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911.
Mary B. McPherson Patricia Kearney Timothy G. Plax 《Journal of Applied Communication Research》2013,41(1):76-90
Based on norm violation theory, we examined students' reactions to teachers' normative and nonnormative expressions of anger. College students ( N = 301 ) judged the appropriateness and intensity of teachers' anger in the classroom for four modes of expression: Distributive Aggression, Passive Aggression, Integrative Assertion, and Nonassertive Denial. Students rated both types of aggressive expressions as highly intense and inappropriate (or nonnormative), but assertive displays as appropriate and less intense. Additionally, aggressive expressions were negatively related to students' affect, whereas assertive expressions were positively related to affect. Findings extend norm violation theory by identifying how teacher anger should be expressed and when during the semester anger is more likely to be perceived as inappropriate. Moreover, this study illustrates how normative violations of anger are associated with negative evaluations of the teacher and course. 相似文献
912.
Jaehee Cho Dina Inman Ramgolam Kimberly Mary Schaefer Anu Nadina Sandlin 《Journal of Applied Communication Research》2013,41(1):38-54
This study investigates the relationship between communication overload and uses of diverse communication channels in terms of their level of synchronicity. Emphasis on the synchronicity of any given channel reveals how temporal elements (i.e., rate and processing time) play an important role in perceptions of communication load. Additionally, this study examines the association between communication overload, organizational identification and job satisfaction. Findings reveal: (a) both high and low synchronous channels are associated with increased reports of communication overload; (b) a mediating effect of organizational identification on the relationship between communication overload and job satisfaction; and (c) a moderating effect of communication overload on the relationship between low synchronous channels and organizational identification. 相似文献
913.
Ken Marsh Richard H. Davis Allen E. Edwards Irving W. Larson Kendall Webster Sessions Mary Louise Hollowell 《Communication Booknotes Quarterly》2013,44(11):130-133
Ken Marsh's Independent Video (San Francisco: Straight Arrow Books, 1974—$7.95, paper) Richard H. Davis and Allen E. Edwards' Television: A Therapeutic Tool for the Aged (Publication and Media Projects, Andrus Gerontology Center, University Park, Los Angeles, Calif. 90007—$2.25, paper) Irving W. Larson (ed.) EIA Electronics Multimedia Handbook (Indianapolis: Howard W. Sams, 1975—price not known, paper) Kendall Webster Sessions' 2nd Class FCC Encyclopedia (Blue Ridge Summit, Pa.: TAB Books, 1975—$10.95/7.95) Mary Louise Hollowell (ed.) Cable Handbook: 1975-1976—A Guide to Cable and New Communications Technologies (Communications Press, 1346 Connecticutt Ave., N.W., Washington, D.C. 20036—$7.35, including postage, paper) Gilbert Gillespie's Public Access Cable Television in the United States and Canada (New York: Praeger Special Studies, 1975—price not given, but likely around $12.00 or so) 相似文献
914.
Dr. D.C. Pitt Kay Gill Susan E. Tufts Robert J. Huffman Mary Michelle Watkins Norman L. Rosenberg 《Communication Booknotes Quarterly》2013,44(3-4):37-38
GOVERNMENT AND INDUSTRY RELATIONS: KEY ISSUES IN THE US TELECOMMUNICATIONS INDUSTRY by Dr. D.C. Pitt (Economic and Social Research Council, 160 Great Portland St., London WIN 6BA—L3.50, paper) STATE GOVERNMENT RESEARCH DIRECTORY edited by Kay Gill and Susan E. Tufts (1987—price not given) GOVERNMENT RESEARCH DIRECTORY edited by Kay Gill and Susan E. Tufts (1987—$350) RESEARCH SERVICES DIRECTORY edited by Robert J. Huffman, and Mary Michelle Watkins (1987—$290) PROTECTING THE BEST MEN: AN INTERPRETIVE HISTORY OF THE LAW OF LIBEL by Norman L. Rosenberg (Chapel Hill: University of North Carolina Press, 1986—$29.95) MEDIA LAW by Ralph L. Holsinger (New York: Random House, 1987—price not given) COMMONSENSE COPYRIGHT: A GUIDE TO THE NEW TECHNOLOGIES by R. S. Talab (McFarland & Co., Box 611, Jefferson, NC 28640—$14.95, paper) 相似文献
915.
