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121.
With the recent mass shift to an online environment in the university context and increases in course sizes, the need for online learning management system (LMS) content from departments, libraries, and writing services is at an all-time high. In particular, integrated course content is needed that addresses academic integrity and information literacy skills holistically.To ensure that a large number of first-year students would become aware of the resources and services available to them for research, writing, and academic integrity, a partnership between librarians, faculty, and writing support services has produced a series of scaffolded online learning opportunities for first-year undergraduate Chemistry students in their course LMS. The topics collaboratively identified to support students include: academic honesty and integrity, scientific writing, peer review, finding sources, reading academic chemistry articles, and citing using the American Chemical Society citation style.This column will describe and analyze the program development and implementation, make connections to resource development and promotion, and conclude with the limitations and next steps for growth. The developed materials have evolved over the years, and it is hoped that by sharing our experiences, others can see opportunities for online course content development through academic library partnerships.  相似文献   
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The disciplines of art and experimental psychology share a number of interesting areas of overlap which are unknown and/or unconsidered by many. This purpose of this article is to elucidate topics that are of interest to both artists and psychologists in an attempt to encourage interdisciplinary collaborations. It is only on rare occasions that artists and psychologists engage in collaborative research efforts, however; here I discuss a number of topics in psychology (e.g. attention, expertise, object perception and mental representations) that would be of interest to both disciplines. The concepts that are often taught in the art studio can provide unique insight into perceptual processes that play a role in the creation and evaluation of art. However, collaborative research efforts are necessary better to understand these perceptual processes. Thus, the product of collaborative research in such areas can inform art education and psychology to mutual benefit. This article discusses topics of interest for art and psychology and poses possible research questions that can be investigated via artist–psychologist collaborations.  相似文献   
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The School of Health and Related Research (ScHARR) at The University of Sheffield run an innovative series of informal 20‐minute Bite Size sessions to help staff and students teach, research, collaborate and communicate more effectively. The sessions have two clear strands: one focused on teaching and the other on research. The remit is not to teach people how to use something in their work or study, but to let them know why they should use it and how they can employ it. By introducing participants to the possibilities and how they can apply ideas and technologies in their work and study in an enthusiastic manner, it is possible to send them away with at least the intention to explore and experiment. The evidence shows that this organic approach is working – staff and students are starting to use many of the tools that Bite Size has covered. Any kind of widespread change within organisations can be hard to deliver, but by bringing champions on your side and delivering sessions in a convenient, informal and timely manner; good practice and ideas can spread naturally. H.S.  相似文献   
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We tested the hypothesis that highly structured course designs, which implement reading quizzes and/or extensive in-class active-learning activities and weekly practice exams, can lower failure rates in an introductory biology course for majors, compared with low-structure course designs that are based on lecturing and a few high-risk assessments. We controlled for 1) instructor effects by analyzing data from quarters when the same instructor taught the course, 2) exam equivalence with new assessments called the Weighted Bloom's Index and Predicted Exam Score, and 3) student equivalence using a regression-based Predicted Grade. We also tested the hypothesis that points from reading quizzes, clicker questions, and other "practice" assessments in highly structured courses inflate grades and confound comparisons with low-structure course designs. We found no evidence that points from active-learning exercises inflate grades or reduce the impact of exams on final grades. When we controlled for variation in student ability, failure rates were lower in a moderately structured course design and were dramatically lower in a highly structured course design. This result supports the hypothesis that active-learning exercises can make students more skilled learners and help bridge the gap between poorly prepared students and their better-prepared peers.  相似文献   
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Conclusion The number of errors in the recognition of unfamiliar phonemic contrasts increases with high or low frequency limitation. This increase in errors is not the same for all phonemic contrasts, but the contrasts are affected in the same manner by either limitation. Consonants are affected more, and German shows a much clearer picture than does French. Rank ordering contrasts according to numbers of errors give support to a concept of“order of difficulty” of recognition of foreign phonemic contrasts.  相似文献   
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颜习斋,名元,中国17世纪的哲学家.他对中国汉朝以后的学术进行了批评,通过<存学编>,提出了自己的哲学思想和教育主张.  相似文献   
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