Tools and Principles for Effective Online Library Instruction: Andragogy and Undergraduates

The library literature evaluating the efficacy of online tutorial methods and delivery tools is a valuable resource for librarians looking for information to inform their choices for developing asynchronous online instruction. This literature, however, examines a wide variety of delivery tools, methods, and student populations. As a result, it is difficult to draw definitive conclusions about any one tutorial tool or method. This article compares selected research and concludes that the consensus in the literature suggests that applying adult learning principles to library tutorials has a larger impact on effective online instruction than the individual tool.     

“I thought I’d have more trouble with white people!”: Exploring racial microaggressions between West African immigrants and African Americans

Racial tensions continue in 21st-century United States through the communication of racial microaggressions. We are interested in the communication of racial microaggressions directed towards West African immigrants by people with whom they expected to be allied, African Americans. Sixteen people who identified as West African immigrants were interviewed about communication struggles with African Americans in this qualitative, interpretive analysis. Owen’s thematic analysis was employed to analyze interview data. Results suggest the communicative impact of racial microaggressions on recipients is far-reaching and consequential. Narratives illustrate microaggressive communication occurs daily through invalidating, dismissive lines of questioning as well as targeted name calling and pejorative dialogue.     

基于双曲等效的双星滑动聚束SAR两步成像算法

双星滑动聚束模式合成孔径雷达(SAR)既保持了双星SAR的灵活性、可靠性和稳定性,同时还可产生高分辨率的图像对,对于观测和测绘具有巨大的潜力.这种模式下需要兼顾双星成像与多普勒带宽显著增加的问题.分析双星滑动聚束SAR系统下目标的多普勒特性,结合双星成像算法与频谱分析法,提出一种基于双曲等效的双星滑动聚束SAR 2步成...     

理学人格对宋代山水画审美理想的影响

宋代理学家们所倡导的理想人格不仅仅是社会伦理的内涵,它包含着宋人对人生形而上的思考。虽然山水画学中的“理”和理学的“理”含义不完全相同,但它无疑是理学这个时代强音中的一个音符。画家笔下的层峦叠嶂、烟柳渔浦、寒林远水表达的是创作主体对世界与人生的思考,以有形之象呈现内在之理,画家在“理趣”的玩味中得到性情的陶染和灵魂的提升。宋代山水精、妙、神、逸诸品众多当与其兼备理、气、趣有着直接关系。而理、气、趣又来自创作主体所受到的理学人格的薰陶。宋代山水画取得的辉煌成就,不能无视宋代理学的积极影响。