全文获取类型
收费全文 | 118篇 |
免费 | 6篇 |
专业分类
教育 | 106篇 |
科学研究 | 1篇 |
各国文化 | 1篇 |
体育 | 9篇 |
文化理论 | 2篇 |
信息传播 | 5篇 |
出版年
2023年 | 1篇 |
2022年 | 3篇 |
2021年 | 1篇 |
2020年 | 1篇 |
2019年 | 7篇 |
2018年 | 14篇 |
2017年 | 8篇 |
2016年 | 9篇 |
2015年 | 3篇 |
2014年 | 1篇 |
2013年 | 17篇 |
2012年 | 9篇 |
2011年 | 3篇 |
2010年 | 5篇 |
2009年 | 7篇 |
2008年 | 6篇 |
2007年 | 4篇 |
2006年 | 4篇 |
2005年 | 4篇 |
2004年 | 2篇 |
2003年 | 2篇 |
2002年 | 3篇 |
2001年 | 1篇 |
2000年 | 3篇 |
1999年 | 1篇 |
1996年 | 1篇 |
1995年 | 1篇 |
1993年 | 1篇 |
1991年 | 1篇 |
1990年 | 1篇 |
排序方式: 共有124条查询结果,搜索用时 15 毫秒
121.
The recent passing of legislation decriminalizing medically assisted suicide was a landmark in Canadian history. Since the law’s passage, an average of four Canadians per day have chosen to die using medical assistance. With Canadians embracing this option of death, we argue that there will be moments in Canadian schools when this topic will be brought into the classrooms. In this paper, we outline how children view death both emotionally and conceptually, as well as how teachers can discuss death in their classrooms. The purpose is to provide a brief explanation of the law, an expiation of how children view death, and a framework for how teachers may be prepared to broach the topic when raised in their classrooms. 相似文献
122.
Creativity in education 总被引:1,自引:0,他引:1
Gabrielle Cliff Hodges 《English in Education》2005,39(3):47-61
Currently considerable interest is being shown in creativity by the government and bodies such as QCA and Ofsted. A ‘creativity agenda’ has emerged with important implications for teaching and learning in schools. Drawing on research literature, as well as work completed by Secondary PGCE English and Drama trainees, this paper aims to provoke discussion about how creativity in education is defined and the impact of more explicit understandings of creativity in classrooms. 相似文献
123.
Gabrielle Basso Ricci 《Changing English: An International Journal of English Teaching》2018,25(3):275-280
Using autobiographical experiences as a framework for inquiry, this article sets out to question the often unexamined assumptions that surround the definition of ‘proficiency’ in second/foreign languages. In so doing, it opens up possibilities of inquiry into the power-laden relationships between speaker agency, cultural belonging and self-expression that are equally relevant to intra-linguistic contexts. Recasting our linguistic identities as performative acts that respond to a number of personal and social agendas, the article concludes by considering some general implications of speaker agency and the emotional stakes inherent in language use for the teacher of English in the multilingual classroom. 相似文献
124.
Baptiste Barbot Mei Tan Judi Randi Gabrielle Santa-Donato Elena L. Grigorenko 《Thinking Skills and Creativity》2012,7(3):209-223
The aim of this work was to gather different perspectives on the “key ingredients” involved in creative writing by children – from experts of diverse disciplines, including teachers, linguists, psychologists, writers and art educators. Ultimately, we sought in the experts’ convergence or divergence insights on the relative importance of the relevant factors that may aid writing instruction, particularly for young children. We present a study using an expert knowledge elicitation method in which representatives from five domains of expertise pertaining to writing rated 28 factors (i.e., individual skills and attributes) covering six areas (general knowledge and cognition, creative cognition, conation, executive functioning, linguistic and psychomotor skills), according to their importance for creative writing. A Many-Facets Rasch Measurement (MFRM) model permitted us to quantify the relative importance of these writing factors across domain-specific expertise, while controlling for expert severity and other systematic evaluation biases. The identified similarities and domain-specific differences in the expert views offer a new basis for understanding the conceptual gaps between the scientific literature on creative writing, the writer's self-reflection on the act of writing creatively, and educators’ practices in teaching creative writing. Bridging such diverse approaches–that are, yet, relatively homogeneous within areas of expertise – appears to be useful in view of formulating process-oriented writing pedagogy that may, above all, better target the skills needed to improve children's creative writing development. 相似文献