Classroom materials

Your Energy World Published by U.S. Department of Energy

Blue Wings Flying by Elizabeth DeHuff Pictures by Dorothea Sierra Addison‐Wesley Publishing Co. Readding, Mass. 01867

Early Childhood Filmstrips Series Part I: About Myself Myself and Other People — Alike and Different My Family and Other Families—Alike and Different Everyone Needs Many Things by Ruth Jaynes, Beatrice Woodbrldge & Nancy Curry Bowmar/Noble Publishers, Inc. 4563 Colorado Los Angeles, CA 90039

“Man and His Gods: An Inquiry Into The Nature of Religions” Published by The Center for Humanities, Inc. 2 Holland Ave. White Plains, NY 10603

Alcohol: Facts, Myths and Decisions Published by Science and Mankind, Inc. Communications Park, Box 200 White Plains, New York 10601     

#Handsupdontshoot: connective images and ethical witnessing

In the years since Michael Brown’s death, the hashtag #HandsUpDontShoot has been criticized for supposedly misrepresenting forensic evidence as framed by the Department of Justice. However, an expressive pull has kept alive both the hashtag and the sentiment behind it. The images of #HandsUpDontShoot are compelling in that they offer a glimpse into lived experiences that are often dismissed, ignored, or refuted. In this essay, I trace the aesthetic features of the #HandsUpDontShoot images, which foreground shocking juxtapositions between nonviolent protesters and militarized police forces, to the hashtag’s historical analogue: antilynching photography. Antilynching photography often utilized the aesthetic techniques of remediation, recontextualization, and juxtaposition—aesthetic features used prominently in today’s digital and remix cultures. By noting #HandsUpDontShoot’s use of these same techniques, I illuminate the ways in which Twitter’s connective affordances shape the viewer’s encounter with the images to engender ethical witnessing by affectively linking Brown’s death to shared material experiences of racial minorities. Such encounters propel witnesses beyond distanced objectification and toward an embodied reckoning of those experiences.     

Researching female professors: the difficulties of representation,positionality and power in feminist research

This article draws on findings from my doctoral research to exemplify some of the difficulties I encountered when interviewing 20 female professors¹1. In the UK context, the title of ‘professor’ is reserved for full professors only – that is, those with either an established or personal chair. and subsequently writing about their life histories. In this article, I discuss how I addressed the issues of representing and positioning my participants, and I reflect on the power dynamics present in the research process. The article contends that by drawing on Bourdieu and Wacquant's [An Invitation to Reflexive Sociology. Chicago, IL: University of Chicago Press] understanding of reflexivity and feminist interpretations of their work including McNay [“Gender, Habitus and the Field: Pierre Bourdieu and the Limits of Reflexivity.” Theory Culture Society 16: 95] and Adkins [“Reflexivity Freedom or Habit of Gender?” Theory Culture Society 20: 21], valuable research can be produced, despite the difficulties. A related aim of this paper is to reflect back after four years in an academic post on my position as a novice researcher, and some of the associated issues facing doctoral students, particularly the problems with researching upwards [Walford, G. 2011 Walford, G. 2011. “Researching the Powerful.” British Educational Research Association on-line resource. Accessed March 17, 2014. www.bera.ac.uk/system/files/Researching%20the%20Powerful.pdf [Google Scholar]. “Researching the Powerful. British Educational Research Association On-line Resource.” Accessed March 17, 2014. www.bera.ac.uk/system/files/Researching%20the%20Powerful.pdfWalford 2011].     

Students selling sex: marketisation,higher education and consumption

Robust academic research on the topic of students involved in the sex industry is in its infancy, yet the relationship appears consistent and permanent. This paper draws on findings from the largest study into the stripping industry in the United Kingdom to explore the relationships between students, sex work and consumption. To make sense of the relationship between students and participation in the sex industry, a deeper understanding of other social and cultural processes is needed. In this discussion we argue that the following points are relevant and interlinked: changes to the nature of sexual commerce and sexual consumption as they become part of the marketplace; changes in social attitudes and the rise of ‘respectability’ in sexual commerce; the ‘pleasure dynamic’ amongst students; and changes in the higher education structure that place students as consumers as well as financially fragile. We set out a future research agenda given that this relationship is set to grow as the individual bares the cost of higher education.