Seeing History: Malaika Favorite's Furious Flower Poetry Quilt Painting and Pan‐African Memory

Malaika Favorite's Furious Flower Poetry Quilt (2004) is an acrylic painting that depicts 24 portraits of leading poets of the African Diaspora. Commissioned by Dr Joanne Gabbin, English professor and director of the Furious Flower Poetry Center at James Madison University, the painting is part of a larger programme of poetry education. The painting's interweaving of the portraits with fragments from the poets’ writing functions to create an interactive visual‐textual body of poets and poetry, a collection which has been taught at all levels of education from primary school to university. Its quilt structure pays homage to the historic role of women in preserving history and memory. The painting also serves to construct a pan‐African identity and collective memory about slavery, African American history and empowerment.     

Transport？ Transportation？——5个你不一定知道的英美英语区别

到英国和美国的异同时．长期居住在英国的爱尔兰作家王尔德（Oscar Wilde）曾经说过：“We have really everything in common with America nowadays, except, of course,the language.（现如今,我们实际上与美国的一切都是相同的,除了语言之外。）”也许,你知道许多英式英语与美式英语的区别．但下面这五组区别你却不一定知道;或许连很多母语是英语的人们也不曾注意到……     

Reading fluency: The whole is more than the parts

This study examined the relative contributions of phonological awareness, orthographic pattern recognition, and rapid letter naming to fluent word and connected-text reading within a dyslexic sample of 123 children in second and third grades. Participants were assessed on a variety of fluency measures and reading subskills. Correlations and hierarchical multiple regression analyses were carried out to explore these relationships. The results demonstrate that phonological awareness, rapid letter naming, and orthographic pattern recognition contribute to word-reading skills. Furthermore, rapid naming, orthographic pattern recognition, and word reading fluency moderately predict different dimensions of connected-text reading (i.e., rate, accuracy, and comprehension) whereas phonological awareness contributes only to the comprehension dimension of connected-text reading. The findings support the multidimensional nature of fluency in which the whole is more than its parts.