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11.
H.C.K. Alewell 《Higher Education Quarterly》1990,44(2):123-141
Financing universities in times of increasing demands in all fields of public expenditure is a problem of nearly all European counnies not least because of the ongoing process of European integration. Comparing the different national systems of financing universities may be a means to foster cooperation and competition in a step by step growing network of universities in the European Community. This paper tries to give some insights into the German system; special considerotion is given to its federal structure and its implications for the universities' financthg system, because these problems may be of interest to other countries also. Of course this survey cannot be complete; details must be left to detailed information. The first part of the paper gives a survey of the higher education system in the Federal Republic of Gennany. The second part deals with the sources of funds, including the structure of mong streams to the universities. The third part refffs to the restrictions in using state money in the universities and the problems resulting; the fourth and final part concentrates on problems of the future, especially getring third party finds, and the diversifiation. of financing. 相似文献
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Jacquetta Megarry David Hawkridge 《British journal of educational technology : journal of the Council for Educational Technology》1993,24(1):4-11
Co-production occurs when two or more institutions contribute funds and labour to the processes of making course components for distance teaching. The author summarises reasons for international co-production of multimedia distance-teaching courses and provides a checklist of questions that should be considered before entering upon such co-production.
The second half of the article consists of a composite case study based on the UK's Open University experience of international co-production. The paper ends with three questions: Is international co-production of this kind worth trying? Can the chances of success be made high enough by careful planning to justify risking capital in such ventures? Are other forms of collaboration more likely to be cost-effective? 相似文献
The second half of the article consists of a composite case study based on the UK's Open University experience of international co-production. The paper ends with three questions: Is international co-production of this kind worth trying? Can the chances of success be made high enough by careful planning to justify risking capital in such ventures? Are other forms of collaboration more likely to be cost-effective? 相似文献
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Richard H. Beyler 《Minerva》2006,44(3):251-266
In responding to incidents of internal ‘indiscipline’, the Kaiser Wilhelm Society many times asserted its authority, sometimes in cooperation with agencies of the Nazi regime. Following the Second World War, however, the KWS represented itself as having been intrinsically anti-Nazi. This essay describes the assumptions inherent in this view, and points to its wider implications for post-war German science. 相似文献
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Determining the Value of Cultural Goods: How Much (or How Little) Does Contingent Valuation Tell Us? 总被引:1,自引:0,他引:1
David Throsby 《Journal of Cultural Economics》2003,27(3-4):275-285
Contingent valuation methods (CVM) are now well established as a means of measuring the nonmarket demand for cultural goods and services. When combined with valuations provided through market processes (where relevant), an overall assessment of the economic value of cultural commodities can be obtained. Within a neoclassical framework, such assessments are thought to provide a complete picture of the value of cultural goods. But are there aspects of the value of cultural goods which are not fully captured, or not captured at all, within such a model? This paper argues that CVM provides an incomplete view of the nonmarket value of cultural goods, and that alternative measures need to be developed to provide a fuller account. 相似文献
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