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101.
102.
This paper demonstrates the positive impact of learning through ecological fieldwork upon children's ability to write, and to write about science. Specifically we have carried out a relatively large-scale study (involving 379 children aged 9–11 years from 8 primary schools in North East England) comparing intervention classes (involved in fieldwork) and comparison classes (no fieldwork). Pre-intervention assessments revealed no differences between classes in mean literacy scores; post-intervention assessments revealed that significantly higher literacy scores were achieved by children who had carried out fieldwork (girls consistently outperformed boys in all classes). Intervention class children achieved higher scores in science (ecology) assessments than their comparison class peers before and after the intervention. We suggest that this may be an effect of these children thinking as scientists throughout the project. Our work confirms that a child-centred outdoor learning experience focused upon science can result in learning benefits across the wider curriculum.  相似文献   
103.
Children's early language environments are related to later development. Little is known about this association in siblings of children with autism spectrum disorder (ASD), who often experience language delays or have ASD. Fifty‐nine 9‐month‐old infants at high or low familial risk for ASD contributed full‐day in‐home language recordings. High‐risk infants produced more vocalizations than low‐risk peers; conversational turns and adult words did not differ by group. Vocalization differences were driven by a subgroup of “hypervocal” infants. Despite more vocalizations overall, these infants engaged in less social babbling during a standardized clinic assessment, and they experienced fewer conversational turns relative to their rate of vocalizations. Two ways in which these individual and environmental differences may relate to subsequent development are discussed.  相似文献   
104.
Art educators continuously struggle to understand what multiculturalism ‘looks like’ in the art classroom. This has resulted in multicultural art education becoming superficial, in which art teachers guide students through art projects like creating African masks, Native American dream catchers, Aboriginal totems, and sand paintings, all without communicating the context of the art. This type of multiculturalism essentializes cultures, and builds Western, myopic narratives about groups of people, specifically about their ‘Art’. Critical multiculturalism is a power-focused upgrade of multiculturalism that calls for a critique of power and demands recognition that racism and other discriminations are enmeshed in the fabric of our social order. Teaching through a critical multiculturalism framework helps teachers dismantle Western, normalized narratives and produce counter-hegemonic curriculum that contextualizes culture and reveals its fluidity. In this article, the author shares a teacher action research study in which she describes what critical multiculturalism looks like in her art education classroom. The study focuses on ‘being’ a critically multicultural educator versus ‘doing’ critical multiculturalism. Such a position counters the idea that critical multiculturalism is a thing to complete, but instead is an ongoing process that rests on specific ways of thinking and considering the classroom, curriculum, and students.  相似文献   
105.
In this study, we report on our learning as we engaged in a four-month experience of coteaching a water unit in a Grade 7 classroom. Working at each other's elbows, in praxis, provided many opportunities to learn together: teaching and about teaching. We use two examples, learning to ask productive questions and struggling to enact an orderly curriculum to show how coteaching affords colearning, and how the lack of coteaching leads to struggling. Our work also suggests that coteaching allows for a mode of learning that is not captured by Schön's notions of reflection-in-practice and reflection-on-practice. We conclude that coteaching, as colearning, is praxis.  相似文献   
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The paper explores the nature of docents'work in museums. From this is derived the concept ofthe docent function to describe different aspects ofthat work, some of which may be performed by otherpeople and also by objects such as maps andguidebooks. This analysis leads to the idea of theCyberdocent – an extension of the docent function totake advantage of new possibilities afforded byadvanced technologies. The potential of theCyberdocent in both virtual and real museums isinvestigated. The authors claim that it is theprovision of docent functions that make a physicalmuseum more than merely a collection, and equally, itis by the provision of Cyberdocent functionality thata virtual collection becomes a virtual museum.  相似文献   
108.
The three-stage process of assessment is a structured, complete approach to the appraisal of a whole child. These systematic procedures insure due consideration for all factors affecting educational functioning. Stage 1 is designed to detgermine physical, mental, or emotional disability; Stage 2 to identify significant educational needs; Stage 3 to identify specific learning competencies and necessary instructional and related services. When all three stages are correctly and adequately addressed, the inherent bias in standardized tests will be offset by the identificantion of learning competencies and the subsequent development of appropriate learning strategies.  相似文献   
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Collaboration is a well-used term in the field of education, identified as promising practice for student learning and teaching learning alike. However, collaboration comes in different shapes and sizes, leading to radically different ends. The authors examine teachers’ own understandings and practices of collaboration with teacher colleagues within their school contexts and within a professional development model designed to allow for collaborative conversation between teachers. Implications for teacher education are then considered.  相似文献   
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