好莱坞特效行业衰落

尽管《少年派的奇幻漂流》在全球范围内收获了超过5亿美元的票房成绩,但凭借此片在第85届奥斯卡颁奖典礼上获得"最佳视觉效果奖"的特效公司Rhythm&Hues Studios却在2013年2月13日沦落到申请破产保护的境地。这家已经拥有25年历史的好莱坞老牌视觉效果制作公司曾多次获得各大颁奖礼上的"最佳视觉效果奖",而如今的境遇则让人唏嘘不已。在如今高度商业化的好莱坞,艺术家们只有得到真正的尊重,才能创造出更好的作品。     

Self‐constructed exoticism: gender and Nation in Hōrōki by Hayashi Fumiko

This paper is a reading of Hōrōki (1928–30) by Hayashi Fumiko (1903–1951). The analysis demonstrates how the marginal status of the female protagonist is used as a literary device to create a challenging gendered critique of Japanese urban culture in the early 20th century. The paper discusses how the work reflects concepts of a ‘hybrid’ national identity as defined by Homi Bhabha, and highlights the links between gender and national identity using the concept of the exotic in relation to Alcoff’s concept of gender as positionality. It focuses in particular on the structure of the work, bringing out the idea that by using a disjointed narrative and a fragmented telling of the self, Hayashi Fumiko evokes ideas of the self in relation to the nation that are both unstable and destabilising, thus creating a revolutionary and anarchistic view of Japanese culture; the fluidity and hybridity of the nation are reflected in the fluid and hybrid nature of the work itself.