Family‐centered positive psychology: Focusing on strengths to build student success

Family‐centered positive psychology (FCPP) is defined as a framework for working with children and families that promotes strengths and capacity building within individuals and systems, rather than one focusing solely on the resolution of problems or remediation of deficiencies. This approach to family‐based services is predicated on the belief that child and family outcomes will be enhanced if members participate in identifying needs, establishing social supports and partnerships, and acquiring new skills and competencies, rather than simply receiving services from professionals. In this article, we present a rationale for FCPP, outline its primary principles, highlight one model for working with families that exemplifies FCPP practice, and illustrate its use through an authentic data‐based case study. © 2004 Wiley Periodicals, Inc. Psychol Schs 41: 7–17, 2004.     

Letting girls speak out about science

The purpose of this study was to try to determine what influences girls to choose science. Forty girls were interviewed in Grades 2, 5, 8, 11 using a semistructured protocol. The interview focused on feelings about science, science careers, peer and parental support, and how science is taught. To determine whether their responses were based on gender, each girl was asked to respond to questions as if she were a boy. The girls were highly self-confident and positive about science. All of the girls took a strong equity position and asserted that women can and should do science. The girls liked learning science in an interactive social context rather than participating in activities that isolated them such as independent reading, writing, or note taking. Those who chose science careers were drawn to them because of strong affective experiences with a loved one and a desire to help. The interviews were analyzed through the framework of women's affective and psychological needs.     

Exploring the music: a teaching-learning sequence about sound in authentic settings

Background: Research regarding students’ ideas about the nature of sound reveals a variety of conceptions about sound. In order to reconstruct these ideas and explain sound phenomena, researchers’ teaching interventions often make use of everyday-life contexts. However existing research on sound only partially addresses the correlation between the properties of sound and its perceptive characteristics.

Purpose: To identify the evolution of students’ conceptions regarding the nature of sound and its properties (frequency, intensity and frequency spectrum) through a teaching-learning sequence (TLS) about sound phenomena in an authentic musical context. The described TLS consists of three activities aiming students to correlate the properties of sound waves (frequency, intensity and frequency spectrum) with its perceptive characteristics (pitch, loudness and timbre) via the use of smartphone applications.

Sample: Eight students, in the second year of their studies in the Department of Primary Education of the XXX University.

Design and methods: Students’ perspectives on sound and their progression are investigated through a teaching experiment design. Data are collected by recording students’ interviews. Due to the explorative nature of the research qualitative methods of content analysis are used.

Results: The results show that the students’ perspectives on sound evolved, as students managed to consolidate links between their everyday experience of sounds and the underlying science concepts as frequency, intensity and frequency spectrum. The authentic environment and the use of the smartphone’s applications were key factors for the success of the teaching experiment. The interaction with the activities shifted student’s conceptualizations closer to the scientific ones, by communicating every day sound experiences with their scientific interpretation.     

Using the Objective Borderline Method (OBM) to support Board of Examiners’ decisions in a medical programme

Decisions about progress through an academic programme are made by Boards of Examiners, on the basis of students’ course assessments. For most students such pass/fail grading decisions are straightforward. However, for those students whose results are borderline (either at a pass/fail boundary or boundaries between grades) the exercise of some discretion by university staff is required. In the interests of the transparency of the exercise of this discretion and to increase the chances that the ‘right’ decision is made, we tested the validity of the second version of the Objective Borderline Method (OBM2) decision-making tool in a medical programme. Our results suggest that application of OBM2 provides valid data to help university staff make robust decisions about a student’s progression through a programme, and with which to defend these decisions if that should be required.     

Masculinity and femininity in twin children: genetic and environmental factors

Genetic and environmental origins of individual differences in masculine and feminine personality attributes were investigated in a sample of 38 monozygotic and 32 dizygotic twin pairs (total N = 140) during pre- and early adolescence. Self-report measures of both masculine and feminine characteristics were obtained for each child using 2 standardized instruments: the Children's Personality Attributes Questionnaire (CPAQ) and the Adolescent Self-Perception Inventory (ASPI). Multivariate biometrical analyses revealed significant genetic influences in all measures, accounting for 20%-48% of the observed variation in each. Environmental influences, which explained the remaining 52%-80% of variance in masculinity and femininity, were apparently specific to each individual and not shared by members of the same twin pair. The results underscore the importance of considering both genetic and environmental factors in gender-role development, particularly in studies of family resemblance.     

The Role of Artists in Sites for Learning

Socially engaged, participatory and educational arts activities have been recognised by artists as a legitimate area of creative practice for a considerable time. Current policy initiatives around social inclusion and life long learning demonstrate that this government has a keen interest in the transformative nature of creativity and participation in arts activity. This paper explores the significance of the, Arts Council's Artists in Sites for Learning Scheme and a related piece of research within the context of recent cultural agendas and governmental policy initiatives. The research examined the ‘forms of engagement’ that occur between artists, participants and others and concludes that the role the artist inhabits within this form of creative practice is multifaceted and highly sophisticated. This paper also raises key issues concerning the ‘value’ and critical assessment of this form of practice and the need for appropriate support for (and evaluation of) it in the future.