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131.
Despite the growing recognition of the importance of information literacy education, there are few working models for curriculum integration within the Australian higher education sector. Librarians, in conjunction with faculty at Central Queensland University, developed a framework that assist in the planning and evaluation of information literacy programs. 相似文献
132.
The annotation of texts in the school English classroom is central to the curriculum, examination and the history of English as a school subject. In this paper we explore ‘the way it is done’ across two different classrooms. We focus on the relationship between official definitions of annotation offered by national policies and examination syllabuses and its actualization in particular classrooms. The article takes a multimodal approach: attending to all modes of representation and communication in the teaching of English including image, gesture, gaze and the spatial organization of the classroom. 相似文献
133.
Beyond advocacy: Developing an evidence base for regional creative industry strategies 总被引:1,自引:0,他引:1
Dr Calvin Taylor 《Cultural Trends》2006,15(1):3-18
This paper examines several aspects of the developing evidence base for regional creative industry policy making in England and argues that the focus of the current research base is disproportionately determined by the demand for evidence for advocacy purposes. It offers an evaluation that challenges the basis on which some of the central sector advocacy claims have been made and argues that unless the evidence base is allowed to develop beyond advocacy, then the claims for evidence-based policy will be seriously compromised. 相似文献
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梅花拳"文场与武场"考辨 总被引:1,自引:0,他引:1
通过民族史学、体育史学、体育理论等学科原理,结合文献资料、综合分析法等,对梅花拳“文场与武场”的体育文化内容、体育文化特征及两者辩证关系进行系统研究。结果显示:梅花拳由文场与武场组成,文场敬祖师,研究拳理,有文化典藉世代相传。它集佛、道、儒三家学说和周易之理为一体,修心养性,炼神炼气,称为文功。武场主要进行武功锻炼,传授拳理等。以“练形以合外,练气以实内,由外及内,再由内而达外,内外一体。精气神合一,自成金刚不坏之体”为练武目的,最后上升到文功。文场是该拳派的领导核心,文场领导武场,文场是武场的高级阶段。 相似文献
136.
Dr Elizabeth B. Silva 《Cultural Trends》2006,15(2-3):141-158
Visual art is one of the fields where, according to Bourdieu, culture is used to reproduce the class structure. Like other items in the cultural repertoire, paintings, as major examples of visual art, imply social divisions in how they are engaged with by artists, critics and audiences. Within the Bourdieusian framework, cultural engagements with paintings are interpreted as indicators of social position, since appreciation depends on a trained capacity in the family and the educational system, which is often inaccessible to less powerful sections of the population. This would imply that the sorts of paintings favoured by working-class people differ from those preferred by the middle or upper classes. More recent studies have contested the view that a gulf exists between the art tastes of different classes in ways that reproduce the class structure. The argument of the omnivore thesis that distinctions between more popular and legitimate tastes have become blurred has predominantly been based on empirical references in the field of music. This article explores this thesis on the basis of data about visual arts in the Cultural Capital and Social Exclusion project. While some differences continue to be connected to social divisions of income, education and occupational groups, important similarities are found across the board, and certain significant differences appear to relate to factors other than social class, such as ethnicity, age and gender. It is also significant that some people appear disconnected from and disinterested in paintings. 相似文献
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Dr Tony Fetherston 《Research in Science Education》1994,24(1):370-370
This paper proposes that Kelly's Personal Construct Psychology deserves examination as a constructivist basis for science
teaching and learning. It argues that because of the explicit nature of the psychology, the clear definition of learning and
meaning and the integration of affective, psychomotor and cognitive dimensions of learning, the psychology has much to offer
science education. 相似文献