《水绘仙侣》的理想性与中国新诗的文化身份

柏桦的长诗《水绘仙侣》通过明末遗民冒辟疆与名妓董小宛婚后在江南水绘园中闲雅、安详的家居生活的描写,旁涉文人雅集、宗教实践,乃至离乱、疾病与死亡,从而为读者呈现了一种理想的生活方式;同时,长诗也通过水绘园这一理想世界的构建,强调了中国文化传统中一种逸乐的文学观、价值观,表现出当代诗人在全球化视域下对于本民族文化的丰富理解,以及重构中国新诗文化身份的自觉努力。     

Toward Conceptual Clarity: A Scoping Review of Coteaching in Teacher Education

Abstract

While coteaching is not a novel or even new approach in P–12 classrooms, its application in teacher education contexts has become increasingly prevalent. Coteaching in teacher education has been touted for its potential to promote collaborative classroom practice, connect theory and praxis, counteract sociocultural disparities in classrooms, and improve outcomes for teacher candidates as well as P–12 students and inservice teachers. This article presents a scoping review of the 103 empirical studies focused on coteaching in teacher education to enhance conceptual clarity and heighten understandings of the nature and extent of such research. We map the methodological characteristics of these studies that serve to the breadth and depth to which coteaching in teacher education has been examined. Next, we describe the outcomes and phenomena explored by the 103 studies to reveal the intended results as well as points of tension for coteaching in teacher education. Finally, we couple an analysis of coteaching definitions within these studies with an analysis of the ways in which coteaching is implemented in teacher education. Notable findings of this scoping review include the extensive range of ways coteaching is implemented across the preservice teacher education curriculum, the variety of aims for coteaching in these contexts, and the need for continued grounding in frameworks to enhance understandings of coteaching practices and impacts for stakeholders including P–12 students, inservice teachers, teacher candidates, and university faculty.     

思想政治教育管理若干问题的思考

思想政治教育学作为一门独立的学科形成以来,思想政治教育管理问题就引起了广大思想政治教育者的高度重视,对其研究也逐渐形成体系,文章对其研究进行一定的梳理,在原有的基础上提出一些研究思路,以供参考。     

基于网络数据文本分析的目的地形象维度分异研究——以南京为例

随着Web2.0技术的发展,网络文本已成为目的地形象研究的重要数据来源。本文选取南京作为案例地,以马蜂窝游客对南京的10 077条在线评论文本为数据,运用网络大数据文本挖掘法、词频统计法和共现网络法,分析得出目的地形象维度重要性存在差异,旅游吸引物是第一层次,公共基础设施是第二层次,休闲和娱乐、旅游环境和地方氛围是第三层次,旅游基础设施是第四层次。其次,南京感知形象中突出的认知成分源于旅游吸引物和公共基础设施维度的感知,而情感形象为正面,并产生了一定的意动形象,形成了网络口碑效应。此外,南京整体形象主要源于旅游吸引物和公共基础设施维度的感知,进一步验证了感知维度的重要性存在差异。本文验证了旅游形象的相关理论,丰富了旅游大数据研究方法,并可为南京旅游形象建设和发展提供科学依据。     

Push-and-Run between Power,Participation and Performance: Political Playmaking and the Tactics of the Asian Football Confederation

In the wake of the nomination of Qatar as host country for the World Cup 2022 and the subsequent debate on ethical and organizational aspects of running world football, more public attention has been drawn to actors that play an important role in the politically, economically, and culturally globalized ‘game’ of football. Journalists, academics, and fans have therefore spotlighted the significance of sport governing bodies in the context of aspects relating to power, profit, participation, and performance. This article provides an insight into the significance of political issues in sport in general and particularly with regard to football in Asia and the role of the Asian Football Confederation (AFC). Referring to the political processes within the football system as well as the political relations between non-governmental, governmental, and business actors this analysis produces an account of the complexity of football politics. Under consideration of three theoretical perspectives – globalization, neo-institutionalism, and governance – the paper assesses the AFC as Glocal Player, Corporate Actor, and Skilful Negotiator.     

残障人体育与构建和谐社会的思考

残障人问题一直以来都是一个世界性的问题,对于我国在构建和谐社会的过程中必须要着力解决好这个问题.本文通过对残障人体育与构建和谐社会之间的论述,目的旨在阐明二者之间的相互关系,为残障人问题能够更好地解决提供参考和借鉴.     

Technological change and managerial challenges in the movie theater industry

The recent rise of digital technology in the delivery of entertainment casts doubt among industry stakeholders on whether movie theaters will continue to be the primary channel of the release of motion pictures. Despite the growth of competing outlets due to the spread of digitalization, we argue that the movie theater industry may benefit from digital technologies as well. Enhancing the cinemagoing experience, better matching of the cinemagoing experience to consumer preferences, and improving capacity utilization are crucial if movie theaters are to continue having a pivotal role in the distribution of filmed entertainment. In particular, our data analysis demonstrates that the use of new digital technologies and “big data” may be one way to turn the current threats into future opportunities for movie exhibitors. Therefore, managerial strategies that aim to raise the value proposition of theaters by enhancing the cinemagoing experience, and that boost adaptability to rapidly changing consumer preferences about how and when they view filmed entertainment, ought to be studied and implemented.