Playing on the Field of Social and Technical Innovation: The Impact of the Sale of Lawn Tennis Sets in the Netherlands, 1874–1887

In 1874, after tennis had been played indoors for centuries, British officer Walter Wingfield introduced an open-air version of the game, which he called sphairistike or lawn tennis. He developed a lawn-tennis box that was easy to carry and that contained all the necessary equipment for playing. Wingfield's concept was innovative, not only technologically in both game and design, but also socially. He made it clear, for instance, that lawn tennis was also intended for ladies and he fabricated lighter rackets for women. Little is known, however, about the introduction of lawn tennis in the Netherlands. Our study reveals that the strong sales and marketing concept of Wingfield – and his competitors – also facilitated a quick diffusion of the game in the Netherlands. The first places where lawn tennis was played were estates owned by nobility, seaside resorts such as Domburg and Noordwijk, attracting well-to-do ‘Brits’ for recreational purposes, and – interestingly – also farms. Soon, the first ‘one box clubs’ arose as precursors of the formally established clubs. For most upper-class players, tennis was a leisure-time activity, yet the organization of the first national tennis tournament in 1887 shows that some already had lucrative business models in mind.     

The Socratic Dialogue and teacher education

This article argues that the Socratic Dialogue in the Nelson and Heckmann tradition will prove a considerable contribution in training teachers. A review of the literature and empirical research supports the claim that the Socratic Dialogue promotes student teachers' interpersonal sensitivity while stimulating conceptual understanding. The article provides a new definition of the Socratic Dialogue and introduces the idea of common concept formation. A concrete Socratic Dialogue in the context of teacher education is discussed by way of illustration. Finally we suggest a manner of integrating Socratic Dialogue in teacher education and propose a line of further research.     

Editorial

Ohne Zusammenfassung     

Examining the effects of hegemonic depictions of female bodies on television: a call for theory and programmatic research * This article was accepted by the previous CSMC editor,Dr. James W. Chesebro

Although the media effects literature was precocious in its development, appearing almost as soon as the object of its study, researchers have focused on a relatively narrow array of effects. Examples include the effects of violent, pornographic, and sexual content in the media and minority stereotyping. This review demonstrates the need for researchers to construct stronger theories and conduct more programmatic research on another important, yet often ignored, media effect–the effect of ideal televised images on females' perceptions of, and satisfaction with, their own bodies. To accomplish its purposes, the paper begins with a review of the body image literature, including a discussion of current televised representations of female bodies and their effects on body satisfaction. Next, the paper argues that researchers should refer to two prominent media effects theories (cultivation theory and social cognitive theory) to better understand the process by which television influences body image. This latter review leads to ethical considerations and conclusions regarding probable effects of television on women's body satisfaction.     

Picturing ‘our’ heritage in the pedagogic text: layout and illustrations in an Australian and a Swedish history textbook

This paper is about re-representing the lifeworlds experienced by different participants in the 'same' physics classrooms; dissatisfied with the monolithic accounts that dominate the educational literature, we offer here an attempt to w/ri(gh)te classroom research. This paper, therefore, has a dual purpose: We exemplify how authors might want to represent different perspectives on the 'same' classroom and we build on this example to argue for w/ri(gh)ting research by drawing on literary forms that differ from traditional master narratives. W/ri(gh)ting requires reading in new ways; by skipping text, readers risk missing out on the reflexivity of our argument.     

Student teachers’ discipline strategies: relations with self-images,anticipated student responses and control orientation

Teacher discipline strategies are well documented when it comes to its effects on students and the working climate in the classroom. Although it is commonly acknowledged that for student teachers classroom management is a major concern, student teachers’ use of discipline strategies is largely unknown. In this paper, we examine student teachers’ beliefs in relation to their discipline strategies. Three clusters of discipline strategies are distinguished: sensitive, directive and aggressive discipline strategies. Beliefs that were taken into account are self-images on control and affiliation, control orientation and anticipated student responses on control and affiliation. All participants were student teachers of a one-year teacher education programme for secondary education in the Netherlands. Student questionnaires were used to measure discipline strategies (n?=?2506). Student teachers’ (n?=?104) self-images, control orientation and anticipated student responses were measured with student teacher questionnaires. Results of the multiple regression analyses showed that student teachers’ sensitive and directive discipline strategies are explained best by self-images on control; aggressive discipline strategies are explained best by self-images on affiliation and by control orientation. Apart from the possible academic interest in these particular findings, results are believed to be useful in a practical sense, in particular for teacher education programmes.     

An Audience for the Aliens

This account of the making and sharing of self-authored digital videos in a Year 5 classroom focuses on the way that the children appear to be influenced by their awareness of audience. Drawing on evidence of video observation, written and moving image texts produced by the children and semi-structured interviews with them, I examine the factors that appear to guide them in their creative endeavours. I consider the children’s motivations in relation to their social relationships and the cultural interests and aspirations reflected in the intertextual aspects of their work. A sense of the children’s awareness of themselves as collective and individual audiences emerges from an examination of the forms of expression that the children draw on. I argue that the children’s orientation towards this very particular and familiar audience has a significant and motivating influence on the way that they shape and create video texts and that this has implications for their learning.