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In May 2002, the Denison Memorial Library at the University of Colorado Health Sciences Center and the J. Otto Lottes Health Sciences Library at the University of Missouri-Columbia, with funding from the National Network of Libraries of Medicine-Midcontinental Region, embarked on a collaborative, real-time reference project using the 24/7 Reference, Inc., software package. This paper describes how the project was conceived, and includes details on the service hours, staffing, training, marketing, lessons learned, and future plans for the service. 相似文献
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George L. Parker 《Publishing Research Quarterly》1990,6(1):65-73
Historical research benefits students of publishing in three ways. First, it provides an accurate account of what happened
in the past. Second, by setting contemporary issues in a historical context, it helps identify trends. Finally, it encourages
curiosity and learning about one’s cultural and intellectual heritage. Parker provides examples of research that serve these
purposes.
George L. Parker is professor and head of the Department of English and Philosophy at the Royal Military College of Canada,
Kingston, Ontario. He teaches Canadian and American literature, has coedited an anthology,The Evolution of Canadian Literature in English: Beginnings to 1970, has contributed to theDictionary of Canadian Biography, and has publishedThe Beginnings of The Book Trade in Canada (1985). 相似文献
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Carolyn D. Cowen 《Annals of dyslexia》1985,35(1):209-218
The Tutoring Network is a nonprofit organization that emphasizes rigorous screening of educational therapists and careful
matching of their expertise with the needs of learning-disabled students. It operates a clearinghouse for information pertinent
to learning disabilities and strives to facilitate better communication among professionals concerned with the learning-disabled.
This paper chronicles the birth and growth of The Tutoring Network and explores possibilities for replication. 相似文献
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The task of writing about the process of making and contextualising art can be overwhelming for some graduate students. While the challenge may be due in part to limited time and attention to the practice of writing, in a practice‐based arts thesis there is a deeper issue: how the visual and written components are attended to in a manner that neither is subjugated and both are fully realised. Helping students to revision art and writing as similar creative processes that can be structured around a framework designed to address both processes can override the conception that writing and art are polarising forces. This article describes one such framework that was found to be effective from both the perspective of the professor and the student in fleshing out the heart of both artistic processes and finding an integrating structure that moves a thesis to fruition. 相似文献
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