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William F. Roth 《Performance Improvement》2014,53(8):24-29
Evaluation and reward processes, more so than communication, access to information, problem solving, work design, and training shape an organization's culture and employee's attitudes. The three most popular evaluation systems—MBO, BARS, and the 360 degree—encourage competition and even conflict by emphasizing individual performance. This emphasis is made stronger when the bell‐shaped density curve is used to categorize employees so that the weakest can be terminated. The evaluation and reward process should, instead, encourage cooperation. 相似文献
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Kiowa Forty-Nine singing is a social activity in which important aspects of Kiowa culture are performed and revealed through traditional communicative activities. The purpose of this study was to examine forty-nining as it serves to reveal cultural patterns of interaction. Rooted in ethnomethodology, this field research combined personal interviews and content analysis. The data first provided a general characterization of forty-nining; subsequent analysis produced distinguishable, but interrelated, sets of rules which regulate the nature and structure of forty-nines. Patterns identified in the fortynines can be extended to other intratribal interaction, as well as to intercultural communication. Better conception of these interactive patterns may foster better understanding of Kiowa intercultural relations. 相似文献
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The present study investigated birthdate (known as the Relative Age Effect; RAE) and birthplace as determinants of expertise in an international sample of elite ice hockey players. The sample included 566 World Junior (WJR) ice hockey players from four countries (Canada, n = 153; USA, n = 136; Sweden, n = 140; Finland, n = 137). Participants competed in the International Ice Hockey Federation World U20 Championship between 2001 and 2009. A series of Poisson regression models were conducted to examine the consistency of direct then interactive relationships between both birthdate and birthplace and WJR membership across the four countries (Canada, USA, Sweden, and Finland). Findings revealed a consistent RAE across the four countries for World Junior participation from 2000 to 2009. WJR players from the four countries were also less likely to be from major cities. In addition, there was no evidence in any of the four countries of an interaction between RAE and birthplace. Future research should explore the contextual and cultural factors that influence elite athlete development in smaller towns, cities and communities. 相似文献
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William Marotti 《Inter-Asia Cultural Studies》2013,14(4):606-618
Abstract Around 1960, revolutionary forms of activism and critique emerged to challenge administrative forms of politics and daily life. In Japan, despite massive strikes and widespread protest, the ruling party used a Diet majority and riot police to renew the USA–Japan Security Treaty. After this display of force, this party’s new administration sought a new legitimacy, and a means to assuage and co‐opt the defeated opposition, through promoting a depoliticized everyday world of high growth and consumption, and a dehistoricized national image in preparation for the 1964 Tokyo Olympics. Among those activists who emerged to contest this new cultural politics, a diverse group of young artists worked to repoliticize daily life through an interventionist art practice. Their practices arose out of a particular local, playful art practice, whose focus on the material debris and spaces of the economic expansion led to an engagement with the transformations of daily life. Focusing on the art practices connected with the yearly exhibition, the Yomiuri Indépendant, I examine the advent of a critical art examining the everyday world of Japan in the late 1950s and early 1960s, reflecting on its complex relation with an internationalized art world and domestic art scene, mass culture, and domestic protest movements. Examining the history of this art illuminates the state’s investments in a normative cultural order, and a particular configuration of the politics of culture in the early 1960s. 相似文献