Validating Automated Measures of Text Complexity

Automated text complexity measurement tools (also called readability metrics) have been proposed as a way to help teachers, textbook publishers, and assessment developers select texts that are closely aligned with the new, more demanding text complexity expectations specified in the Common Core State Standards. This article examines a critical element of the validity arguments presented in support of proposed metrics: the claim that criterion text complexity scores developed from students’ responses to reading comprehension test items are reflective of the difficulties actually experienced by students while reading. Evidence that fails to support this assertion is examined, and implications relative to the goal of obtaining valid, unbiased evidence about the measurement properties of proposed readability metrics are discussed.     

Using Art Media During Prewriting: Helping Students with Dysgraphia Manage Idea Generation Before Encoding Text

Many students struggle with writing skills. This study focuses on three students (second and fourth grades) who were classified with a learning disability by their school. These children had writing goals and objectives (i.e., characteristics of having dysgraphia) included in their Individual Education Plan. In a single case design format, each student was taught the Ask, Reflect, Text (ART) mnemonic strategy to help improve story content and quality. The components of ART include students Ask themselves a series of seven questions; the students then Reflect on their answers and illustrate their story-content responses with art media (e.g., paints, colored markers, play dough); and from this prewrite illustration, students generate their Text. All participants improved greatly in story content. They also improved in story quality but to a lesser extent.     

Writing for Social Scientists: How to Start and Finish Tour Thesis,Book, or Article.

Underlined by the belief that teachers' critical awareness of their actions is a vital issue in education, this study examines the insights that evolved from a long-term collaboration among seven doctoral students. To prepare for our comprehensive examinations, we collaborated as a study group for one and one-half years. Adopting the dual roles of listener-researcher and narrator-participant, we engaged in dialogue and narrative to convey to each other the meaning of our collaborative experiences. From grounded theory analysis, four elements of collaboration emerged: logistics, social dynamics, empowerment, and change. In order to convey the meaning of our experiences, we create a multiplicity of meanings based on our diverse and lived personal narratives. Finally, our collaborative process challenges academic administrations to examine how well their current policies encourage personal autonomy and cooperative learning approaches for students involved in preparing for their comprehensive examinations.     

TEACHING GERONTOLOGY VIA DISTANCE EDUCATION: VARIETY IS THE KEY TO SUCCESS

Teaching gerontology via distance education is growing in popularity. Yet, many challenges are encountered by those teaching gerontology at a distance; some technological and others pedagogical in nature. Successful strategies for structuring and teaching televised gerontology courses are presented in this paper. Strategies focus on types of teacher preparation, use of pedagogical tools, development and maintenance of rapport with students at remote sites, and ways to improve teaching of distance education classes in gerontology. It is argued that workload and compensation for instructors teaching distance education need to be addressed by administration in order to develop high quality distance education programs.     

Student teacher portfolios: A portrait of the beginning teacher

Abstract

This article describes a student teacher portfolio for use as an interviewing tool. A review of the research on hiring practices indicated that prospective employers reviewed the following competencies of teacher candidates: planning skills, classroom management philosophy, reflective abilities, knowledge of appropriate assessment methods, and the initiative to do more than is expected. Therefore, the recommended sections of the student teacher portfolio are Self‐Assessment; Philosophy of Classroom Management; Planning, Implementation, and Assessment Skills; and Special Projects and Activities. Because prospective employers indicated that they would devote limited time to reading a portfolio, student teachers are instructed to make all sections only six to eight pages long. Professionally arranged appendixes can then be used to provide the employer with specific evidence for claims made in the main body of the portfolio.     

Techniques used in high-scoring and low-scoring 'Roche' vaults performed by elite male gymnasts

The 16 highest-scored Roche vaults (G1) performed during the 2000 Olympic Games were compared with those receiving the 16 lowest-scores (G2). A 16-mm motion picture camera operating at 100 Hz recorded the vaults during the competition. The results of t tests (p < .05) indicated G1, compared to G2, had (a) shorter time of board support, greater normalised average upward vertical force and backward horizontal force exerted by the board, greater change in the vertical velocity while on the board, and greater vertical velocity at board take-off, (b) comparable linear and angular motions in pre-flight, (c) smaller backward horizontal impulse exerted by the horse, smaller loss of the horizontal velocity while on the horse, and greater horizontal and vertical velocities at horse take-off, (d) greater height and larger horizontal distance of post-flight, (e) higher body mass centre at knee release, and (f) higher mass centre, greater normalised moment of inertia, and smaller vertical velocity at mat touchdown. Therefore, gymnasts and coaches should focus on sprinting the approach; blocking and pushing-off the take-off board rapidly and vigorously; departing the board with a large vertical velocity; exerting large downward vertical force and small forward horizontal force from the hand-stand position while on the horse; departing the horse with large horizontal and vertical velocities; and completing the majority of the double salto forward near the peak of trajectory and releasing the knees above the top of the horse to prepare for a controlled landing.