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61.
62.
文献传递服务模式的分析 总被引:8,自引:0,他引:8
本文从多个角度对文献传递服务的模式进行了相应地划分,并分析各种模式的利弊以及在我国的应用情况。 相似文献
63.
我国古代的“甲骨文”和古西亚的“粘板书”,是处于古代相近时期不同地域的两种文化记录方式。文章通过对两者在记录介质与加工过程、记录内容与传播功能、分类和编目方式、传承意识及管理手段等诸方面进行比较,详细分析了两者的异同点及各自特色,并初步探讨了其对图书馆成型及发展的影响。 相似文献
64.
“语言学及应用语言学学科知识门户站点”建设构想与技术实现* 总被引:5,自引:0,他引:5
学科门户站点作为一种延伸拓展学习与服务空间的形式,越来越受到用户和业界人士的关注。徐州师范大学图书馆面向重点学科,建立了“语言学与应用语言学”门户站点。本文从建设思路、内容框架结构、技术实现等方面做了剖析。 相似文献
65.
ABSTRACTLighting a cultural heritage artifact requires balancing visual perception with preventive conservation, by providing the best lighting (in terms of spectral distribution and quantity) to enable the viewer to appreciate details and color, while limiting photo-induced degradation. The paper outlines the methodology applied by a multi-disciplinary team while lighting the Shroud of Turin at its last public exhibition in 2015. The methodology considered the special requirements of the Shroud, including exposure to ultraviolet light, while providing appropriate display conditions that would meet audience expectations. The desired appearance (readability of the body image and color) was defined with the help of Shroud researchers and confirmed by subjective tests, while appropriate light levels for preservation were set in agreement with standard requirements and using knowledge of the degradation of linen in visible and UV light. The installation provided a controlled environment and a managed visitor route to the Shroud, assuring excellent perception of both details and color, with the lowest illuminance level about 15?lx. 相似文献
66.
A comparison of 1,096 professional journalists in China and the United States on attitudes toward attribution and plagiarism reveals Chinese journalists were more likely to see attribution as a practice to be embraced regardless of career longevity and culture, suggesting journalistic norms are more important than a collectivist orientation. Attribution was more likely to be embraced by those who see principles as more important than expediency, affirming research that plagiarism is hardly a monolithic concept. Overall, journalists in the two nations did not vary significantly in their attitudes toward plagiarism, despite vast differences in culture and politics as well as evidence that in some other fields China is more accepting of reusing material without attribution. The data show that among journalists, attitudes toward plagiarism are shared across national boundaries, reinforcing related research showing that a journalism culture exists and is shared at least in part across national boundaries. 相似文献
67.
68.
1单位换算及幂的运算单位换算,依据的是等量代换的思想。较大或较小的数常用科学计数法的形式表示,这需要熟练运用幂的运算。例152km=cm。常见的错误是:①52km=52×106km=…。②52km=52km×105cm=…。上面式子中,52km与52×105km和52km×105cm是不相等的。违反了等量代换的原则。在×105之后,单位不该是km,应该是cm。正确的过程是:因为1km=105cm,所以52km=52×1km=52×105cm=5.2×108cm。例26.4×105g=kg。常见的错误是:6.4×105g=640000×0.001kg=…由此可见,有的同学非常不习惯科学计数法的运用,很容易出现计算错误。其实掌握科学计数法的… 相似文献
69.
范锦飘 《桂林师范高等专科学校学报》2011,25(2):183-186
当下的教育惟分数论依然十分严重,对人的培养反而成了对学生的压制。为了改变这种现状,我们提出了栽培式教育的理念。栽培式教育的理论基础有人本主义、建构主义、多元智能理论和素质教育等。 相似文献
70.
Ju‐Joan Wong Po‐Yu Chen Chun‐Di Chen 《The International Journal of Art & Design Education》2016,35(1):140-153
Professional training for designers is crucial in the field of design studies. The characteristics of novices versus those of expert designers have been identified in the literature; however, studies exploring the issue of professional training processes in the actual workplace are not well developed. Our study addresses the topic by using qualitative research methods along with flexible design. Collected data from the interviewees with different work experience were analysed by open, axial and selective coding. Herein, we argue that the processes by which a designer transforms from a novice into an expert in the industry are constructed through the interaction of several complicated factors. The re‐learning inherent in design professions is implemented through knowledge transfer gained from participation in design projects, particularly regarding tacit knowledge. Also, the novice's process of learning and training yields the characteristics and skills that companies and firms require of designers; this process involves a series of disciplinary sub‐processes, from destructive to reconstructive, implemented by employers. In these sub‐processes, the subjectivity of designers is neglected, leading to the suppression of imaginative expression and feelings of alienation among these workers. 相似文献