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This paper reports the first systematic study of the dimensions of morphological changed microscopic collagen fibres in historical and new reference parchments with the aim to improve the knowledge on deterioration and the diagnosis of their damage in connection with conservation activities. The dimensions of fibres from the parchments were measured before and during shrinkage, with special emphasis on fibres with degradation characteristics designated as “pearls on a string” and “butterflies”. In addition, measurements of the total shrinkage of the length of fibres and pieces of parchment were also carried out. The observations support the assumption that in vivo transformation of the fibre structure by natural ageing is similar to that taking place when heating parchment and fibres in water. Based on statistical cluster analysis, four subpopulations of pearls representing different stages of deterioration are found. Moreover, the dimensional changes in the specific structures observed at room temperature can be related to specific temperatures in the interval of shrinkage suggesting that the hydrothermal stability of the fibres may be predicted on the basis of the ratio between length and width of the so-called pearls (Pl/Pw). The total shrinkage measured is drastic, in average around 56% for fibres and 43 to 48% for pieces of parchment depending on the direction of the skin. The total shrinkage of fibres corresponds to a mean change in the ratio Pl/Pw from around 10 to around 2.3. Finally, relations between the measured dimensions at the microscopic level with those of collagen at nanoscopic and molecular levels including known and potential chemical splitting points strongly indicate that the formation of the butterfly-like fragments formed by cleavage of two adjacent pearls in the fibre can be ascribed to chemical modification of specific tripeptides in the collagen molecule.  相似文献   
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This paper reports findings from a project implementing the VL (virtual labs) site featuring flash-based animations developed at Stanford University. The main conclusion in this paper stresses the need to design for flexibility and adaptability of interactive media to better suit the specific situation teachers encounter in their everyday work, in order to allow them to build their own audiovisual presentation kits based on various available resources. Ambitious but rigid visualization products might otherwise end up not being used at all.  相似文献   
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Chet Bowers’ contributions to education are numerous and provocatively persistent. Using the title Ecological Revelations: Recovering the Unseen to frame my examination, I explore four concepts central to Bowers’ work: oikos, intelligence, language, and cultural maps. First, I reflect on the ways in which Bowers’ conceptualization of the concepts created ecological meaning and discursive relevance in education over the course of his scholarship, which spanned more than four decades. I highlight how Bowers’ development of the ideas, each on their own and collectively as a coherent whole, not only challenged assumed cultural ways of being for educators, but importantly, provided an alternative theoretical framework to make new sense of how education (re)produces culture. I examine these concepts in relation to Bowers’ critique of STEM (science, technology, engineering, mathematics), the theoretical dilemmas they raise, and the ecological questions that emerge. Finally, I inquire into how the four featured ideas, STEM, and STEM education play out in the context of a community commons. Here, additional concepts such as collaboration, innovation, renewal, and relationality expand Bowers’ theory, which, in turn, not only give rise to ecological alternatives for STEM and STEM education but for the cultural commons as well.  相似文献   
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