction between the player and the specific situation (i.e. affordances, intentions, and norms). Hence, creativity regards the exploratory and playful processes of discovering, exploiting, and originating unusual action possibilities (i.e. acting on unperceived, unexploited, and uninvented affordances). Grounded in these ideas, we argue for the stimulation of creative actions during training, which should not be forgotten when trying to nurture in-game creativity. Essentially, the developmental benefits (e.g. learning and enjoyment) of creativity could apply to all players, at all levels. Among others, creativity may enhance their situated potential (e.g. expanding the boundaries of usual actions; developing the capacity for novel actions). For instance, the exploration of unexploited affordances (i.e. actions normally avoided due to norms) entails broad experiences and may help the players discover novel actions. Moreover, creative activities may develop the players’ capacity to search for, handle, and/or create unexpected, unusual, and novel situations. This is vital for players’ development and performance.     

Imitation jumps in ski jumping: Technical execution and relationship to performance level

ABSTRACT

Imitation jumps are frequently used in training for ski jumping. Yet, the dynamics of these jumps differ considerably. Thus, the relevance of imitation jumps for ski jumping performance is not elucidated. The aim of this study was to investigate the relationship between the technical execution of imitation jumps and ski jumping performance level. We compared the imitation jumps of 11 ski jumpers of different performance levels using a Spearman correlation transform of time traces of the kinetics (measured using force cells and motion capture) of imitation jumps. The kinetic aspects that were related to performance centred on the moment arm of ground reaction force to the centre of mass before the onset of the push-off, angular momentum early in push-off, thigh angle during the main period of push-off and vertical velocity towards the end of push-off. We propose that the thigh angle may be a key element allowing high development of linear momentum while preparing for appropriate aerodynamic position. Furthermore, the findings suggest that the kinetic development prior to (and during) push-off is more important than the kinematic end state at take-off.     

Removal of Organic Acids from Indoor Air in Museum Storage Rooms by Active and Passive Sorption Techniques

ABSTRACT

Adsorbent materials can be used for the removal of organic acids from air in storage rooms with heritage collections. The organic acid removal efficiency of two commercially available activated carbon air-filters were tested in situ in two unoccupied stores with densely packed collections. One filter was designed for outdoor type pollutants (Filter A), while the other was designed for organic acids in indoor air (Filter B). Furthermore, the acetic acid removal efficiency of a desiccant silica gel rotor used for dehumidification was measured in a laboratory at different relative humidity levels. Finally, passive removal of acetic acid by silica gel and unfired clay brick were tested in a chamber, and for clay brick at room level as well. Filter B had the highest removal efficiency. The removal efficiency of both filter types depended on the airflow and the filter performance varied considerably in situ from the values reported from standard laboratory tests. Increasing the filter airflow reduced the removal efficiency from 77% and down to 7% for Filter A, and from 92% to 24% for Filter B. There was almost no effect of active air filtration on the concentration of organic acids when this was measured in the middle and in the corner of the storage rooms away from the ventilation inlets. The desiccant dehumidifier removed 98–100% of the acetic acid from the air, independently of the relative humidity. The desiccant rotor will, however, only be running when there is a need for dehumidification and as a result will only periodically remove pollutants. The high acid removal efficiency by dry silica gel was furthermore demonstrated in a chamber test. A clay brick wall in a test room established a concentration gradient across the room and reduced the concentration of organic acids by 56% compared to close to the emission source.