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ABSTRACTArchives and digital collections have traditionally supported undergraduate research experiences or existed in the syllabus as neat, packaged projects or assignments. Now these artifacts are taking center stage in the digital liberal arts classroom. Librarians and archivists are also realizing new opportunities to teach undergraduates their professional tools and methodologies, and they are forging new ground in the classroom teaching students how to curate and create digital scholarly projects. This case study reveals the experiences of two information professionals who cotaught a distance digital liberal arts seminar. It seeks to expand the pedagogy of the digital liberal arts and explore its viability via distance education. 相似文献
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In 2015–16 researchers from the University of Melbourne and Museums Victoria undertook a collaborative project which sought to visualise archival data from the museum as a means to investigate the structure and context of the Dorothy Howard Collection. This article introduces Dorothy Howard’s work, which is part of the internationally significant Australian Children’s Folklore Collection, and looks at the project’s processes and outcomes, including the initial visualisations produced. In doing so, the authors highlight the data-intensive nature of such work, suggest the potential of visualisations to reveal collection structures, and outline possibilities for future projects and collaborations. 相似文献
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Using an online survey and semi-structured interviews, senior academic librarians were asked to reflect on the factors that keep them personally fulfilled and on how they remain motivated to make positive contributions to their organization. Motivations include esteem of colleagues and supervisors, variety in their work, salary, opportunities to learn new skills, increasing responsibility, and working with students and faculty. 59% percent of the survey respondents ranked their job satisfaction at 8 (on a scale of 1—10, with 10 the most satisfied). Using Bardwick's definitions of plateauing, 60% of the 20 librarians interviewed did not feel that they were content-plateaued. 相似文献
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Dennis Jaehne Deborah A. Fort Karen A. Foss John Lynch 《Quarterly Journal of Speech》2013,99(3):368-373
SPECTACULAR NATURE: CORPORATE CULTURE AND THE SEA WORLD EXPERIENCE. By Susan G. Davis. Berkeley: University of California Press. 1997; pp. xii + 313. paper $18.95. FEMINISM AND DOCUMENTARY. By Diane Waldman and Janet Walker. Minneapolis: University of Minnesota Press, 1999; pp. xvi + 365. $49.95 cloth; $19.95 paper. FASHIONABLE NONSENSE: POSTMODERN INTELLECTUAL'S ABUSE OF SCIENCE. By Alan Sokal and Jean Bricmont. New York: Picador USA, 1998; pp. xiv + 300. $16.10 cloth; $11.20 paper. 相似文献
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Deborah Seltzer‐Kelly 《Educational theory》2013,63(2):133-150
A blue‐ribbon panel convened by the National Council for Accreditation of Teacher Education (NCATE) concluded in 2010 that teacher education in the United States must be “turned upside down,” with practical experience at its center and academic content woven around the practical. It might seem that the new clinical model based on medical education, which has been adopted by eight states, would be well‐aligned with a Deweyan inquiry‐based pedagogy. Dewey himself recognized a paradox, however: preparation for the combination of rigor and flexibility needed for inquiry‐based pedagogical skills absolutely requires immersion in clinical settings, even as immersion in the teaching environment that prevails in U.S. public schools systematically socializes new teachers to a very different set of skills than those needed for this model of effective pedagogy. Recent scholarship by Kuhnian scholars provides practical guidance for an alternative understanding of how changes in practice occur and may be transmitted to future generations. 相似文献