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Shira Eve Epstein 《The Urban Review》2010,42(1):39-57
In this paper, I explore the experiences of fourth and fifth grade students engaged in Beyond Today, an urban after school
program, that aimed to enact a social reconstructionist multicultural curriculum. The program gathered White, Black, and Latino/a
youth to explore issues of discrimination and social justice and develop leadership towards social change. This paper focuses
on the complex nature of students’ responses to a multicultural curriculum that foregrounded conversations about race and
inequity. Students were seen to build ties of friendship across racial lines and develop activist skills of social critique.
On other occasions, they maintained borders, distancing themselves from students of different races. After an overall review
of the students’ varied reactions to the Beyond Today curriculum, I highlight specific vignettes that show how these tensions
can simultaneously emerge within particular incidents. This research can be of use to teachers and teacher educators when
envisioning and planning for student responses to multicultural curriculum. 相似文献
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In this paper, based on a project funded by the UK Economic and Social Research Council considering how people position themselves in relation to popular representations of mathematics and mathematicians, we explore constructions of mathematicians in popular culture and the ways learners make meanings from these. Drawing on an analysis of popular cultural texts, we argue that popular discourses overwhelmingly construct mathematicians as white, heterosexual, middle‐class men, yet also construct them as ‘other’ through systems of binary oppositions between those doing and those not doing mathematics. Turning to the analysis of a corpus of 27 focus groups with school and university students in England and Wales, we explore how such images are deployed by learners. We argue that while learners’ views of mathematicians parallel in key ways popular discourses, they are not passively absorbing these as they are simultaneously aware of the clichéd nature of popular cultural images. 相似文献
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Frank Buxton Bill Owen Summers Mary E. Bickel Joe Morella Edward Z. Epstein 《Communication Booknotes Quarterly》2013,44(1):8-9
Frank Buxton and Bill Owen's The Big Broadcast: 1920-1950 (New York: Viking Press, 1972---$12.95) Summers' A Thirty-Year History of Programs Carried on National Radio Networks in the United States (1958: reprinted by Arno Press, 1971---$10.00) Hello Again (Mr. Jay Hickerson, 6 Koczak Court, North Haven, Conn. 06473) Mary E. Bickel's George W. Trendle: An Authorized Biography (Jericho, N.Y.: Exposition Press, 1972---$5.00) Joe Morella, Edward Z. Epstein, and Eleanor Clark's Those Great Movie Ads (New Rochelle, N.Y.: Arlington House, 1972--- $14.95) Ron Goulart's Cheap Thrills: an Informal History of the Pulp Magazines (New Rochelle, N.Y.: Arlington House, 1972---$7.95) 相似文献
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Erica Weintraub Austin Rebecca Van de Vord Bruce E. Pinkleton Evan Epstein 《Mass Communication and Society》2013,16(4):420-436
Although scholars have long indicated concern regarding disaffected young voters, the 2004 presidential election tallied record turnout among this age group. This study explored how and why celebrity-endorsed, get-out-the-vote campaigns may have helped to persuade young voters aged 18 to 24 to participate in an election campaign by examining campaign influence on individual decision-making factors. During the fall semester of 2004, a convenience sample of 305 college students from introductory general education classes completed surveys assessing their political efficacy, involvement, complacency, and apathy. Findings indicated that receptivity to celebrity spokespeople predicted lower levels of complacency and higher levels of self-efficacy. Complacency had independent effects on involvement and self-efficacy. The results therefore suggest that these campaigns can potentially influence positive change in political engagement of the younger citizenry. 相似文献
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Ofra Backenroth Shira D. Epstein Helena Miller 《Religious education (Chicago, Ill.)》2013,108(4):467-480
This article explores how arts-based learning can facilitate understandings of Jewish religious texts. Through practical examples drawn from our own research, from the worlds of dance, drama, and the visual arts in education, we demonstrate the ways in which arts can allow for the transmission of information and knowledge, as well as offer a “transformative” learning experience; a student can bring the text to life while bringing the text into his or her life. We stress the primary importance and centrality of sacred text within Jewish tradition and assert that the written text should serve in Jewish education as the starting point. The ultimate goal, however, is to enable learners' personal connection with texts. We argue that learning through the arts opens up opportunities for multiple shared interpretations of text, as well as accentuation of the “affective” dimensions of Jewish textual learning. By becoming more aware of the varied possible paths for generating learning activities, educators might choose learning strategies that enable an integration of both the cognitive and affective domains. The examples of Arts Reflective learning demonstrate possibilities for the structuring of “teaching towards transformation.” 相似文献