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371.
Virginia Tompkins Tricia A. Zucker Laura M. Justice Sevda Binici 《Early childhood research quarterly》2013
This study examined teachers’ questions and children's responses during a play-based activity implemented in small groups within preschool classrooms. The first aim of this study was to describe teachers’ questions in terms of four levels of abstraction (i.e., a continuum of literal to inferential questions) and children's responses to these questions. The second aim was to examine the relations between teachers’ questions and children's responses using sequential analyses, to include children's level of abstraction and mean length of utterance (MLU). Participants were 39 teachers and up to six children from their preschool classroom. We found that teachers’ questions made up an average of 25% of their talk to children during play, and were relatively balanced between literal and inferential questions. Furthermore, significant sequential associations were found between the level of abstraction of teachers’ questions and the level of abstraction of children's responses (e.g., teachers’ inferential questions tended to elicit children's inferential responses). Finally, we found that teachers’ inferential questions were not related to children's MLU; that is, teachers’ more abstract questions did not elicit longer utterances from children. These findings suggest that play is a valuable context in which teachers may promote children's use of inferential language. 相似文献
372.
Susan A. Dumais Tracey E. Rizzuto Joe Cleary Luke Dowden 《The American journal of distance education》2013,27(2):100-110
A mixed-methods approach was used to examine the perceptions that adult online learners have about their ability to succeed in their educational pursuits, the barriers that they face, and the institutional supports that help them to persist. Particular attention was paid to the differences between first-generation and continuing-generation adult online learners. Survey findings show that the majority of adult online learners—both first- and continuing-generation—are confident in their abilities to succeed in school. First-generation adult online learners are more likely to cite highly demanding work environments, which may impede their ability to balance school with other commitments. Both groups make use of the supports offered by their schools, especially those related to curriculum and technical guidance, but first-generation adult online learners have higher rates of usage overall. In interviews, both groups cite the importance of advisors, whereas first-generation adult online learners are more likely to cite problems with teachers as obstacles to their success. These findings imply that it is important to consider students' generational status when developing programs and services for the adult online student population. 相似文献
373.
Several researchers have shown that children’s ability to make inferences is related to their reading comprehension. The majority of research on this topic has been conducted on older children. However, given the recent focus on the importance of narrative comprehension in prereaders, the current study examined the relationship between inference making and story comprehension in 4- to 5-year-olds. We examined children’s online inferences while narrating a wordless book as well as children’s story comprehension of a different storybook. We found that children’s total number of inferences was significantly related to their story comprehension. Three types of inferences were significantly related to story comprehension—characters goals, actions that achieved those goals, and character states. In a hierarchical regression controlling for children’s age and expressive vocabulary, a composite of these three inference types significantly predicted children’s story comprehension. 相似文献
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Joe Gow 《Communication quarterly》2013,61(3):318-327
This essay examines music video as a media form designed to persuade television viewers to purchase musical recordings. By associating performers and their songs with strategically selected visual images, video makers hope to evoke impressions which might lead viewers to desire the recordings produced by the performers featured in video clips. One specific production strategy, “pseudo‐reflexivity,” involves employing imagery that demystifies some, but not all, of the aspects of the video making process in order to both draw audience attention away from the promotional motives underlying video production and enhance the anti‐commercial stance typically adopted by hard rock musicians. 相似文献
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