Use of the one-minute preceptor as a teaching tool in the gross anatomy laboratory

The one-minute preceptor (OMP) is a time-efficient technique used for teaching in busy clinical settings. It consists of five microskills: (1) get a commitment from the student, (2) probe for supporting evidence, (3) reinforce what was done right, (4) correct errors and fill in omissions, and (5) teach a general rule. It can also be used to address structure-identification questions in gross anatomy laboratory small-group settings. The OMP is an active learner-centered teaching approach that prepares students for a style of learning that they need to master in clinical settings, provides novice anatomy teachers with an efficient and effective teaching strategy, and moves anatomy learning beyond mere name tagging to active knowledge construction.     

戴着镣铐的革命历史想象——20世纪初立宪派革命话语影响下的历史小说叙事

20世纪初,康有为、梁启超等立宪派的革命话语对其革命历史题材的历史小说叙事产生了深刻影响,小说在历史题材的选择,革命历史事件的定性,历史学中的事件、行为者和场所等诸故事要素的编码,故事的叙述方式等方面产生了重要影响,形成对历史进行改写和重构的叙事话语模式。     

The social stratification of theatre,dance and cinema attendance

In current sociological literature the relationship between social inequality and patterns of cultural taste and consumption is the subject of a large and complex debate. In this paper the primary aim is to examine, in the light of empirical results from a research project in which the authors are presently engaged, three main, and rival, positions that have been taken up in this debate, here labelled as the ‘homology’, the ‘individualization’ and the ‘omnivore–univore’ arguments. Elsewhere, we have concentrated on musical consumption in England, and find evidence that is broadly supportive of the omnivore–univore argument. Here we ask whether such findings are confirmed in the case of theatre, dance and cinema attendance. A secondary aim of the paper is to bring to the attention of practitioners in the field of cultural policy and administration the need to address the issues that arise through the use of more powerful methods of data analysis than those often applied in the past. We explain how indicators of theatre, dance and cinema attendance derived from the Arts in England survey of 2001 can be subject to analysis so as to reveal two distinctive patterns of attendance and, in turn, two distinctive types of consumer—who can, it turns out, be regarded as omnivores and univores, even if with some qualification. The former have relatively high rates of attendance at all kinds of the events covered, including musicals and pantomimes as well as plays and ballet, while the latter tend to be cinema-goers only, that is, non-consumers of theatre and dance. A range of measures of social inequality are then introduced into the authors' analyses, including separate measures of social class and social status and also of educational level and income, and it is further shown that, again in conformity with the omnivore–univore argument, these two types of consumer are socially stratified. Omnivores are of generally higher social status than univores and also have usually higher levels of education and higher income than do univores (the latter finding marking the main difference with musical consumption, which was unaffected by income once other stratification variables were controlled). In sum, our results for theatre, dance and cinema attendance lend, overall, further support to the omnivore–univore argument as against its rivals, but also indicate that different aspects of social inequality impact on different forms of cultural consumption in varying degrees and probably through largely separate processes.     

单板滑雪U型场地技巧优秀运动员落地稳定性研究

近年来,随着单板滑雪U型场地技巧项目的快速发展及国际运动成绩的快速提升,我国运动员在训练方面遇到了很多问题,如运动员在完成高难度的空中技术动作后,在落地时总是出现失误,直接影响运动员在比赛中的成绩.本文采用文献资料、专家访谈、录像分析等研究方法,对黑龙江省单板滑雪U型场地技巧优秀运动员的落地稳定性进行了分析,具体涉及运动员成套动作落点分析、滑行路线分析和运动员平衡能力,研究结果认为,运动员的平衡能力差和落点区域的不同选择是导致落地稳定性差的主要原因.为帮助单板滑雪U型场地技巧项目备战2018年平昌冬奥会提供了一定的理论依据.     

网络信息资源著作权风险规避中的委托代理关系

[目的/意义]通过对网络信息资源著作权风险中著作权人与网络服务提供者的博弈分析,在利益均衡的基础上提出著作权风险规避的策略。[方法/过程]运用委托代理理论的基本原理,分析著作权人与网络服务提供者的委托代理关系,构建信息不对称条件下著作权人为风险中性和风险规避时的委托代理模型,并进一步对两种情况下的各绩效指标进行探讨。[结果/结论]在委托代理机制下,著作权人与网络服务提供者在风险规避上的利益具有一致性;在两种不同情况下著作权人的激励程度、网络服务提供者的努力程度以及总的期望收益均有显著变化;著作权人的激励程度以及双方的最终收益与网络服务提供者的努力程度、努力成效、风险规避程度、项目完成能力等因素密切相关。基于此,可以通过健全奖惩激励机制、完善利益补偿机制、强化监督管理机制来规避网络信息资源著作权中的风险问题,实现委托代理双方收益的帕累托最优。     

我国传统养生理论中的经络学说

根据我国传统养生理论的观点,结合人体运动及针灸、气功修炼实践,对经络学说作了全面的剖析,提出:人体运动,经络通畅;经络既通,其形乃彰;经络失常,人体衰老;疏通经络,延年益寿等观点,为人们的运动健身和养生保健提供有益的借鉴。     

浅谈色彩在版面设计应用中的误区及对策

版面改革,即着重从版面设计和色彩,线条等运用上着手,加强报纸的视觉冲击力,力显除新闻价值以外能吸引受众的因素。因此．色彩运用成为了“版面改革”的重头之戏。很多报纸将“改革”重点放在了色彩如何运用上。     

区域网络教研平台的功能框架研究

本文通过确定网络教研功能总体目标,对常规教研的功能性分析,设计功能模块与构建网络教研平台三个步骤对区域网络教研平台的功能框架进行研究,阐明网络教研平台可实现的教研功能、平台包含的功能模块以及在平台中各功能模块之间的关系,对于我国基础教育实践中的相关问题具有一定的指导意义。     

THE MEDIA AND ENVIRONMENTAL ISSUES IN HONG KONG 1983-95

This study tests the agenda-setting hypothesis for the environmentalissue in Hong Kong from 1983 to 1995. It was found that theagenda-setting hypothesis was supported for the initial periodof five and a half years. In the subsequent period of sevenand a half years, despite the increased media coverage of theissues, there was a significant drop in the perceived salienceof the environmental problem. This may be due to the dilutionof public attention as a result of diversity in the news agendaand reporting of local environmental problems as ‘soft’news. It was also found that the environmental issue failedto compete with other prominent issues directly affecting thepublic. The mass media played a much less important role inkeeping the environmental issue on the public agenda at thelater stage.