Archival theory in Italy today

Archival theory in Italy has a long tradition, going back as far as the second half of the nineteenth century, and with roots in the 17th and 18th centuries. Central theme in the theory is themetodo storico, the principle of provenance, for the first time expressed in the late 19th century by Bonaini and Bongi. In the following decades archivists like Casanova and Cencetti were among the leading authors. Elio Lodolini assigned himself the task to synthesize ideas and notions, within a clear distinctions between records (registratura) and archives. One of the overall characteristics of the rich Italian literature is the stressing of the cultural value of archives. I have twice treated before the theme of archival theory in Italy from the fifties up to the nineties. The first time on the occasion of the 25th anniversary of theScuola speciale per Archivisti e Bibliotecari dell'Università degli Studi “La Sapienza” di Roma in 1989, when there was an international round table on archival science in the State Archives of Rome. My essay,Italian archival science today, has been published in the proceedings of the meeting (cfr. Donato Tamblé,L'archivistica in Italia oggi, inStudi sull'archivistica, by Roma: Elio Lodolini, 1992). Some years later, in 1993, I published a book on contemporary Italian archival theory (Donato Tamblé,La teoria archivistica italiana contemporanea (1950–1990). Profilo storico-critico (Roma, 1993) which was the sequel to the volume of Elio Lodolini on Italian archival history — (Lineamenti di storia dell'archivistica italiana (Roma, 1991). The purpose of my book was that of locating and identifying the scientific object of archival science as it developed and was clarified in the thinking and in the lucubration of the contemporary Italian Archivists.