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PROSPECTS - The Covid-19 pandemic has transformed the higher education systems in ways that make visible problems that already existed but that previously were not fully noticed. The pandemic can... 相似文献
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Gilda C. Parrella 《Quarterly Journal of Speech》2013,99(2):204-205
Frederick Wiseman's film Primate is a rhetorical documentary about the implications of human curiosity in an institutional setting—a primate research center. Wiseman uses comparison, sequence, and sound‐image relations to employ and transcend filmic and rhetorical genres, enabling him to engage the viewer in a reflective exploration of human being. Primate demonstrates how facts can be recontextualized into complex meanings, and how audiences can be actively involved in the process of constructing meanings. 相似文献
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Heidi Keller Kim Bard Gilda Morelli Nandita Chaudhary Marga Vicedo Mariano Rosabal‐Coto Gabriel Scheidecker Marjorie Murray Alma Gottlieb 《Child development》2018,89(5):1921-1928
This article considers claims of Mesman et al. (2017) that sensitive responsiveness as defined by Ainsworth, while not uniformly expressed across cultural contexts, is universal. Evidence presented demonstrates that none of the components of sensitive responsiveness (i.e., which partner takes the lead, whose point of view is primary, and the turn‐taking structure of interactions) or warmth are universal. Mesman and colleagues’ proposal that sensitive responsiveness is “providing for infant needs” is critiqued. Constructs concerning caregiver quality must be embedded within a nexus of cultural logic, including caregiving practices, based on ecologically valid childrearing values and beliefs. Sensitive responsiveness, as defined by Mesman and attachment theorists, is not universal. Attachment theory and cultural or cross‐cultural psychology are not built on common ground. 相似文献