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George Newnes became one of the most influential popular publishers of the age of New Journalism, and was probably Britian’s first media magnate. He published a vast number and variety of journals in the period from 1881 until his death in 1910, editing some of these, but leaving an impression upon all of them. Newnes’s periodicals included Tit-Bits (1881), Strand Magazine (1891), The Million (1892), Westminster Gazette (1893), Country Life (1897), The Ladies Field (1898), Wide World Magazine (1898), The Captain (1899), and C.B. Fry’s Magazine (1904). Newnes was an innovator, and a publishing entrepreneur. This paper will focus on the entrepreneurial aspects of Newnes’s publishing ventures and the novel technological and promotional techniques pioneered by him. The analysis will focus upon such techniques as promotional schenesm advertising, production and illustration, the employment and promotion of popular authors, editors and illustrators, publicity, market segmentation, and financing. The concluding section consists of an investigation into some of the rhetoric that has been applied to Newnes’s publishing career, and the way in which, as publishing entrepreneur and media magnate, Newnes’s successes have been cast within a continuing debate over popular literature, New Journalism and the commercialization of the popular press in the late-nineteenth and early twentieth centuries. Kate Jackson is currently completing a Ph.D. in History on “George Newnes, New Journalism and the Reading Publics, 1881–1910.”  相似文献   
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Restructuring of the labour market has led to changing demand for skills and concern about potential mismatch between needs of employers and competences developed in higher education courses. This paper extends analysis of the Great Expectations survey of UK final-year undergraduates in 1996 to explore the development of skills and competences in different disciplinary areas and the anticipated career trajectories of students. A detailed assessment is undertaken of the extent to which respondents appear prepared, both in terms of the employment-related skills they consider they have developed as undergraduates and in their expectations, for the changes which have taken place in the labour market in the latter part of the twentieth century. While findings from transitional early careers need to be interpreted cautiously, it does appear that expectations varied less than emerging outcomes for this cohort in the vanguard of mass higher education. Subject and gender differences in expectations and outcomes were significant and 'non-traditional' graduates were more likely than others to report that they were experiencing difficulties in the transition from education to employment. The graduates themselves had a flexible approach to the labour market but it seems that employers may have more inflexible recruitment graduate practices. Further research is required but there is clearly a danger that wider access may not lead to correspondingly wider career opportunities.  相似文献   
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The ability to derive the meanings of words from supportive story contexts was studied in 45 7‐ to 8‐year‐olds. Children read short stories each containing a different novel word and defined the word at the end of each story. There were three intervention sessions. One group was asked to justify their definition and subsequently received feedback on its accuracy. A second group was given feedback first and asked to explain how the experimenter knew the correct answer. A third (control) received feedback only. In general, practice led to improved performance, with an increased number of children in all groups using the story context to derive meanings for the novel words in a post‐intervention test. Children in the two explanation groups made the greatest gains in definition accuracy. The implications for teaching vocabulary learning skills are discussed.  相似文献   
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This article explores the impact on learning of digital technologies and media practices across the secondary curriculum, with a particular emphasis on non-linear video editing in a specialist media technology school. It observes the making of a trailer for Psycho by a group of Year 11 girls, asking how the advent of this very new technology enables new kinds of reading of visual texts, as well as new kinds of textual production dependent upon new IT-based literacies. It suggests that we need to find an adequate language of the visual, and to understand how this relates to other ‘grammars’ and semiotic systems; to understand how these competencies are rooted in wide-ranging cultural allegiances and pleasures, embracing popular as well as ‘classic’ texts; and to understand the classroom as a site both of encounter with popular culture, and of increasingly professional audiovisual production.  相似文献   
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