School Art — What's in it?

In 2003/4 NFER undertook a study of the content of the art curriculum in secondary schools in England on behalf of the Arts Council England (ACE) and Tate Galleries [1]. In 18 schools, eight of which were identified as engaged with contemporary art practice (referred to throughout the article as the CAP schools), 54 art teachers were asked to describe the content of their most recently completed art module. ‘Content’ was taken as: the media and materials in which pupils worked; the artistic and cultural references used to support the teaching; the skills taught; and the thinking processes used. They were also questioned about the factors that influenced their choice of curriculum content and the aims that guided their choice of content. Most of the teachers (excluding the heads of department) were asked which of a set of six art images they would include in their teaching, and the reasons for their decisions. Teachers in the CAP schools were also asked to explain why they chose to include contemporary art. The findings revealed substantial differences between the two cohorts of schools, not all of which were related to the inclusion of contemporary art practice. A preoccupation with the teaching of skills was more apparent in the randomly selected schools, which also drew very heavily on the early twentieth century for their artistic references. Unsurprisingly, the CAP schools drew heavily on contemporary references, but included many from other periods, cited twice as many references overall, and had a generally more eclectic view of the purposes of teaching art.     

Religious broadcasting: 1920–1965, a bibliography

The following bibliography is the first installment of an extensive bibliography of books, pamphlets, theses, dissertations, documents, addresses, unpublished mimeographed and other miscellaneous materials, and periodical articles on religious broadcasting. The years covered are from the dawn of American broadcasting up to the present. Of particular importance is the first section on “Sources of Bibliographical Information” on this subject.

Because of the length of the entire bibliography, only the sections on sources, theses and dissertations, books and pamphlets, and unpublished and miscellaneous materials will be published in this issue of the Journal. The section on periodical articles will be published in a forthcoming issue. It is also intended to update the entire bibliography from time to time.

The importance of religious broadcasting is well‐recognized by anyone who has ever completed the programming section of an FCC application form, or has ever examined the body of law that has ranged from the Scott and Schuler cases of yesterday to the Maclntyre case of today. Those readers who find this bibliography of interest might also wish to read FCC Commissioner Lee Loevinger's “Broadcasting and Religious Liberty” in the Winter 1964–65 issue of the Journal of Broadcasting.

The major portion of this bibliography was compiled as a part of the author's Ph.D. dissertation, completed in 1965 in the Department of Speech of Michigan State University. Co‐chairmen of the guidance committee were Drs. Kenneth G. Hance of the Speech Department and Walter B. Emery of the Department of TV‐Radio. It has been updated and corrected to July 1965. Dr. Dick is Associate Professor of Speech and General Manager of KSDA at La Sierra College in Riverside, California.     

Media Education Materials — The Scottish Experience

Abstract

The article gives outlines of materials which have been published by the Scottish Film Council and which are designed for the media studies curriculum area. It also gives some speculative conclusions that arise from these productions.     

The dick and carey model: Will it survive the decade?

Many instructional designers and numerous organizations have adapted the Dick and Carey model for use in their training functions. This article reviews the changes that have occurred to the model in the 20 years since its original publication, and identifies various influences that may determine whether it will continue to be useful in the years ahead. Consideration is given to alternative instructional design textbooks and the potential decline in interest in instructional design within academic programs. The influence of constructivist theory on the 1996 version of the Dick and Carey model is described, and the long term impact of constructivist and objectivist models on public education and business and industry is assessed.     

Television History

SATURDAY MIGHT: A BACKSTAGE HISTORY OF SATURDAY MIGHT LIVE by Doug Hill and Jeff Weingrad (New York: Beech Tree Books/Morrow, 1986—$17.95)

THE SOAP OPERA ENCYCLOPEDIA by Christopher Schemering (New York: Ballantine Books, 1985—$8.95, paper)

WARNER BROS. TELEVISION: EVERY SHOW OF THE FIFTIES AND SIXTIES EPISODE-BYEPISODE by Lynn Woolley, et al. (Jefferson, NC: McFarland & Co., 1985—$25.95)

THE HISTORY OF AMERICAN BANDSTAND by Michael Shore with Dick Clark (New York: Ballantine Books, 1985—$12.95, paper)

A COLLECTOR'S GUIDE TO TV MEMORABILIA by Anthony Slide (Wallace-Homestead Book Co., 580 Waters Edge, Lombard, IL 60148—$13.95, paper)