Who’s counting whom? Non-National museum attendances in the UK: part 1

ABSTRACT

This paper is the first part of a study on visit numbers to UK regional and local museums. It reviews the limited past research on the topic, examines the motivations for counting such visits and the means required to do so, and explores the methods used from the early nineteenth century to now. A concluding section discusses the theme within the context of modern public policy on museums.

In relating historic context to current practice, it shows that, irrespective of the general use of visit numbers as a proxy for public interest and institutional importance, the practice of collecting museum visit numbers continues to be inconsistent and their publication erratic. It suggests that the lack of accepted good practice makes this an area for improvement.     

48 million configurations and counting: platform numbers and their capitalization

Platforms are important actors in contemporary cultural economic processes. They include social network sites, online content management systems, streaming media platforms, mobile communication infrastructures, supply chain logistics solutions, and cryptocurrencies. Analysis of platforms and their capitalization should take into account the ways they structure social practice as assets and the constitutive opacity of platforms as configured realities. It explores capitalization by focusing on the problems of counting people and things on platforms. Via a case study of the software repository platform [Github.com] (https://github.com), it analyzes how 'platform numbers’ participate in capitalization. It describes attempts to enumerate the elements of the platform by counting, mapping or listing them. The paper shows how attempts to enumerate people and things encounter forms of association, duplication, combination, imitation and configuration that are crucial to the ensemble but remain refractory to capitalization. It proposes configurative enumeration of the platform numbers as a way of conceptualizing these un-enacted excesses. In a configurative enumeration, the composition, the rhythms of imitation, variation and commutation, and constant relating, repairing and adjusting of configurations crucial to the ongoing formation of platforms come into view. Configurative enumerations engage the inventive realities of platformization, realities that precede and sometimes overflow their capitalization.     

Pursuing a Multidimensional View of Transfer

Training researchers and practitioners have typically focused their attention on one type of transfer, the transfer of tasks that require trainees to learn and apply a prescribed standard procedure. Further, researchers and practitioners have examined this type of transfer in situations where supervisors hold trainees accountable for applying the trained knowledge and skill, Performance professionals have developed theoretical frameworks, training principles, and training guidelines to improve transfer based on this conception of transfer. In contrast, this paper presents a multidimensional perspective to training transfer. One dimension concerns task adaptability-a continuum from relatively closed tasks, where task steps are highly prescribed, to relatively open tasks, where the task steps can be adapted to varying circumstances of the job. The other dimension concerns worker autonomy-a continuum from heavily supervised to highly independent work. Based on this expanded perspective of transfer, for each combination of variable, we offer principles for effective transfer as well as specific problems which must be solved to achieve the best results. We also provide suggestions for evaluating training success and derive research propositions that deserve attention.     

On Primary Matters,Because Primary Matters

The list of achievements of NSEAD is significant, but this paper suggests that the lack of primary membership, standing at 4% at the time of writing, is a loss to both the Society, and the primary sector. In order to meets its objects as written in the constitution, the Society needs to represent art, craft and design education in all sectors. The paper underlines the value of education in art and design in the primary sector, and suggests that misunderstandings that exist about the nature of and importance on the activity of young children, particularly in relation to play, are indeed misunderstandings and need to be addressed.     

A three-dimensional kinematic analysis of the long jump take-off

The long jump has been widely studied in recent years. Two models exist in the literature which define the relationship between selected variables that affect performance. Both models suggest that the critical phase of the long jump event is the touch-down to take-off phase, as it is in this phase that the necessary vertical velocity is generated. Many three dimensional studies of the long jump exist, but the only studies to have reported detailed data on this phase were two-dimensional in nature. In these, the poor relationships obtained between key variables and performance led to the suggestion that there may be some relevant information in data in the third dimension. The aims of this study were to conduct a three-dimensional analysis of the touch-down to take-off phase in the long jump and to explore the interrelationships between key variables. Fourteen male long jumpers were filmed using three-dimensional methods during the finals of the 1994 (n = 8) and 1995 (n = 6) UK National Championships. Various key variables for the long jump were used in a series of correlational and multiple regression analyses. The relationships between key variables when correlated directly one-to-one were generally poor. However, when analysed using a multiple regression approach, a series of variables was identified which supported the general principles outlined in the two models. These variables could be interpreted in terms of speed, technique and strength. We concluded that in the long jump, variables that are important to performance are interdependent and can only be identified by using appropriate statistical techniques. This has implications for a better understanding of the long jump event and it is likely that this finding can be generalized to other technical sports skills.     

AN INTERVIEW WITH KIMMO LEHTONEN

In this interview, Dr. Kimmo Lehtonen discusses the current “state of the art” regarding creativity in Scandinavia, Europe, and around the world. He explores the training of teachers, prodigies, and art and music therapy. Dr. Lehtonen examines the issue of computers relative to creativity and various theoretical explanations for the phenomenon of creativity. Personality factors are examined and explored, and future concerns are delineated.     

Student intrinsic motivation,science teaching practices and student learning

Conclusion This paper has been concerned with the application of basic understandings about intrinsic motivation and curiosity behaviour to the teaching of science, and in particular senior high school biology. The important role of student knowledge in the generation, maintenance and resolution of cognitive conflict is congruent with the renewed interest in studying students' everyday knowledge of curriculum content. However the study of classroom teaching processes in terms of their facilitation of intrinsic motivation is not common. Yet the data collected in this study demonstrates the importance of closely examining the implementation of courses such as the Web of Life, if the arousal of intrinsic motivation is an intended student outcome. Both interview and observational data indicated that the teaching styles adopted by teachers in this study were not likely to engender curiosity amongst students. Perhaps this should be expected. The use of a wide range of reference materials to investigate problems that arise in the classroom, the encouragement of students to do additional work on a topic if they are particularly interested, and a willingness on the part of the teacher to allow students sufficient time to formulate their own solutions to problems are classroom processes which necessitate a greater flexibility in curriculum presentation than can be often tolerated by teacher and school management. Such processes may be incompatible with organisational properties of the school and the pressures often placed upon students to perform to a high standard on rigidly defined examinations.