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In recent years, many U.S. states have introduced growth models as part of their educational accountability systems. Although the validity of growth‐based accountability models has been evaluated for the general population, the impact of those models for English language learner (ELL) students, a growing segment of the student population, has not received sufficient attention. We evaluated three commonly used growth models: value tables or transition matrices, projection models, and student growth percentiles (SGP). The value table model identified more ELL students as on track to proficiency, but with lower accuracy for ELL students. The projection and SGP models were more accurate overall, but classified the fewest ELL students as on track and were less likely to identify ELL students who would later be proficient. We found that each model had significant trade‐offs in terms of the decisions made for ELL students. These findings should be replicated in additional state contexts and considered in the development of future growth‐based accountability policies. 相似文献
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William Casement 《Curator: The Museum Journal》2015,58(3):335-350
Since the mid‐twentieth century, special exhibitions of art forgeries have appeared in many museums in the United States and Europe. These exhibitions have displayed artworks of many kinds, and have been structured around a variety of objectives and methodologies to engage the public. Fundamentally, they inform that public about an uncomfortable reality: that artistic deception is more common than they may think. The collective phenomenon of these forums displaying faux art has reached a point at which it is a topic worthy of study. This article draws upon representative examples of exhibitions of fake art to present an overview of their “what,” “why,” and “how” in light of commonalities and differences among them. It furthermore traces a loose historical pattern in these exhibitions that shows change over time as well as continuity. 相似文献
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EDITORS' PREFACE 总被引:1,自引:0,他引:1
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Attitudes and approaches toward the collection, use, and care of color photographs have evolved enormously since the official arrival of commercially viable color photographic processes in the early twentieth century. This article traces the evolution of collection, exhibition, and preservation practices for works of art in color photography over the last few decades, as represented by one institution, The Metropolitan Museum of Art. 相似文献
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Jon Bruschke Andrew Gonis III Sarah A. Hill Pam Fiber-Ostrow William Loges 《Communication monographs》2016,83(4):521-534
Prior research on pretrial publicity has produced mixed results and a roughly equal number of studies show an effect, show no effect, or show mixed results. We explored the effects of (a) homogenous vs. heterogeneous exposure (whether deliberating jurors were all exposed to the same publicity or not) and (b) pre-deliberation queries as potential contributors to mixed results. We found an effect for positive but not negative publicity on conviction rates but not evidence ratings. Exposure heterogeneity appears to explain these differences and pre-deliberation queries did appear to play some role in the obtained outcomes. Overall these findings do not replicate a robust publicity effect and future research should consider how homogeneous exposure and pre-deliberation opinion queries influence results. 相似文献
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