This article describes how the Manchester Metropolitan University Library delivers EndNote training to its academic staff and students through hands-on workshops and online tutorials. As the demand is user-led and the response extremely positive, the Library considers the provision of EndNote training as analogous to a ‘Trojan horse’ that allows the Library welcomed and unchallenged into the camp of the user. The Library has used the opportunity strategically and, consequently, has benefited in a number of ways, including improved communication with academic staff and increased awareness of library resources on the part of users. A short literature review is provided. 相似文献
916.
This report details the aims, methodology and selected findings of the Arts and Humanities Research Council (AHRC)-funded project ‘A History of Television for Women in Britain, 1947–1989’, running between 2010 and 2013 at the University of Warwick and De Montfort University. Here, we consider the difficulties of conducting historical television research and the ways in which we have tried to use a method which is attentive to production research, textual analysis and audience work in a dialogic relationship. We discuss the work of Doreen Stephens, the BBC's first Editor, Women's Programmes, the ‘discovery’ of the daytime women's arts programme Wednesday Magazine and the ways in which the women who have participated in our study have described the significance of television for women in their lives. Finally, we discuss the ways in which the project has attempted to engage with constituencies outside the academy. 相似文献
917.
Mary Irwin 《Media History》2013,19(2):162-177
Wednesday Magazine (1958–1963) was an innovative BBC television afternoon arts and culture strand produced by the specialist BBC women's programme unit, which had been built up and nurtured by the first dedicated head of women's programmes Doreen Stephens, who was appointed in 1953. Stephens was responsible for the development of a diverse and extensive range of women's programming; highly ambitious in the offering that it presented to its female viewers. This article will examine the series Wednesday Magazine exploring the wealth of arts and culture items broadcast, whilst considering the programme's significance in critical histories of both women's programming and arts television. The article will also make an intervention into historical debates around what constituted women's television in Britain. 相似文献
918.
Julia K. Woolley Anthony M. Limperos Mary Beth Oliver 《Mass Communication and Society》2013,16(5):631-652
Although Facebook is primarily known for building and maintaining relationships, the 2008 presidential election highlighted this social networking website as a viable tool for political communication. In fact, during primary season until Election Day in 2008, Facebook users created more than 1,000 Facebook group pages that focused on Barack Obama and John McCain. Using quantitative content analysis, the primary purpose of this study was to assess how both John McCain and Barack Obama were portrayed across these Facebook groups. Results indicated that group membership and activity levels were higher for Barack Obama than for John McCain. Overall, Barack Obama was portrayed more positively across Facebook groups than John McCain. In addition, profanity, racial, religious, and age-related language were also coded for and varied with regard to how each candidate was portrayed. Theoretical and practical implications are discussed. 相似文献
919.
Mary Douglas Vavrus 《Critical Studies in Media Communication》2013,30(3):352-375
This essay examines television news treatments of stay-at-home dads (Mr. Moms)during the late 1990s and argues that these news accounts represent a challenge to more traditional masculine identities depicted in media. While offering a nominal challenge, however, these representations reinscribe significant aspects of patriarchal privilege within domestic space. Through a combination of discursive strategies compatible with the commercial needs of contemporary media organizations, television news programs' Mr. Moms operate ideologically to legitimate domesticity and nurturance as appropriately masculine. In so doing, they challenge some traditional notions about men while further solidifying a connection between these men and heterosexuality in the context of mainstream television news representations of middle-class family life in the contemporary United States. This process of legitimating nurturance and domesticity also and concurrently reverses the genders long articulated to particular advertising target segments within the commodity broadcast audience. This representational process reifies and naturalizes the class specificity of these Mr. Moms while it fuels television's continual need to produce and satisfy new audience niches in order to survive and compete in the media environment of today. 相似文献
920.