From natural numbers to numbers and curves in nature —I

The interconnection between number theory, algebra, geometry and calculus is shown through Fibonacci sequence, golden section and logarithmic spiral. In this two-part article, we discuss how simple growth models based on these entities may be used to explain numbers and curves abundantly found in nature     

关于制定《上海市中等职业学校教育技术装备标准》的思考

阐述了制定《上海市中等职业学校教育技术装备标准》的意义和要求，指出制定标准要充分考虑上海经济和社会发展对职业教育的新要求；要充分满足教育教学改革的需求。     

更新教育理念优化实验教学环境

介绍了更新教育理念在“课改”的新形势下，如何改革实验教学的几点认识和实践经验。     

微型化学实验反应器设计

介绍了几种微型化学实验反应器的设计和使用方法，供同行参考。     

浙江省“151人才工程”第一阶段实施情况调查报告

调查组通过问卷调查的方式,对浙江省“151人才工程”的实施情况开展了调研,调查中对151人员与候选人进行了个性特征的比较,对男性与女性在外语、计算机等有关方面进行了性别比较,对不同学科和区域人员进行了学科性质和区域的分析,揭示了我省高科技人员培养使用过程中存在的若干问题,同时也使平常所注意不到的问题得到进一步的明晰,在科学的统计推断分析的基础上,对新世纪151人才工程的进一步开展提出了大量的合理化建议。     

构建新型农民职业教育培训体系全面推动农村小康社会建设

构建新型农民职业教育体系,是全面推动农村小康社会建设的必要条件.分析了我国农民职业教育体系的现状,并从这一现状出发,阐述新型农民职业教育培训体系的概念与内涵,提出构建这一体系的基本原则、体系框架、建设重点及主要模式.     

也话稼轩

豪放诗人中一直比较喜欢苏东坡,觉得苏词气度不凡,境界非同一般。但读了作者的《把栏杆拍遍》,才顿悟稼轩词的确别有一种独特情感。正如作者所言：“真正的诗人只有被政治大事（包括社会、民族、军事等矛盾）所挤压、扭曲、拧绞、烧炼、锤打时才可能得到合乎历史潮流的感悟,才可能成为正义的化身。     

＂Turkish Five＂：Their Contributions to Contemporary Piano Music and Piano Education in Turkey

First musicians using polyphony and homophony in their compositions can be seen during the 19th century in Turkey. These talented amateur composers, who worked in simple forms, such as marches or educational music, were not actually professional composers but either orchestral or choral directors. Later, during the Republic period （after 1923）, ＂Turkish Five＂ emerged. ＂Turkish Five＂ consisted of professional composers who were educated in Europe and learned western musical forms. These musicians, according to their birth years, are Cemal Resit Rey （1904-1985）, Hasan Ferit Alnar （1906-1978）, Ulvi Cemal Erkin （1906-1972）, Ahmet Adnan Saygun （1907-1991） and Necil Kazan Akses （1908-1999）. ＂Turkish Five＂ achieved important accomplishments and did significant contributions to Turkish contemporary music in 30-40 years with their efforts. While doing this, they used over 500-year old musical legacy of the West. At the beginning, these musicians used Turkish folk tunes and their rhythmic and modal system, however, later, they began to use ＂impressionism＂, ＂neo-classicism＂ and finally ＂atonalism＂ in their music. In the current study, the contributions of ＂Turkish Five＂ to contemporary Turkish piano music and their approaches to piano education were examined via literature review. After an extensive research with the literature on the topic, the researcher has interviewed with six piano teachers from different music institutions in Turkey （including two schools of time arts, two conservatories and two music teacher training schools）. During these interviews, the contributions of the ＂Turkish Five＂ were examined based on ＂relativity＂ and ＂local to global＂ principles in education, and the researcher has searched for the ways to use more of their music in piano education through the interviews. Therefore, the main purpose of the study was to discover ways to implement more of the music by ＂Turkish Five＂ in piano education in Turkey and to ffmd solutions fo